Eduardo Lourenço: um poeta da filosofia
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/155776 |
Resumo: | In this study, Tempo e Poesia was the work of Eduardo Lourenço that we used the most for our considerations. Not only because it was in this work that his essayism gains greater expression, but, at the same time, because time-poetry is the binomial or the thematic pair, which both at an existential and ontological level, better clarifies our author's thinking. Eduardo Lourenço's essays always or almost always have an existential and ontological rhythm, whether when he turns his gaze to the definition of culture, with its myths and adventures (no equivalent analysis in another Portuguese author of the 20th century), or when he analyzes the expression of thought of his first closest interlocutors such as Kierkegaard and Camus, or even when he critically reads the work of most 20th century poets in Portugal. |
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Eduardo Lourenço: um poeta da filosofiaIn this study, Tempo e Poesia was the work of Eduardo Lourenço that we used the most for our considerations. Not only because it was in this work that his essayism gains greater expression, but, at the same time, because time-poetry is the binomial or the thematic pair, which both at an existential and ontological level, better clarifies our author's thinking. Eduardo Lourenço's essays always or almost always have an existential and ontological rhythm, whether when he turns his gaze to the definition of culture, with its myths and adventures (no equivalent analysis in another Portuguese author of the 20th century), or when he analyzes the expression of thought of his first closest interlocutors such as Kierkegaard and Camus, or even when he critically reads the work of most 20th century poets in Portugal.20232023-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/155776por0211-664210.15304/ag.42.2.8228Natário, Maria Celesteinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-12-16T06:03:43Zoai:repositorio-aberto.up.pt:10216/155776Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:54:34.902516Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Eduardo Lourenço: um poeta da filosofia |
title |
Eduardo Lourenço: um poeta da filosofia |
spellingShingle |
Eduardo Lourenço: um poeta da filosofia Natário, Maria Celeste |
title_short |
Eduardo Lourenço: um poeta da filosofia |
title_full |
Eduardo Lourenço: um poeta da filosofia |
title_fullStr |
Eduardo Lourenço: um poeta da filosofia |
title_full_unstemmed |
Eduardo Lourenço: um poeta da filosofia |
title_sort |
Eduardo Lourenço: um poeta da filosofia |
author |
Natário, Maria Celeste |
author_facet |
Natário, Maria Celeste |
author_role |
author |
dc.contributor.author.fl_str_mv |
Natário, Maria Celeste |
description |
In this study, Tempo e Poesia was the work of Eduardo Lourenço that we used the most for our considerations. Not only because it was in this work that his essayism gains greater expression, but, at the same time, because time-poetry is the binomial or the thematic pair, which both at an existential and ontological level, better clarifies our author's thinking. Eduardo Lourenço's essays always or almost always have an existential and ontological rhythm, whether when he turns his gaze to the definition of culture, with its myths and adventures (no equivalent analysis in another Portuguese author of the 20th century), or when he analyzes the expression of thought of his first closest interlocutors such as Kierkegaard and Camus, or even when he critically reads the work of most 20th century poets in Portugal. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023 2023-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/155776 |
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https://hdl.handle.net/10216/155776 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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0211-6642 10.15304/ag.42.2.8228 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799136433686970368 |