No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)

Detalhes bibliográficos
Autor(a) principal: Kvacek Betella, Gabriela
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34640/universidademadeira2022betella
Resumo: Our path has chosen films capable of punctuating the discussion about material difficulty and resilience in extreme situations imposed on citizens in spaces significantly modified by new working and survival conditions. We start from the narrative choices of Italian cinema, with Gianni Amelio and his problematization of migrations to reach the experimental meaning in the documentary by Gianfranco Rosi, skilled in reviewing the Roman periphery to bring the excluded life to the foreground. Chloé Zhao profits from Jessica Bruder's book and directs the film that updates the anthropological and audiovisual dimensions through individuals erased from civil existence. Like Sacro GRA, Nomadland tells stories of people forced to occupy uninhabitable territories in their own country. Emphasizing original sequences through immanent analysis we investigate how the concepts of territory and space are overturned by the composition of the films. The approaches ask for new ways of filming and request from the spectator an urgent review of political, economic, and social concepts as well as a renewal of the outlook at the films in order to visualize in depth the spaces occupied by the invisible, the limits and the ways of overstepping the working conditions in the stories and in the shooting itself.
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spelling No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)Tierra de nadie: documentos y revelaciones del espacio en "Sacro GRA" (Gianfranco Rosi, 2013) y "Nomadland" (Chloé Zhao, 2020)No Man's Land : documents et révélations sur l'espace dans "Sacro GRA" (Gianfranco Rosi, 2013) et "Nomadland" (Chloé Zhao, 2020)Terras de ninguém: documentos e revelações do espaço em "Sacro GRA" (Gianfranco Rosi, 2013) e "Nomadland" (Chloé Zhao, 2020)Gianfranco RosiSacro GRAdocumentárioChloé ZhaoNomadlandGianfranco RosiSacro GRAdocumentaryChloé ZhaoNomadlandGianfranco RosiSacro GRAdocumentaireChloé ZhaoNomadlandGianfranco RosiSacro GRAdocumentalChloé ZhaoNomadlandOur path has chosen films capable of punctuating the discussion about material difficulty and resilience in extreme situations imposed on citizens in spaces significantly modified by new working and survival conditions. We start from the narrative choices of Italian cinema, with Gianni Amelio and his problematization of migrations to reach the experimental meaning in the documentary by Gianfranco Rosi, skilled in reviewing the Roman periphery to bring the excluded life to the foreground. Chloé Zhao profits from Jessica Bruder's book and directs the film that updates the anthropological and audiovisual dimensions through individuals erased from civil existence. Like Sacro GRA, Nomadland tells stories of people forced to occupy uninhabitable territories in their own country. Emphasizing original sequences through immanent analysis we investigate how the concepts of territory and space are overturned by the composition of the films. The approaches ask for new ways of filming and request from the spectator an urgent review of political, economic, and social concepts as well as a renewal of the outlook at the films in order to visualize in depth the spaces occupied by the invisible, the limits and the ways of overstepping the working conditions in the stories and in the shooting itself.Nuestro camino ha elegido películas capaces de puntuar el debate sobre penurias materiales y resiliencia en situaciones límite impuestas a los ciudadanos en los espacios sensiblemente modificada por las nuevas condiciones de trabajo y supervivencia. Empezamos desde las opciones narrativas del cine italiano, destacando las películas de Gianni Amelio y su y su problematización de las migraciones para alcanzar el sentido experimental en el documental porGianfranco Rosi, experto en revisar los arrabales romanos, poniendo en primer plano la vida excluida y superviviente. superviviente al primer plano. Chloé Zhao aprovecha el libro de Jessica Bruder y realiza una película que actualiza la dimensión antropológica y audiovisual mediante individuos prácticamente borrados de la existencia civil. Como Sacro GRA, Nomadland cuenta las historias de personas obligadas a ocupar territorios inhabitables en su propio país.Destacando secuencias originales a través del análisis inmanente, investigamos cómo los conceptos de territorio y espacio se Los conceptos de territorio y espacio dan un vuelco en la propia composición de las películas. [...].Notre parcours a choisi des films capables de ponctuer la discussion sur les difficultés matérielles et la résilience dans les situations limites imposées aux citoyens dans les espaces modifié de manière sensible par les nouvelles conditions de travail et de survie. Nous sommes partis de les choix narratifs du cinéma italien, en mettant l'accent sur les films de Gianni Amelio et sa problématisation des migrations pour atteindre le sens expérimental dans le documentaire en Gianfranco Rosi, habile à revisiter les faubourgs romains, en mettant au premier plan les exclus et la vie survivante. Chloé Zhao profite du livre de Jessica Bruder et réalise un film qui actualise les dimensions anthropologiques et audiovisuelles à travers des individus pratiquement effacés de l'existence civile. Comme Sacro GRA, Nomadland raconte l'histoire de personnes contraintes d'occuper des territoires inhabitables dans leur propre pays.En mettant en évidence des séquences originales à travers une analyse immanente, nous étudions comment les concepts de territoire et d'espace sont Les notions de territoire et d'espace sont bouleversées par la composition même des films. [...].Nosso percurso elegeu filmes capazes de pontuar a discussão sobre a dificuldade material e a resiliência nas situações-limite impostas a cidadãos em espaços sensivelmente modificados por novas condições de trabalho e sobrevivência. Partimos das escolhas narrativas do cinema