A expressão arquitétónica na escultura moderna

Detalhes bibliográficos
Autor(a) principal: Pastor, Bárbara Alexandre Valadas Bulhão Coelho, 1992-
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/24103
Resumo: This dissertation seeks to map out a route in sculptural production and artistic modernism, through the questioning of some of the different ways of approaching the concept of sculpture and architecture that were explored during the twentieth century. Based on the concepts of sculpture, architecture and space — which are proposed as a complementary perspectives to the analysis of our study object — a reflection is develop, in which explores the tension between a sculptural model and an architectural model. This research aims to identify and understand some presences of architectural expression in Modern sculpture. In this context, we will see that this has influenced other movements to the present day, but also a result of a historical situation. The relationship between sculpture and architecture has taken different forms and functions over time and the means of technological and industrial production were seen as a way of transformation of twentieth-century art. The first part of this dissertation focuses on several Modernism definition proposals. The second part presents the first vanguards proposals, and the transformations in the way of understanding sculpture. In the third part, the most current trends, which provide a reference for resolving the tension between the listed models, are addressed. Going against the linear evolution of reading, this paper proposes an interpretation that is based on the identification from a processing of the sculpture conception
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spelling A expressão arquitétónica na escultura modernaMatta-Clark, Gordon, 1943-1978EsculturaEspaço arquitectónicoModernidadeModernismoBauhausConstrutivismoInternacional situacionistaEscultura - (Especialização em Estudos de EsculturaThis dissertation seeks to map out a route in sculptural production and artistic modernism, through the questioning of some of the different ways of approaching the concept of sculpture and architecture that were explored during the twentieth century. Based on the concepts of sculpture, architecture and space — which are proposed as a complementary perspectives to the analysis of our study object — a reflection is develop, in which explores the tension between a sculptural model and an architectural model. This research aims to identify and understand some presences of architectural expression in Modern sculpture. In this context, we will see that this has influenced other movements to the present day, but also a result of a historical situation. The relationship between sculpture and architecture has taken different forms and functions over time and the means of technological and industrial production were seen as a way of transformation of twentieth-century art. The first part of this dissertation focuses on several Modernism definition proposals. The second part presents the first vanguards proposals, and the transformations in the way of understanding sculpture. In the third part, the most current trends, which provide a reference for resolving the tension between the listed models, are addressed. Going against the linear evolution of reading, this paper proposes an interpretation that is based on the identification from a processing of the sculpture conceptionTeixeira, José, 1960-Repositório da Universidade de LisboaPastor, Bárbara Alexandre Valadas Bulhão Coelho, 1992-2016-06-20T14:58:32Z2016-04-062016-06-202016-04-06T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/24103TID:201491796porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:12:43Zoai:repositorio.ul.pt:10451/24103Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:41:20.389539Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv A expressão arquitétónica na escultura moderna
title A expressão arquitétónica na escultura moderna
spellingShingle A expressão arquitétónica na escultura moderna
Pastor, Bárbara Alexandre Valadas Bulhão Coelho, 1992-
Matta-Clark, Gordon, 1943-1978
Escultura
Espaço arquitectónico
Modernidade
Modernismo
Bauhaus
Construtivismo
Internacional situacionista
Escultura - (Especialização em Estudos de Escultura
title_short A expressão arquitétónica na escultura moderna
title_full A expressão arquitétónica na escultura moderna
title_fullStr A expressão arquitétónica na escultura moderna
title_full_unstemmed A expressão arquitétónica na escultura moderna
title_sort A expressão arquitétónica na escultura moderna
author Pastor, Bárbara Alexandre Valadas Bulhão Coelho, 1992-
author_facet Pastor, Bárbara Alexandre Valadas Bulhão Coelho, 1992-
author_role author
dc.contributor.none.fl_str_mv Teixeira, José, 1960-
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Pastor, Bárbara Alexandre Valadas Bulhão Coelho, 1992-
dc.subject.por.fl_str_mv Matta-Clark, Gordon, 1943-1978
Escultura
Espaço arquitectónico
Modernidade
Modernismo
Bauhaus
Construtivismo
Internacional situacionista
Escultura - (Especialização em Estudos de Escultura
topic Matta-Clark, Gordon, 1943-1978
Escultura
Espaço arquitectónico
Modernidade
Modernismo
Bauhaus
Construtivismo
Internacional situacionista
Escultura - (Especialização em Estudos de Escultura
description This dissertation seeks to map out a route in sculptural production and artistic modernism, through the questioning of some of the different ways of approaching the concept of sculpture and architecture that were explored during the twentieth century. Based on the concepts of sculpture, architecture and space — which are proposed as a complementary perspectives to the analysis of our study object — a reflection is develop, in which explores the tension between a sculptural model and an architectural model. This research aims to identify and understand some presences of architectural expression in Modern sculpture. In this context, we will see that this has influenced other movements to the present day, but also a result of a historical situation. The relationship between sculpture and architecture has taken different forms and functions over time and the means of technological and industrial production were seen as a way of transformation of twentieth-century art. The first part of this dissertation focuses on several Modernism definition proposals. The second part presents the first vanguards proposals, and the transformations in the way of understanding sculpture. In the third part, the most current trends, which provide a reference for resolving the tension between the listed models, are addressed. Going against the linear evolution of reading, this paper proposes an interpretation that is based on the identification from a processing of the sculpture conception
publishDate 2016
dc.date.none.fl_str_mv 2016-06-20T14:58:32Z
2016-04-06
2016-06-20
2016-04-06T00:00:00Z
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