Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portugueses
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Livro |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/152416 |
Resumo: | The carte de visite (CdV), developed by André-Adolphe-Eugène Disdéri, was one of the most widespread photographic formats in the History of First Photography (1839-1914). Albumin poses on 7 x 10 cm cards became forms of recording, exchange and diffusion of portraits, but also of other categories and themes, such as social and landscape motifs. The back and obverse of the cards often carried iconographic and textual information that documented both the authorship of the photograph and the identification of the commercial house where the CdV was produced. Through a set of Portuguese CdV, from our private collection, we have tried to analyse the information contained in the cards registered according to several processes and which constitute an important testimony on the advertising of professional and commercial houses and photographers in Portugal in the 1860s-1890s |
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7160 |
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Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portuguesesThe carte de visite (CdV), developed by André-Adolphe-Eugène Disdéri, was one of the most widespread photographic formats in the History of First Photography (1839-1914). Albumin poses on 7 x 10 cm cards became forms of recording, exchange and diffusion of portraits, but also of other categories and themes, such as social and landscape motifs. The back and obverse of the cards often carried iconographic and textual information that documented both the authorship of the photograph and the identification of the commercial house where the CdV was produced. Through a set of Portuguese CdV, from our private collection, we have tried to analyse the information contained in the cards registered according to several processes and which constitute an important testimony on the advertising of professional and commercial houses and photographers in Portugal in the 1860s-1890s20232023-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://hdl.handle.net/10216/152416porResende, Nunoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T12:56:27Zoai:repositorio-aberto.up.pt:10216/152416Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:30:01.479754Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portugueses |
title |
Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portugueses |
spellingShingle |
Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portugueses Resende, Nuno |
title_short |
Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portugueses |
title_full |
Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portugueses |
title_fullStr |
Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portugueses |
title_full_unstemmed |
Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portugueses |
title_sort |
Dísticos, legendas e «marcas» em cartes de visite de fotógrafos portugueses |
author |
Resende, Nuno |
author_facet |
Resende, Nuno |
author_role |
author |
dc.contributor.author.fl_str_mv |
Resende, Nuno |
description |
The carte de visite (CdV), developed by André-Adolphe-Eugène Disdéri, was one of the most widespread photographic formats in the History of First Photography (1839-1914). Albumin poses on 7 x 10 cm cards became forms of recording, exchange and diffusion of portraits, but also of other categories and themes, such as social and landscape motifs. The back and obverse of the cards often carried iconographic and textual information that documented both the authorship of the photograph and the identification of the commercial house where the CdV was produced. Through a set of Portuguese CdV, from our private collection, we have tried to analyse the information contained in the cards registered according to several processes and which constitute an important testimony on the advertising of professional and commercial houses and photographers in Portugal in the 1860s-1890s |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023 2023-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/book |
format |
book |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/152416 |
url |
https://hdl.handle.net/10216/152416 |
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por |
language |
por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799135607668080640 |