Eduardo Lourenço: um poeta da filosofia

Detalhes bibliográficos
Autor(a) principal: Natário, Maria Celeste
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/155776
Resumo: In this study, Tempo e Poesia was the work of Eduardo Lourenço that we used the most for our considerations. Not only because it was in this work that his essayism gains greater expression, but, at the same time, because time-poetry is the binomial or the thematic pair, which both at an existential and ontological level, better clarifies our author's thinking. Eduardo Lourenço's essays always or almost always have an existential and ontological rhythm, whether when he turns his gaze to the definition of culture, with its myths and adventures (no equivalent analysis in another Portuguese author of the 20th century), or when he analyzes the expression of thought of his first closest interlocutors such as Kierkegaard and Camus, or even when he critically reads the work of most 20th century poets in Portugal.
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spelling Eduardo Lourenço: um poeta da filosofiaIn this study, Tempo e Poesia was the work of Eduardo Lourenço that we used the most for our considerations. Not only because it was in this work that his essayism gains greater expression, but, at the same time, because time-poetry is the binomial or the thematic pair, which both at an existential and ontological level, better clarifies our author's thinking. Eduardo Lourenço's essays always or almost always have an existential and ontological rhythm, whether when he turns his gaze to the definition of culture, with its myths and adventures (no equivalent analysis in another Portuguese author of the 20th century), or when he analyzes the expression of thought of his first closest interlocutors such as Kierkegaard and Camus, or even when he critically reads the work of most 20th century poets in Portugal.20232023-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/155776por0211-664210.15304/ag.42.2.8228Natário, Maria Celesteinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-12-16T06:03:43Zoai:repositorio-aberto.up.pt:10216/155776Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:54:34.902516Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Eduardo Lourenço: um poeta da filosofia
title Eduardo Lourenço: um poeta da filosofia
spellingShingle Eduardo Lourenço: um poeta da filosofia
Natário, Maria Celeste
title_short Eduardo Lourenço: um poeta da filosofia
title_full Eduardo Lourenço: um poeta da filosofia
title_fullStr Eduardo Lourenço: um poeta da filosofia
title_full_unstemmed Eduardo Lourenço: um poeta da filosofia
title_sort Eduardo Lourenço: um poeta da filosofia
author Natário, Maria Celeste
author_facet Natário, Maria Celeste
author_role author
dc.contributor.author.fl_str_mv Natário, Maria Celeste
description In this study, Tempo e Poesia was the work of Eduardo Lourenço that we used the most for our considerations. Not only because it was in this work that his essayism gains greater expression, but, at the same time, because time-poetry is the binomial or the thematic pair, which both at an existential and ontological level, better clarifies our author's thinking. Eduardo Lourenço's essays always or almost always have an existential and ontological rhythm, whether when he turns his gaze to the definition of culture, with its myths and adventures (no equivalent analysis in another Portuguese author of the 20th century), or when he analyzes the expression of thought of his first closest interlocutors such as Kierkegaard and Camus, or even when he critically reads the work of most 20th century poets in Portugal.
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