Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practice

Detalhes bibliográficos
Autor(a) principal: Marnoto, Rita
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/92047
https://doi.org/10.14195/2183_1718_76_4
Resumo: This article focuses on the centrality provided to auctores and texts as corpora, in the framework of Francesco Petrarca and the theory of imitation by the humanists. Initially, animal images from Petrarca and the humanists are analysed, as well as the paths of their diffusion. These were used to express the role of the model, the involvement of the writer, variatio, the election of stilus, and the questions sustained by the new routes of interaction with Cicero. Then, three main methodological ways to study the relationship between texts as corpora are presented: semiosphere, intertextuality, and reception theory. A critic point of view towards the static methodologies is here expressed. Conclusively, the dialogue between Petrarca and Cicero, as text and corpus, is recalled in order to incorporate the auctores contamination.
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spelling Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practicePetrarcaCiceroImitatioRenascimentoThis article focuses on the centrality provided to auctores and texts as corpora, in the framework of Francesco Petrarca and the theory of imitation by the humanists. Initially, animal images from Petrarca and the humanists are analysed, as well as the paths of their diffusion. These were used to express the role of the model, the involvement of the writer, variatio, the election of stilus, and the questions sustained by the new routes of interaction with Cicero. Then, three main methodological ways to study the relationship between texts as corpora are presented: semiosphere, intertextuality, and reception theory. A critic point of view towards the static methodologies is here expressed. Conclusively, the dialogue between Petrarca and Cicero, as text and corpus, is recalled in order to incorporate the auctores contamination.Imprensa da Universidade de Coimbra2020info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/92047http://hdl.handle.net/10316/92047https://doi.org/10.14195/2183_1718_76_4eng0871 1569Marnoto, Ritainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-05-25T04:42:16Zoai:estudogeral.uc.pt:10316/92047Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:11:15.049755Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practice
title Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practice
spellingShingle Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practice
Marnoto, Rita
Petrarca
Cicero
Imitatio
Renascimento
title_short Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practice
title_full Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practice
title_fullStr Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practice
title_full_unstemmed Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practice
title_sort Cicero’s corpus and Petrarca’s ankle. The theory of imitatio and its practice
author Marnoto, Rita
author_facet Marnoto, Rita
author_role author
dc.contributor.author.fl_str_mv Marnoto, Rita
dc.subject.por.fl_str_mv Petrarca
Cicero
Imitatio
Renascimento
topic Petrarca
Cicero
Imitatio
Renascimento
description This article focuses on the centrality provided to auctores and texts as corpora, in the framework of Francesco Petrarca and the theory of imitation by the humanists. Initially, animal images from Petrarca and the humanists are analysed, as well as the paths of their diffusion. These were used to express the role of the model, the involvement of the writer, variatio, the election of stilus, and the questions sustained by the new routes of interaction with Cicero. Then, three main methodological ways to study the relationship between texts as corpora are presented: semiosphere, intertextuality, and reception theory. A critic point of view towards the static methodologies is here expressed. Conclusively, the dialogue between Petrarca and Cicero, as text and corpus, is recalled in order to incorporate the auctores contamination.
publishDate 2020
dc.date.none.fl_str_mv 2020
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10316/92047
http://hdl.handle.net/10316/92047
https://doi.org/10.14195/2183_1718_76_4
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https://doi.org/10.14195/2183_1718_76_4
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