italiano, destacando filmes de Gianni Amelio e sua problematização das migrações para alcançar o sentido experimental no documentário de Gianfranco Rosi, hábil em revisar a periferia romana trazendo a vida excluída e sobrevivente para o primeiro plano. Chloé Zhao aproveita o livro de Jessica Bruder e realiza o filme que atualiza as dimensões antropológica e audiovisual por meio de indivíduos praticamente apagados da existência civil. Como Sacro GRA, Nomadland conta histórias de pessoas forçadas a ocupar territórios inabitáveis em seu próprio país. Ressaltando sequências originais por meio da análise imanente, investigamos como os conceitos de território e espaço são revirados pela própria composição dos filmes. As abordagens pedem novos modos de filmar e solicitam do espectador uma revisão urgente de conceitos políticos, econômicos e sociais, tanto quanto uma renovação do olhar para os filmes, para visualizar com profundidade os espaços ocupados pelos invisíveis, os limites e os modos de extravasar as condições de trabalho nas histórias contadas e na própria filmagem.Universidade da Madeira2022-12-12info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34640/universidademadeira2022betellahttps://doi.org/10.34640/universidademadeira2022betellaCinema & Território; No. 7 (2022): VARIA; 37-49Cinema & Território; Núm. 7 (2022): VARIA; 37-49Cinema & Território; No 7 (2022): VARIA; 37-49Cinema & Território; N.º 7 (2022): VARIA; 37-492183-7902reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://ct-journal.uma.pt/article/view/29629https://ct-journal.uma.pt/article/view/29629/21151Direitos de Autor (c) 2022 Gabriela Kvacek Betellainfo:eu-repo/semantics/openAccessKvacek Betella, Gabriela2023-02-14T12:02:23Zoai:ojs.revistas.rcaap.pt:article/29629Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:46:36.027165Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)
Tierra de nadie: documentos y revelaciones del espacio en "Sacro GRA" (Gianfranco Rosi, 2013) y "Nomadland" (Chloé Zhao, 2020)
No Man's Land : documents et révélations sur l'espace dans "Sacro GRA" (Gianfranco Rosi, 2013) et "Nomadland" (Chloé Zhao, 2020)
Terras de ninguém: documentos e revelações do espaço em "Sacro GRA" (Gianfranco Rosi, 2013) e "Nomadland" (Chloé Zhao, 2020)
title No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)
spellingShingle No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)
Kvacek Betella, Gabriela
Gianfranco Rosi
Sacro GRA
documentário
Chloé Zhao
Nomadland
Gianfranco Rosi
Sacro GRA
documentary
Chloé Zhao
Nomadland
Gianfranco Rosi
Sacro GRA
documentaire
Chloé Zhao
Nomadland
Gianfranco Rosi
Sacro GRA
documental
Chloé Zhao
Nomadland
title_short No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)
title_full No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)
title_fullStr No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)
title_full_unstemmed No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)
title_sort No Man's Land: documents and revelations of space in "Sacro GRA" (Gianfranco Rosi, 2013) and "Nomadland" (Chloé Zhao, 2020)
author Kvacek Betella, Gabriela
author_facet Kvacek Betella, Gabriela
author_role author
dc.contributor.author.fl_str_mv Kvacek Betella, Gabriela
dc.subject.por.fl_str_mv Gianfranco Rosi
Sacro GRA
documentário
Chloé Zhao
Nomadland
Gianfranco Rosi
Sacro GRA
documentary
Chloé Zhao
Nomadland
Gianfranco Rosi
Sacro GRA
documentaire
Chloé Zhao
Nomadland
Gianfranco Rosi
Sacro GRA
documental
Chloé Zhao
Nomadland
topic Gianfranco Rosi
Sacro GRA
documentário
Chloé Zhao
Nomadland
Gianfranco Rosi
Sacro GRA
documentary
Chloé Zhao
Nomadland
Gianfranco Rosi
Sacro GRA
documentaire
Chloé Zhao
Nomadland
Gianfranco Rosi
Sacro GRA
documental
Chloé Zhao
Nomadland
description Our path has chosen films capable of punctuating the discussion about material difficulty and resilience in extreme situations imposed on citizens in spaces significantly modified by new working and survival conditions. We start from the narrative choices of Italian cinema, with Gianni Amelio and his problematization of migrations to reach the experimental meaning in the documentary by Gianfranco Rosi, skilled in reviewing the Roman periphery to bring the excluded life to the foreground. Chloé Zhao profits from Jessica Bruder's book and directs the film that updates the anthropological and audiovisual dimensions through individuals erased from civil existence. Like Sacro GRA, Nomadland tells stories of people forced to occupy uninhabitable territories in their own country. Emphasizing original sequences through immanent analysis we investigate how the concepts of territory and space are overturned by the composition of the films. The approaches ask for new ways of filming and request from the spectator an urgent review of political, economic, and social concepts as well as a renewal of the outlook at the films in order to visualize in depth the spaces occupied by the invisible, the limits and the ways of overstepping the working conditions in the stories and in the shooting itself.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-12
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34640/universidademadeira2022betella
https://doi.org/10.34640/universidademadeira2022betella
url https://doi.org/10.34640/universidademadeira2022betella
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ct-journal.uma.pt/article/view/29629
https://ct-journal.uma.pt/article/view/29629/21151
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2022 Gabriela Kvacek Betella
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2022 Gabriela Kvacek Betella
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade da Madeira
publisher.none.fl_str_mv Universidade da Madeira
dc.source.none.fl_str_mv Cinema & Território; No. 7 (2022): VARIA; 37-49
Cinema & Território; Núm. 7 (2022): VARIA; 37-49
Cinema & Território; No 7 (2022): VARIA; 37-49
Cinema & Território; N.º 7 (2022): VARIA; 37-49
2183-7902
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instacron_str RCAAP
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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