O poema Marcelo Ariel, ou como nos tornamso sóis
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/29436 |
Resumo: | The objective of this article is to pursue the question: “how do we become suns?” From the work of the poet, performer and essayist Marcelo Ariel, who lives in Cubatão, industrial city of Baixada Santista, São Paulo, Brazil. For this discussion, excerpts from his book The Creation of the World as Forgetfulness, published in 2015, have been chosen. It is a book composed of small essays, fictitious interviews, excerpts from diaries, verses and loose sentences, characterizing itself as a text Diverse and at the same time uno, since all the fragments have the title “Sunday”. Let’s try to find in some excerpts the voices of Ariel pursuing the statement “we must write about how we become suns” dialoguing with the text Because it is written by Maria Zambrano, Spanish philosopher. For her, writing is defending solitude, but communicable solitude. This writing emerges from a fidelity to what needs to be wrenched from silence. And this does not mean putting yourself, but being an empty place where silence can lodge. To become the sun is to create oneself, beyond what one wants to say, and precisely for this reason, it is always Sunday and we can together be suns |
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O poema Marcelo Ariel, ou como nos tornamso sóisAriel, Marcelo, 1968-Ensaísmo literárioPoemasEscritaSilêncioVazioCrítica e interpretaçãoThe objective of this article is to pursue the question: “how do we become suns?” From the work of the poet, performer and essayist Marcelo Ariel, who lives in Cubatão, industrial city of Baixada Santista, São Paulo, Brazil. For this discussion, excerpts from his book The Creation of the World as Forgetfulness, published in 2015, have been chosen. It is a book composed of small essays, fictitious interviews, excerpts from diaries, verses and loose sentences, characterizing itself as a text Diverse and at the same time uno, since all the fragments have the title “Sunday”. Let’s try to find in some excerpts the voices of Ariel pursuing the statement “we must write about how we become suns” dialoguing with the text Because it is written by Maria Zambrano, Spanish philosopher. For her, writing is defending solitude, but communicable solitude. This writing emerges from a fidelity to what needs to be wrenched from silence. And this does not mean putting yourself, but being an empty place where silence can lodge. To become the sun is to create oneself, beyond what one wants to say, and precisely for this reason, it is always Sunday and we can together be sunsUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-ArtesRepositório da Universidade de LisboaTeixeira, Ângela Castelo Branco2017-10-26T10:56:51Z2017-012017-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleimage/jpegapplication/pdfhttp://hdl.handle.net/10451/29436porIn: Croma. - Lisboa, 2017-. - Vol. 5, nº 9 (Jan./Jun. 2017), p. 92-97info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:21:45Zoai:repositorio.ul.pt:10451/29436Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:45:26.913185Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
O poema Marcelo Ariel, ou como nos tornamso sóis |
title |
O poema Marcelo Ariel, ou como nos tornamso sóis |
spellingShingle |
O poema Marcelo Ariel, ou como nos tornamso sóis Teixeira, Ângela Castelo Branco Ariel, Marcelo, 1968- Ensaísmo literário Poemas Escrita Silêncio Vazio Crítica e interpretação |
title_short |
O poema Marcelo Ariel, ou como nos tornamso sóis |
title_full |
O poema Marcelo Ariel, ou como nos tornamso sóis |
title_fullStr |
O poema Marcelo Ariel, ou como nos tornamso sóis |
title_full_unstemmed |
O poema Marcelo Ariel, ou como nos tornamso sóis |
title_sort |
O poema Marcelo Ariel, ou como nos tornamso sóis |
author |
Teixeira, Ângela Castelo Branco |
author_facet |
Teixeira, Ângela Castelo Branco |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Teixeira, Ângela Castelo Branco |
dc.subject.por.fl_str_mv |
Ariel, Marcelo, 1968- Ensaísmo literário Poemas Escrita Silêncio Vazio Crítica e interpretação |
topic |
Ariel, Marcelo, 1968- Ensaísmo literário Poemas Escrita Silêncio Vazio Crítica e interpretação |
description |
The objective of this article is to pursue the question: “how do we become suns?” From the work of the poet, performer and essayist Marcelo Ariel, who lives in Cubatão, industrial city of Baixada Santista, São Paulo, Brazil. For this discussion, excerpts from his book The Creation of the World as Forgetfulness, published in 2015, have been chosen. It is a book composed of small essays, fictitious interviews, excerpts from diaries, verses and loose sentences, characterizing itself as a text Diverse and at the same time uno, since all the fragments have the title “Sunday”. Let’s try to find in some excerpts the voices of Ariel pursuing the statement “we must write about how we become suns” dialoguing with the text Because it is written by Maria Zambrano, Spanish philosopher. For her, writing is defending solitude, but communicable solitude. This writing emerges from a fidelity to what needs to be wrenched from silence. And this does not mean putting yourself, but being an empty place where silence can lodge. To become the sun is to create oneself, beyond what one wants to say, and precisely for this reason, it is always Sunday and we can together be suns |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-10-26T10:56:51Z 2017-01 2017-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/29436 |
url |
http://hdl.handle.net/10451/29436 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
In: Croma. - Lisboa, 2017-. - Vol. 5, nº 9 (Jan./Jun. 2017), p. 92-97 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
image/jpeg application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
publisher.none.fl_str_mv |
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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