Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/31248 |
Resumo: | This work aims to present and analyze the Invention of Color – Penetrável – Magic Square #5 De Luxe, which is found in the Inhotim Institute, by visual artist Hélio Oiticica , considered one of the most emblematic artists of Brazilian contemporary art. The work is composed of nine colored quadrangular pieces in a vertical position, which in addition to dialoguing with each other, also interact with the natural environment, allowing the creation of different formal and chromatic compositions according to the movement of the spectator. The public, when moving before the work is surrounded by the great dimensions of the walls, acting as subject and agent in a process of interlocution. In a complementary way, in the natural environment, the work interacts, in a synergic process built from the art-environment-fruidor relation. Helio’s chromatic concern derives from his neoconcretism, led to the series The Penetrables and expressing a dialogue of color with space |
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Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto InhotimDialogues on the work of brazilian artist Hélio Oiticica in Instituto InhotimOiticica, Hélio, 1937-1980EsculturaSite - Specific ArtPercepção visualExperimentalismoArte contemporâneaBrasilThis work aims to present and analyze the Invention of Color – Penetrável – Magic Square #5 De Luxe, which is found in the Inhotim Institute, by visual artist Hélio Oiticica , considered one of the most emblematic artists of Brazilian contemporary art. The work is composed of nine colored quadrangular pieces in a vertical position, which in addition to dialoguing with each other, also interact with the natural environment, allowing the creation of different formal and chromatic compositions according to the movement of the spectator. The public, when moving before the work is surrounded by the great dimensions of the walls, acting as subject and agent in a process of interlocution. In a complementary way, in the natural environment, the work interacts, in a synergic process built from the art-environment-fruidor relation. Helio’s chromatic concern derives from his neoconcretism, led to the series The Penetrables and expressing a dialogue of color with spaceUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-ArtesRepositório da Universidade de LisboaStori, Norberto2018-01-30T10:41:30Z2017-072017-07-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleimage/jpegapplication/pdfhttp://hdl.handle.net/10451/31248porIn: Gama. - Lisboa, 2017-. - Vol. 5, nº10 (Jul./Dez. 2017), p. 140-147info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:24:34Zoai:repositorio.ul.pt:10451/31248Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:46:45.291190Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim Dialogues on the work of brazilian artist Hélio Oiticica in Instituto Inhotim |
title |
Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim |
spellingShingle |
Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim Stori, Norberto Oiticica, Hélio, 1937-1980 Escultura Site - Specific Art Percepção visual Experimentalismo Arte contemporânea Brasil |
title_short |
Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim |
title_full |
Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim |
title_fullStr |
Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim |
title_full_unstemmed |
Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim |
title_sort |
Diálogos sobre a obra do artista brasileiro Hélio Oiticica no Instituto Inhotim |
author |
Stori, Norberto |
author_facet |
Stori, Norberto |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Stori, Norberto |
dc.subject.por.fl_str_mv |
Oiticica, Hélio, 1937-1980 Escultura Site - Specific Art Percepção visual Experimentalismo Arte contemporânea Brasil |
topic |
Oiticica, Hélio, 1937-1980 Escultura Site - Specific Art Percepção visual Experimentalismo Arte contemporânea Brasil |
description |
This work aims to present and analyze the Invention of Color – Penetrável – Magic Square #5 De Luxe, which is found in the Inhotim Institute, by visual artist Hélio Oiticica , considered one of the most emblematic artists of Brazilian contemporary art. The work is composed of nine colored quadrangular pieces in a vertical position, which in addition to dialoguing with each other, also interact with the natural environment, allowing the creation of different formal and chromatic compositions according to the movement of the spectator. The public, when moving before the work is surrounded by the great dimensions of the walls, acting as subject and agent in a process of interlocution. In a complementary way, in the natural environment, the work interacts, in a synergic process built from the art-environment-fruidor relation. Helio’s chromatic concern derives from his neoconcretism, led to the series The Penetrables and expressing a dialogue of color with space |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-07 2017-07-01T00:00:00Z 2018-01-30T10:41:30Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/31248 |
url |
http://hdl.handle.net/10451/31248 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
In: Gama. - Lisboa, 2017-. - Vol. 5, nº10 (Jul./Dez. 2017), p. 140-147 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
image/jpeg application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
publisher.none.fl_str_mv |
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134392212258816 |