Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practices

Detalhes bibliográficos
Autor(a) principal: Marnoto, Rita
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/101465
https://doi.org/10.14195/2183-1718_76_4
Resumo: This article focuses on the centrality provided to auctores and texts as corpora, in the framework of Francesco Petrarca and the theory of imitation by the humanists. Initially, animal images from Petrarca and the humanists are analysed, as well as the paths of their diffusion. These were used to express the role of the model, the involvement of the writer, variatio, the election of stilus, and the questions sustained by the new routes of interaction with Cicero. Then, three main methodological ways to study the relationship between texts as corpora are presented: semiosphere, intertextuality, and reception theory. A critic point of view towards the static methodologies is here expressed. Conclusively, the dialogue between Petrarca and Cicero, as text and corpus, is recalled in order to incorporate the auctores contamination.
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spelling Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practicesPetrarcatext as corpuszmethodologyThis article focuses on the centrality provided to auctores and texts as corpora, in the framework of Francesco Petrarca and the theory of imitation by the humanists. Initially, animal images from Petrarca and the humanists are analysed, as well as the paths of their diffusion. These were used to express the role of the model, the involvement of the writer, variatio, the election of stilus, and the questions sustained by the new routes of interaction with Cicero. Then, three main methodological ways to study the relationship between texts as corpora are presented: semiosphere, intertextuality, and reception theory. A critic point of view towards the static methodologies is here expressed. Conclusively, the dialogue between Petrarca and Cicero, as text and corpus, is recalled in order to incorporate the auctores contamination.2020info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/101465http://hdl.handle.net/10316/101465https://doi.org/10.14195/2183-1718_76_4eng2183-17180871-1569Marnoto, Ritainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-08-26T20:57:08Zoai:estudogeral.uc.pt:10316/101465Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:18:39.174031Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practices
title Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practices
spellingShingle Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practices
Marnoto, Rita
Petrarca
text as corpus
z
methodology
title_short Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practices
title_full Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practices
title_fullStr Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practices
title_full_unstemmed Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practices
title_sort Cicero’s corpus and Petrarch’s ankle. The theory of imitation and its practices
author Marnoto, Rita
author_facet Marnoto, Rita
author_role author
dc.contributor.author.fl_str_mv Marnoto, Rita
dc.subject.por.fl_str_mv Petrarca
text as corpus
z
methodology
topic Petrarca
text as corpus
z
methodology
description This article focuses on the centrality provided to auctores and texts as corpora, in the framework of Francesco Petrarca and the theory of imitation by the humanists. Initially, animal images from Petrarca and the humanists are analysed, as well as the paths of their diffusion. These were used to express the role of the model, the involvement of the writer, variatio, the election of stilus, and the questions sustained by the new routes of interaction with Cicero. Then, three main methodological ways to study the relationship between texts as corpora are presented: semiosphere, intertextuality, and reception theory. A critic point of view towards the static methodologies is here expressed. Conclusively, the dialogue between Petrarca and Cicero, as text and corpus, is recalled in order to incorporate the auctores contamination.
publishDate 2020
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http://hdl.handle.net/10316/101465
https://doi.org/10.14195/2183-1718_76_4
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https://doi.org/10.14195/2183-1718_76_4
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