António Reis: The life of forms and a form of life

Detalhes bibliográficos
Autor(a) principal: Martins, Alexandra João
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2020.9561
Resumo: This book compiles revised and enlarged versions of conferences presented in October 2018 as part of a homage to the director, poet and teacher, that took place at Escola Superior de Teatro e Cinema (ESTC-IPL), Lisbon; an enlarged biographical note by Fátima Ribeiro and also presents, by Maria Patrão, a series of slides from Reis’ classes unearthed from ESTC’s archives. As we will see, all the essays present a clearly aesthetical approach to Reis’ works as filmmaker, poet and teacher, which makes it unprecedented: Maria Filomena Molder and Manuel Guerra’s essays are mainly focused on the film Jaime (1974); Nuno Júdice analyses António Reis’ main poetry book and José Bogalheiro explores the relation between Reis’ filming praxis and his propaedeutic approach.
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spelling António Reis: The life of forms and a form of lifeThis book compiles revised and enlarged versions of conferences presented in October 2018 as part of a homage to the director, poet and teacher, that took place at Escola Superior de Teatro e Cinema (ESTC-IPL), Lisbon; an enlarged biographical note by Fátima Ribeiro and also presents, by Maria Patrão, a series of slides from Reis’ classes unearthed from ESTC’s archives. As we will see, all the essays present a clearly aesthetical approach to Reis’ works as filmmaker, poet and teacher, which makes it unprecedented: Maria Filomena Molder and Manuel Guerra’s essays are mainly focused on the film Jaime (1974); Nuno Júdice analyses António Reis’ main poetry book and José Bogalheiro explores the relation between Reis’ filming praxis and his propaedeutic approach.Universidade Católica Portuguesa2020-12-10T00:00:00Zinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34632/jsta.2020.9561oai:ojs.revistas.ucp.pt:article/9561Journal of Science and Technology of the Arts; Vol 12 No 3 (2020): xCoAx 2020; 130-136Journal of Science and Technology of the Arts; v. 12 n. 3 (2020): xCoAx 2020; 130-1362183-00881646-979810.34632/jsta.2020.12.3reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9561https://doi.org/10.34632/jsta.2020.9561https://revistas.ucp.pt/index.php/jsta/article/view/9561/9438Copyright (c) 2020 Alexandra João Martinshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMartins, Alexandra João2022-09-22T16:19:27Zoai:ojs.revistas.ucp.pt:article/9561Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:06.621790Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv António Reis: The life of forms and a form of life
title António Reis: The life of forms and a form of life
spellingShingle António Reis: The life of forms and a form of life
Martins, Alexandra João
title_short António Reis: The life of forms and a form of life
title_full António Reis: The life of forms and a form of life
title_fullStr António Reis: The life of forms and a form of life
title_full_unstemmed António Reis: The life of forms and a form of life
title_sort António Reis: The life of forms and a form of life
author Martins, Alexandra João
author_facet Martins, Alexandra João
author_role author
dc.contributor.author.fl_str_mv Martins, Alexandra João
description This book compiles revised and enlarged versions of conferences presented in October 2018 as part of a homage to the director, poet and teacher, that took place at Escola Superior de Teatro e Cinema (ESTC-IPL), Lisbon; an enlarged biographical note by Fátima Ribeiro and also presents, by Maria Patrão, a series of slides from Reis’ classes unearthed from ESTC’s archives. As we will see, all the essays present a clearly aesthetical approach to Reis’ works as filmmaker, poet and teacher, which makes it unprecedented: Maria Filomena Molder and Manuel Guerra’s essays are mainly focused on the film Jaime (1974); Nuno Júdice analyses António Reis’ main poetry book and José Bogalheiro explores the relation between Reis’ filming praxis and his propaedeutic approach.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-10T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2020.9561
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dc.language.iso.fl_str_mv eng
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dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9561
https://doi.org/10.34632/jsta.2020.9561
https://revistas.ucp.pt/index.php/jsta/article/view/9561/9438
dc.rights.driver.fl_str_mv Copyright (c) 2020 Alexandra João Martins
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Alexandra João Martins
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eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 12 No 3 (2020): xCoAx 2020; 130-136
Journal of Science and Technology of the Arts; v. 12 n. 3 (2020): xCoAx 2020; 130-136
2183-0088
1646-9798
10.34632/jsta.2020.12.3
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