O poema Marcelo Ariel, ou como nos tornamso sóis

Detalhes bibliográficos
Autor(a) principal: Teixeira, Ângela Castelo Branco
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/29436
Resumo: The objective of this article is to pursue the question: “how do we become suns?” From the work of the poet, performer and essayist Marcelo Ariel, who lives in Cubatão, industrial city of Baixada Santista, São Paulo, Brazil. For this discussion, excerpts from his book The Creation of the World as Forgetfulness, published in 2015, have been chosen. It is a book composed of small essays, fictitious interviews, excerpts from diaries, verses and loose sentences, characterizing itself as a text Diverse and at the same time uno, since all the fragments have the title “Sunday”. Let’s try to find in some excerpts the voices of Ariel pursuing the statement “we must write about how we become suns” dialoguing with the text Because it is written by Maria Zambrano, Spanish philosopher. For her, writing is defending solitude, but communicable solitude. This writing emerges from a fidelity to what needs to be wrenched from silence. And this does not mean putting yourself, but being an empty place where silence can lodge. To become the sun is to create oneself, beyond what one wants to say, and precisely for this reason, it is always Sunday and we can together be suns
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spelling O poema Marcelo Ariel, ou como nos tornamso sóisAriel, Marcelo, 1968-Ensaísmo literárioPoemasEscritaSilêncioVazioCrítica e interpretaçãoThe objective of this article is to pursue the question: “how do we become suns?” From the work of the poet, performer and essayist Marcelo Ariel, who lives in Cubatão, industrial city of Baixada Santista, São Paulo, Brazil. For this discussion, excerpts from his book The Creation of the World as Forgetfulness, published in 2015, have been chosen. It is a book composed of small essays, fictitious interviews, excerpts from diaries, verses and loose sentences, characterizing itself as a text Diverse and at the same time uno, since all the fragments have the title “Sunday”. Let’s try to find in some excerpts the voices of Ariel pursuing the statement “we must write about how we become suns” dialoguing with the text Because it is written by Maria Zambrano, Spanish philosopher. For her, writing is defending solitude, but communicable solitude. This writing emerges from a fidelity to what needs to be wrenched from silence. And this does not mean putting yourself, but being an empty place where silence can lodge. To become the sun is to create oneself, beyond what one wants to say, and precisely for this reason, it is always Sunday and we can together be sunsUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-ArtesRepositório da Universidade de LisboaTeixeira, Ângela Castelo Branco2017-10-26T10:56:51Z2017-012017-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleimage/jpegapplication/pdfhttp://hdl.handle.net/10451/29436porIn: Croma. - Lisboa, 2017-. - Vol. 5, nº 9 (Jan./Jun. 2017), p. 92-97info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:21:45Zoai:repositorio.ul.pt:10451/29436Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:45:26.913185Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv O poema Marcelo Ariel, ou como nos tornamso sóis
title O poema Marcelo Ariel, ou como nos tornamso sóis
spellingShingle O poema Marcelo Ariel, ou como nos tornamso sóis
Teixeira, Ângela Castelo Branco
Ariel, Marcelo, 1968-
Ensaísmo literário
Poemas
Escrita
Silêncio
Vazio
Crítica e interpretação
title_short O poema Marcelo Ariel, ou como nos tornamso sóis
title_full O poema Marcelo Ariel, ou como nos tornamso sóis
title_fullStr O poema Marcelo Ariel, ou como nos tornamso sóis
title_full_unstemmed O poema Marcelo Ariel, ou como nos tornamso sóis
title_sort O poema Marcelo Ariel, ou como nos tornamso sóis
author Teixeira, Ângela Castelo Branco
author_facet Teixeira, Ângela Castelo Branco
author_role author
dc.contributor.none.fl_str_mv Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Teixeira, Ângela Castelo Branco
dc.subject.por.fl_str_mv Ariel, Marcelo, 1968-
Ensaísmo literário
Poemas
Escrita
Silêncio
Vazio
Crítica e interpretação
topic Ariel, Marcelo, 1968-
Ensaísmo literário
Poemas
Escrita
Silêncio
Vazio
Crítica e interpretação
description The objective of this article is to pursue the question: “how do we become suns?” From the work of the poet, performer and essayist Marcelo Ariel, who lives in Cubatão, industrial city of Baixada Santista, São Paulo, Brazil. For this discussion, excerpts from his book The Creation of the World as Forgetfulness, published in 2015, have been chosen. It is a book composed of small essays, fictitious interviews, excerpts from diaries, verses and loose sentences, characterizing itself as a text Diverse and at the same time uno, since all the fragments have the title “Sunday”. Let’s try to find in some excerpts the voices of Ariel pursuing the statement “we must write about how we become suns” dialoguing with the text Because it is written by Maria Zambrano, Spanish philosopher. For her, writing is defending solitude, but communicable solitude. This writing emerges from a fidelity to what needs to be wrenched from silence. And this does not mean putting yourself, but being an empty place where silence can lodge. To become the sun is to create oneself, beyond what one wants to say, and precisely for this reason, it is always Sunday and we can together be suns
publishDate 2017
dc.date.none.fl_str_mv 2017-10-26T10:56:51Z
2017-01
2017-01-01T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/29436
url http://hdl.handle.net/10451/29436
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv In: Croma. - Lisboa, 2017-. - Vol. 5, nº 9 (Jan./Jun. 2017), p. 92-97
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv image/jpeg
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dc.publisher.none.fl_str_mv Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
publisher.none.fl_str_mv Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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