Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim

Detalhes bibliográficos
Autor(a) principal: Stori, Norberto
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/31248
Resumo: This work aims to present and analyze the Invention of Color – Penetrável – Magic Square #5 De Luxe, which is found in the Inhotim Institute, by visual artist Hélio Oiticica , considered one of the most emblematic artists of Brazilian contemporary art. The work is composed of nine colored quadrangular pieces in a vertical position, which in addition to dialoguing with each other, also interact with the natural environment, allowing the creation of different formal and chromatic compositions according to the movement of the spectator. The public, when moving before the work is surrounded by the great dimensions of the walls, acting as subject and agent in a process of interlocution. In a complementary way, in the natural environment, the work interacts, in a synergic process built from the art-environment-fruidor relation. Helio’s chromatic concern derives from his neoconcretism, led to the series The Penetrables and expressing a dialogue of color with space
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spelling Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto InhotimDialogues on the work of brazilian artist Hélio Oiticica in Instituto InhotimOiticica, Hélio, 1937-1980EsculturaSite - Specific ArtPercepção visualExperimentalismoArte contemporâneaBrasilThis work aims to present and analyze the Invention of Color – Penetrável – Magic Square #5 De Luxe, which is found in the Inhotim Institute, by visual artist Hélio Oiticica , considered one of the most emblematic artists of Brazilian contemporary art. The work is composed of nine colored quadrangular pieces in a vertical position, which in addition to dialoguing with each other, also interact with the natural environment, allowing the creation of different formal and chromatic compositions according to the movement of the spectator. The public, when moving before the work is surrounded by the great dimensions of the walls, acting as subject and agent in a process of interlocution. In a complementary way, in the natural environment, the work interacts, in a synergic process built from the art-environment-fruidor relation. Helio’s chromatic concern derives from his neoconcretism, led to the series The Penetrables and expressing a dialogue of color with spaceUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-ArtesRepositório da Universidade de LisboaStori, Norberto2018-01-30T10:41:30Z2017-072017-07-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleimage/jpegapplication/pdfhttp://hdl.handle.net/10451/31248porIn: Gama. - Lisboa, 2017-. - Vol. 5, nº10 (Jul./Dez. 2017), p. 140-147info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:24:34Zoai:repositorio.ul.pt:10451/31248Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:46:45.291190Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim
Dialogues on the work of brazilian artist Hélio Oiticica in Instituto Inhotim
title Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim
spellingShingle Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim
Stori, Norberto
Oiticica, Hélio, 1937-1980
Escultura
Site - Specific Art
Percepção visual
Experimentalismo
Arte contemporânea
Brasil
title_short Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim
title_full Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim
title_fullStr Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim
title_full_unstemmed Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim
title_sort Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim
author Stori, Norberto
author_facet Stori, Norberto
author_role author
dc.contributor.none.fl_str_mv Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Stori, Norberto
dc.subject.por.fl_str_mv Oiticica, Hélio, 1937-1980
Escultura
Site - Specific Art
Percepção visual
Experimentalismo
Arte contemporânea
Brasil
topic Oiticica, Hélio, 1937-1980
Escultura
Site - Specific Art
Percepção visual
Experimentalismo
Arte contemporânea
Brasil
description This work aims to present and analyze the Invention of Color – Penetrável – Magic Square #5 De Luxe, which is found in the Inhotim Institute, by visual artist Hélio Oiticica , considered one of the most emblematic artists of Brazilian contemporary art. The work is composed of nine colored quadrangular pieces in a vertical position, which in addition to dialoguing with each other, also interact with the natural environment, allowing the creation of different formal and chromatic compositions according to the movement of the spectator. The public, when moving before the work is surrounded by the great dimensions of the walls, acting as subject and agent in a process of interlocution. In a complementary way, in the natural environment, the work interacts, in a synergic process built from the art-environment-fruidor relation. Helio’s chromatic concern derives from his neoconcretism, led to the series The Penetrables and expressing a dialogue of color with space
publishDate 2017
dc.date.none.fl_str_mv 2017-07
2017-07-01T00:00:00Z
2018-01-30T10:41:30Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/31248
url http://hdl.handle.net/10451/31248
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv In: Gama. - Lisboa, 2017-. - Vol. 5, nº10 (Jul./Dez. 2017), p. 140-147
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv image/jpeg
application/pdf
dc.publisher.none.fl_str_mv Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
publisher.none.fl_str_mv Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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