Stringing a creative process: disassembly of “Mujer en la ventana”

Detalhes bibliográficos
Autor(a) principal: Ibarra, Ines
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: spa
eng
por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.37334/eras.v13i2.210
Resumo: When we talk about the theatre disassembly, it is common to think about the spaces where we exchange our opinions orally which are usually set in Festival or Theatre meetings. That´s why we want to recover the spirit of this activity by means of a written register to address the creative process which gave rise to the winner play of the Theatre Provincial Festival of Río Negro, Argentina in 2016. Some aspects of the creative process that are taking into account in such disassembly are the trigger images, the intertextuality, the dramaturgy proceedings, disassembly and staging.  
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spelling Stringing a creative process: disassembly of “Mujer en la ventana”HILVANANDO UN PROCESO CREATIVO: DESMONTAJE DE “MUJER EN LA VENTANA...”HILVANANDO UN PROCESO CREATIVO: DESMONTAJE DE “MUJER EN LA VENTANA...”desmontajeteatroproceso creativodramaturgiaspuesta en escenaDisassemblyTheater;creative processDramaturgiesStagingWhen we talk about the theatre disassembly, it is common to think about the spaces where we exchange our opinions orally which are usually set in Festival or Theatre meetings. That´s why we want to recover the spirit of this activity by means of a written register to address the creative process which gave rise to the winner play of the Theatre Provincial Festival of Río Negro, Argentina in 2016. Some aspects of the creative process that are taking into account in such disassembly are the trigger images, the intertextuality, the dramaturgy proceedings, disassembly and staging.  Cuando hablamos de desmontaje teatral es más frecuente que lo asociemos a espacios de intercambio oral que suelen programarse en Festivales o Encuentros teatrales. En estas líneas proponemos recuperar algo del espíritu de esta práctica desde un registro escrito para abordar el proceso creativo que dio origen a la obra ganadora del Festival Provincial de Teatro de Rio Negro, Argentina, en 2016. Algunos aspectos del proceso creativo que se han tomado en cuenta para este desmontaje son las imágenes disparadoras, las intertextualidades, los procedimientos dramatúrgicos, montaje y la puesta en escena.Cuando hablamos de desmontaje teatral es más frecuente que lo asociemos a espacios de intercambio oral que suelen programarse en Festivales o Encuentros teatrales. En estas líneas proponemos recuperar algo del espíritu de esta práctica desde un registro escrito para abordar el proceso creativo que dio origen a la obra ganadora del Festival Provincial de Teatro de Rio Negro, Argentina, en 2016. Algunos aspectos del proceso creativo que se han tomado en cuenta para este desmontaje son las imágenes disparadoras, las intertextualidades, los procedimientos dramatúrgicos, montaje y la puesta en escena.  MUNDIS2022-08-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/pdfapplication/pdfhttps://doi.org/10.37334/eras.v13i2.210https://doi.org/10.37334/eras.v13i2.210ERAS | European Review of Artistic Studies; Vol. 13 N.º 2 (2022): 49.ª Edição | ERAS; 1-10ERAS | European Review of Artistic Studies; Vol. 13 No. 2 (2022): 49.ª Edição | ERAS; 1-101647-35582184-2116reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPspaengporhttps://eras.mundis.pt/index.php/eras/article/view/210https://eras.mundis.pt/index.php/eras/article/view/210/197https://eras.mundis.pt/index.php/eras/article/view/210/221https://eras.mundis.pt/index.php/eras/article/view/210/225Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticosinfo:eu-repo/semantics/openAccessIbarra, Ines2023-01-13T12:45:14Zoai:ojs2.eras.mundis.pt:article/210Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:10:52.732644Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Stringing a creative process: disassembly of “Mujer en la ventana”
HILVANANDO UN PROCESO CREATIVO: DESMONTAJE DE “MUJER EN LA VENTANA...”
HILVANANDO UN PROCESO CREATIVO: DESMONTAJE DE “MUJER EN LA VENTANA...”
title Stringing a creative process: disassembly of “Mujer en la ventana”
spellingShingle Stringing a creative process: disassembly of “Mujer en la ventana”
Ibarra, Ines
desmontaje
teatro
proceso creativo
dramaturgias
puesta en escena
Disassembly
Theater;creative process
Dramaturgies
Staging
title_short Stringing a creative process: disassembly of “Mujer en la ventana”
title_full Stringing a creative process: disassembly of “Mujer en la ventana”
title_fullStr Stringing a creative process: disassembly of “Mujer en la ventana”
title_full_unstemmed Stringing a creative process: disassembly of “Mujer en la ventana”
title_sort Stringing a creative process: disassembly of “Mujer en la ventana”
author Ibarra, Ines
author_facet Ibarra, Ines
author_role author
dc.contributor.author.fl_str_mv Ibarra, Ines
dc.subject.por.fl_str_mv desmontaje
teatro
proceso creativo
dramaturgias
puesta en escena
Disassembly
Theater;creative process
Dramaturgies
Staging
topic desmontaje
teatro
proceso creativo
dramaturgias
puesta en escena
Disassembly
Theater;creative process
Dramaturgies
Staging
description When we talk about the theatre disassembly, it is common to think about the spaces where we exchange our opinions orally which are usually set in Festival or Theatre meetings. That´s why we want to recover the spirit of this activity by means of a written register to address the creative process which gave rise to the winner play of the Theatre Provincial Festival of Río Negro, Argentina in 2016. Some aspects of the creative process that are taking into account in such disassembly are the trigger images, the intertextuality, the dramaturgy proceedings, disassembly and staging.  
publishDate 2022
dc.date.none.fl_str_mv 2022-08-23
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.37334/eras.v13i2.210
https://doi.org/10.37334/eras.v13i2.210
url https://doi.org/10.37334/eras.v13i2.210
dc.language.iso.fl_str_mv spa
eng
por
language spa
eng
por
dc.relation.none.fl_str_mv https://eras.mundis.pt/index.php/eras/article/view/210
https://eras.mundis.pt/index.php/eras/article/view/210/197
https://eras.mundis.pt/index.php/eras/article/view/210/221
https://eras.mundis.pt/index.php/eras/article/view/210/225
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticos
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticos
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
application/pdf
dc.publisher.none.fl_str_mv MUNDIS
publisher.none.fl_str_mv MUNDIS
dc.source.none.fl_str_mv ERAS | European Review of Artistic Studies; Vol. 13 N.º 2 (2022): 49.ª Edição | ERAS; 1-10
ERAS | European Review of Artistic Studies; Vol. 13 No. 2 (2022): 49.ª Edição | ERAS; 1-10
1647-3558
2184-2116
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instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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