Contextualizing graffiti and street art in suitable museum settings

Detalhes bibliográficos
Autor(a) principal: Di Giacomo, Giovanna
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v5i2.203
Resumo: Overall, this essay examines the suitable settings for contextualizing graffiti and street art indoors, by introducing the upcoming museum for graffiti and street art in Amsterdam, an initiative of Street Art Today. Firstly, an overview of the project’s story, including its idealizer, location and collection is provided. Secondly, the contributions of the museum to the art form are presented. In particular, through its ambition to become a knowledge hub of graffiti and street art, the institution produces, gathers and analyses data, thus reinforcing the legitimation of these visual expressions. Finally, this article examines the expectations related to the museum’s role and its future visitors.
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spelling Contextualizing graffiti and street art in suitable museum settingsOverall, this essay examines the suitable settings for contextualizing graffiti and street art indoors, by introducing the upcoming museum for graffiti and street art in Amsterdam, an initiative of Street Art Today. Firstly, an overview of the project’s story, including its idealizer, location and collection is provided. Secondly, the contributions of the museum to the art form are presented. In particular, through its ambition to become a knowledge hub of graffiti and street art, the institution produces, gathers and analyses data, thus reinforcing the legitimation of these visual expressions. Finally, this article examines the expectations related to the museum’s role and its future visitors.AP22020-02-11info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v5i2.203https://doi.org/10.25765/sauc.v5i2.203SAUC - Street Art and Urban Creativity; Vol 5 No 2 (2019): Desire Lines: Metaphorical; 56 - 652183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/203https://journals.ap2.pt/index.php/sauc/article/view/203/107Copyright (c) 2020 SAUC - Street Art & Urban Creativity Scientific Journalinfo:eu-repo/semantics/openAccessDi Giacomo, Giovanna2024-01-26T14:15:37Zoai:journals.ap2.pt:article/203Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:50.666121Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Contextualizing graffiti and street art in suitable museum settings
title Contextualizing graffiti and street art in suitable museum settings
spellingShingle Contextualizing graffiti and street art in suitable museum settings
Di Giacomo, Giovanna
title_short Contextualizing graffiti and street art in suitable museum settings
title_full Contextualizing graffiti and street art in suitable museum settings
title_fullStr Contextualizing graffiti and street art in suitable museum settings
title_full_unstemmed Contextualizing graffiti and street art in suitable museum settings
title_sort Contextualizing graffiti and street art in suitable museum settings
author Di Giacomo, Giovanna
author_facet Di Giacomo, Giovanna
author_role author
dc.contributor.author.fl_str_mv Di Giacomo, Giovanna
description Overall, this essay examines the suitable settings for contextualizing graffiti and street art indoors, by introducing the upcoming museum for graffiti and street art in Amsterdam, an initiative of Street Art Today. Firstly, an overview of the project’s story, including its idealizer, location and collection is provided. Secondly, the contributions of the museum to the art form are presented. In particular, through its ambition to become a knowledge hub of graffiti and street art, the institution produces, gathers and analyses data, thus reinforcing the legitimation of these visual expressions. Finally, this article examines the expectations related to the museum’s role and its future visitors.
publishDate 2020
dc.date.none.fl_str_mv 2020-02-11
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dc.language.iso.fl_str_mv eng
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https://journals.ap2.pt/index.php/sauc/article/view/203/107
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