Certificar produções artesanais sob uma perspetiva construtivista do património

Detalhes bibliográficos
Autor(a) principal: Rêgo, Pedro
Data de Publicação: 2023
Outros Autores: Duarte, Alice
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/156582
Resumo: Based on the perspective that heritage does not stem from the intrinsic value of goods, but rather from the way social actors engage with them in relation to their sociocultural and historical context, this article critically examines the certification of craft productions, addressing the risk of entrenchment that such processes can provoke in the artefacts produced and, on the know-how, they seek to protect. The excessively standardizing nature of some certification processes is considered to threaten the creativity of the craftsman, imposing merely repetitive and ritualistic actions. Conversely, the article advocates the need to conceive specifications that are more open to innovation, so that certification will not prevent the craftsman from recreating their productions in accordance with their creativity and in dialogue with the demands of contemporaneity.
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spelling Certificar produções artesanais sob uma perspetiva construtivista do patrimónioBased on the perspective that heritage does not stem from the intrinsic value of goods, but rather from the way social actors engage with them in relation to their sociocultural and historical context, this article critically examines the certification of craft productions, addressing the risk of entrenchment that such processes can provoke in the artefacts produced and, on the know-how, they seek to protect. The excessively standardizing nature of some certification processes is considered to threaten the creativity of the craftsman, imposing merely repetitive and ritualistic actions. Conversely, the article advocates the need to conceive specifications that are more open to innovation, so that certification will not prevent the craftsman from recreating their productions in accordance with their creativity and in dialogue with the demands of contemporaneity.2023-122023-12-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/156582por2183-1394Rêgo, PedroDuarte, Aliceinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-19T01:32:50Zoai:repositorio-aberto.up.pt:10216/156582Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:52:04.780100Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Certificar produções artesanais sob uma perspetiva construtivista do património
title Certificar produções artesanais sob uma perspetiva construtivista do património
spellingShingle Certificar produções artesanais sob uma perspetiva construtivista do património
Rêgo, Pedro
title_short Certificar produções artesanais sob uma perspetiva construtivista do património
title_full Certificar produções artesanais sob uma perspetiva construtivista do património
title_fullStr Certificar produções artesanais sob uma perspetiva construtivista do património
title_full_unstemmed Certificar produções artesanais sob uma perspetiva construtivista do património
title_sort Certificar produções artesanais sob uma perspetiva construtivista do património
author Rêgo, Pedro
author_facet Rêgo, Pedro
Duarte, Alice
author_role author
author2 Duarte, Alice
author2_role author
dc.contributor.author.fl_str_mv Rêgo, Pedro
Duarte, Alice
description Based on the perspective that heritage does not stem from the intrinsic value of goods, but rather from the way social actors engage with them in relation to their sociocultural and historical context, this article critically examines the certification of craft productions, addressing the risk of entrenchment that such processes can provoke in the artefacts produced and, on the know-how, they seek to protect. The excessively standardizing nature of some certification processes is considered to threaten the creativity of the craftsman, imposing merely repetitive and ritualistic actions. Conversely, the article advocates the need to conceive specifications that are more open to innovation, so that certification will not prevent the craftsman from recreating their productions in accordance with their creativity and in dialogue with the demands of contemporaneity.
publishDate 2023
dc.date.none.fl_str_mv 2023-12
2023-12-01T00:00:00Z
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dc.relation.none.fl_str_mv 2183-1394
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