Audible (Art): The invisible connections
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34632/jsta.2021.9852 |
Resumo: | This is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connections and audible expressions. We approach three dimensions of sound in an artistic context: auditory specificities, performance dimensions, and computational listening. Sound is a complex phenomenon present in everyday life and dwelling between conscious and unconscious processes. A universe contained within itself, where every sound event has the potential to be considered aesthetic material, contributing to the proliferation of creative approaches. These specific conditions have potentiated an outbreak of sonic art genres and expressions. Listening as an epistemic process has been subjected to successive changes pushed by computation and the breeding of computational media. This essay points to visions and approaches to sound as a specific field of knowledge that can arise from, lead to, or be used as a tool of world-building. |
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Audible (Art): The invisible connectionsThis is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connections and audible expressions. We approach three dimensions of sound in an artistic context: auditory specificities, performance dimensions, and computational listening. Sound is a complex phenomenon present in everyday life and dwelling between conscious and unconscious processes. A universe contained within itself, where every sound event has the potential to be considered aesthetic material, contributing to the proliferation of creative approaches. These specific conditions have potentiated an outbreak of sonic art genres and expressions. Listening as an epistemic process has been subjected to successive changes pushed by computation and the breeding of computational media. This essay points to visions and approaches to sound as a specific field of knowledge that can arise from, lead to, or be used as a tool of world-building.Universidade Católica Portuguesa2021-04-05T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2021.9852oai:ojs.revistas.ucp.pt:article/9852Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 9-20Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 9-202183-00881646-979810.34632/jsta.2021.13.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9852https://doi.org/10.34632/jsta.2021.9852https://revistas.ucp.pt/index.php/jsta/article/view/9852/9720Copyright (c) 2021 José Alberto Gomes, Miguel Carvalhais, Henrique Portovedohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGomes, José AlbertoCarvalhais, MiguelPortovedo, Henrique2022-09-22T16:19:29Zoai:ojs.revistas.ucp.pt:article/9852Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.352270Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Audible (Art): The invisible connections |
title |
Audible (Art): The invisible connections |
spellingShingle |
Audible (Art): The invisible connections Gomes, José Alberto |
title_short |
Audible (Art): The invisible connections |
title_full |
Audible (Art): The invisible connections |
title_fullStr |
Audible (Art): The invisible connections |
title_full_unstemmed |
Audible (Art): The invisible connections |
title_sort |
Audible (Art): The invisible connections |
author |
Gomes, José Alberto |
author_facet |
Gomes, José Alberto Carvalhais, Miguel Portovedo, Henrique |
author_role |
author |
author2 |
Carvalhais, Miguel Portovedo, Henrique |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Gomes, José Alberto Carvalhais, Miguel Portovedo, Henrique |
description |
This is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connections and audible expressions. We approach three dimensions of sound in an artistic context: auditory specificities, performance dimensions, and computational listening. Sound is a complex phenomenon present in everyday life and dwelling between conscious and unconscious processes. A universe contained within itself, where every sound event has the potential to be considered aesthetic material, contributing to the proliferation of creative approaches. These specific conditions have potentiated an outbreak of sonic art genres and expressions. Listening as an epistemic process has been subjected to successive changes pushed by computation and the breeding of computational media. This essay points to visions and approaches to sound as a specific field of knowledge that can arise from, lead to, or be used as a tool of world-building. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-05T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34632/jsta.2021.9852 oai:ojs.revistas.ucp.pt:article/9852 |
url |
https://doi.org/10.34632/jsta.2021.9852 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/9852 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/9852 https://doi.org/10.34632/jsta.2021.9852 https://revistas.ucp.pt/index.php/jsta/article/view/9852/9720 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 José Alberto Gomes, Miguel Carvalhais, Henrique Portovedo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 José Alberto Gomes, Miguel Carvalhais, Henrique Portovedo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 9-20 Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 9-20 2183-0088 1646-9798 10.34632/jsta.2021.13.1 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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