“Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles

Detalhes bibliográficos
Autor(a) principal: Verano, Frank
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://ojs.labcom-ifp.ubi.pt/index.php/doc/article/view/17
Resumo: Albert Maysles, along with his brother David, was a pioneer in American observational documentary in the early 1960s. Revolutionary technological breakthroughs developed by Maysles, producer Robert Drew, and filmmakers Ricky Leacock and D.A. Pennebaker allowed sound and image to be recorded in complete synchronization independent of any physical connectivity; this provided filmmakers a manageable mobility that positioned them to observe and interact with the world in a new way in pursuit of a new cinematic realism. In 1964, Albert coined a term for their practice, which thus distinguished it from the arbitrarily-applied misnomer cinéma vérité: direct cinema. 
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spelling “Direct cinema is anything but a fly on the wall”: a conversation with Albert MayslesAlbert Maysles, along with his brother David, was a pioneer in American observational documentary in the early 1960s. Revolutionary technological breakthroughs developed by Maysles, producer Robert Drew, and filmmakers Ricky Leacock and D.A. Pennebaker allowed sound and image to be recorded in complete synchronization independent of any physical connectivity; this provided filmmakers a manageable mobility that positioned them to observe and interact with the world in a new way in pursuit of a new cinematic realism. In 1964, Albert coined a term for their practice, which thus distinguished it from the arbitrarily-applied misnomer cinéma vérité: direct cinema. DOC On-lineDOC On-lineDOC On-lineDOC On-line2017-02-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://ojs.labcom-ifp.ubi.pt/index.php/doc/article/view/17oai:doc.ubi.pt:article/17DOC On-line; n. 20: MEIO AMBIENTE | Medio Ambiente | Environment | EnvironnementDOC On-line; n. 20: MEIO AMBIENTE | Medio Ambiente | Environment | EnvironnementDOC On-line; n. 20: MEIO AMBIENTE | Medio Ambiente | Environment | EnvironnementDOC On-line; n. 20: MEIO AMBIENTE | Medio Ambiente | Environment | Environnement1646-477Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttp://ojs.labcom-ifp.ubi.pt/index.php/doc/article/view/17http://ojs.labcom-ifp.ubi.pt/index.php/doc/article/view/17/16Copyright (c) 2017 DOC On-lineinfo:eu-repo/semantics/openAccessVerano, Frank2022-12-03T05:26:36ZPortal AgregadorONG
dc.title.none.fl_str_mv “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles
title “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles
spellingShingle “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles
Verano, Frank
title_short “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles
title_full “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles
title_fullStr “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles
title_full_unstemmed “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles
title_sort “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles
author Verano, Frank
author_facet Verano, Frank
author_role author
dc.contributor.author.fl_str_mv Verano, Frank
description Albert Maysles, along with his brother David, was a pioneer in American observational documentary in the early 1960s. Revolutionary technological breakthroughs developed by Maysles, producer Robert Drew, and filmmakers Ricky Leacock and D.A. Pennebaker allowed sound and image to be recorded in complete synchronization independent of any physical connectivity; this provided filmmakers a manageable mobility that positioned them to observe and interact with the world in a new way in pursuit of a new cinematic realism. In 1964, Albert coined a term for their practice, which thus distinguished it from the arbitrarily-applied misnomer cinéma vérité: direct cinema. 
publishDate 2017
dc.date.none.fl_str_mv 2017-02-01
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url http://ojs.labcom-ifp.ubi.pt/index.php/doc/article/view/17
identifier_str_mv oai:doc.ubi.pt:article/17
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv http://ojs.labcom-ifp.ubi.pt/index.php/doc/article/view/17
http://ojs.labcom-ifp.ubi.pt/index.php/doc/article/view/17/16
dc.rights.driver.fl_str_mv Copyright (c) 2017 DOC On-line
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 DOC On-line
eu_rights_str_mv openAccess
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DOC On-line
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publisher.none.fl_str_mv DOC On-line
DOC On-line
DOC On-line
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dc.source.none.fl_str_mv DOC On-line; n. 20: MEIO AMBIENTE | Medio Ambiente | Environment | Environnement
DOC On-line; n. 20: MEIO AMBIENTE | Medio Ambiente | Environment | Environnement
DOC On-line; n. 20: MEIO AMBIENTE | Medio Ambiente | Environment | Environnement
DOC On-line; n. 20: MEIO AMBIENTE | Medio Ambiente | Environment | Environnement
1646-477X
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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