European Music After 1945 as a Restricted Space of Enunciation

Detalhes bibliográficos
Autor(a) principal: Vargas, António Pinho
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/20039
https://doi.org/10.1177/2158244012446995
Resumo: In this article, starting from the contributions of Pierre-Michel Menger and some sociological concepts of Boaventura de Sousa Santos and other postcolonial authors, the author proposes an analysis of the new musical structures created after 1945 in the new music field in Europe as a construction regulated and dominated by the core countries, critically seen from the vantage point of observation of a peripheral and subaltern country of Europe.
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spelling European Music After 1945 as a Restricted Space of EnunciationGeocultureGeopoliticsNew music after 1945PowerLocation of cultureIn this article, starting from the contributions of Pierre-Michel Menger and some sociological concepts of Boaventura de Sousa Santos and other postcolonial authors, the author proposes an analysis of the new musical structures created after 1945 in the new music field in Europe as a construction regulated and dominated by the core countries, critically seen from the vantage point of observation of a peripheral and subaltern country of Europe.SAGE2012-05info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleVARGAS, António Pinho - European Music After 1945 as a Restricted Space of Enunciation. "SAGE Open" [Em linha]. (2012). [Consultado em Dia Mês e Ano]. Disponível em WWW:<http://hdl.handle.net/10316/20039>. ISSN 2158-2440http://hdl.handle.net/10316/20039VARGAS, António Pinho - European Music After 1945 as a Restricted Space of Enunciation. "SAGE Open" [Em linha]. (2012). [Consultado em Dia Mês e Ano]. Disponível em WWW:<http://hdl.handle.net/10316/20039>. ISSN 2158-2440http://hdl.handle.net/10316/20039https://doi.org/10.1177/2158244012446995eng2158-2440http://sgo.sagepub.com/content/early/2012/05/10/2158244012446995Vargas, António Pinhoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2021-11-08T09:03:51Zoai:estudogeral.uc.pt:10316/20039Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:50:26.444468Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv European Music After 1945 as a Restricted Space of Enunciation
title European Music After 1945 as a Restricted Space of Enunciation
spellingShingle European Music After 1945 as a Restricted Space of Enunciation
Vargas, António Pinho
Geoculture
Geopolitics
New music after 1945
Power
Location of culture
title_short European Music After 1945 as a Restricted Space of Enunciation
title_full European Music After 1945 as a Restricted Space of Enunciation
title_fullStr European Music After 1945 as a Restricted Space of Enunciation
title_full_unstemmed European Music After 1945 as a Restricted Space of Enunciation
title_sort European Music After 1945 as a Restricted Space of Enunciation
author Vargas, António Pinho
author_facet Vargas, António Pinho
author_role author
dc.contributor.author.fl_str_mv Vargas, António Pinho
dc.subject.por.fl_str_mv Geoculture
Geopolitics
New music after 1945
Power
Location of culture
topic Geoculture
Geopolitics
New music after 1945
Power
Location of culture
description In this article, starting from the contributions of Pierre-Michel Menger and some sociological concepts of Boaventura de Sousa Santos and other postcolonial authors, the author proposes an analysis of the new musical structures created after 1945 in the new music field in Europe as a construction regulated and dominated by the core countries, critically seen from the vantage point of observation of a peripheral and subaltern country of Europe.
publishDate 2012
dc.date.none.fl_str_mv 2012-05
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv VARGAS, António Pinho - European Music After 1945 as a Restricted Space of Enunciation. "SAGE Open" [Em linha]. (2012). [Consultado em Dia Mês e Ano]. Disponível em WWW:<http://hdl.handle.net/10316/20039>. ISSN 2158-2440
http://hdl.handle.net/10316/20039
VARGAS, António Pinho - European Music After 1945 as a Restricted Space of Enunciation. "SAGE Open" [Em linha]. (2012). [Consultado em Dia Mês e Ano]. Disponível em WWW:<http://hdl.handle.net/10316/20039>. ISSN 2158-2440
http://hdl.handle.net/10316/20039
https://doi.org/10.1177/2158244012446995
identifier_str_mv VARGAS, António Pinho - European Music After 1945 as a Restricted Space of Enunciation. "SAGE Open" [Em linha]. (2012). [Consultado em Dia Mês e Ano]. Disponível em WWW:<http://hdl.handle.net/10316/20039>. ISSN 2158-2440
url http://hdl.handle.net/10316/20039
https://doi.org/10.1177/2158244012446995
dc.language.iso.fl_str_mv eng
language eng
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http://sgo.sagepub.com/content/early/2012/05/10/2158244012446995
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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