PIXA BIXA

Detalhes bibliográficos
Autor(a) principal: Caiafa, Frederico Alves
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/134821
Resumo: UIDB/00417/2020 UIDP/00417/2020
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spelling PIXA BIXAC, F Pixa BixaThoughts about ativism and queer street art in Lisboauma reflexão sobre a arte urbana queer e o artivismo em LisboaActivismQueer Street ArtPixa BixaTransgressionUIDB/00417/2020 UIDP/00417/2020Lisbon can be a metaphor of a city as an open-air museum full of monuments, busts, statues, and has a function to tribute to an important person for the history. All squares and touristic places are teeming of these objects and is common the public art to everyone. Graffiti, stencils, stickers, “paste up’s” are using in every place in urban space and this is totally included in mainstream, but neither everything is considered something legal, as treat by Campos (2016, 2017). It’s an important question that is the legality of the expressions from the occupation and insertion of art in public spaces. The street artist can be a criminalized for your activities by the laws in almost countries and your art always judge as a transgression act. But the same artist could be invited to make a mural on a “site specific”, Kwon (2011), and then be punished for an autonomous intervention in other local. This text is wondering to bring a reflection about the potential of discourse mediation that could has be the street art with your presence on the structure of the cities. To thing about this discourse this text will use the Pixa Bixa artistic project works initiated in 2018. This group formed by two artists from Brazil and resident in Lisbon uses his drawings to represent the queer personalities who inspire them. Your action isn’t authorized and is part of conviction that the urban art is a work almost entirely done by straight guys therefore the main idea of this project is provoking this social establishment inserting a disruptive art at the daily life. The queer bodies and your existences can be a shame to the orthodox person and the reacts could be the way to show how the societies treats these people. Violence is a physically, sentimental, moral or psychic action. Comparing those artistic project and others it’s possible to understand differences of receptions when we see the way with which citizens remove from the walls his illustrations. This artistic project using naked bodies to confront the male chauvinist society mainly these structures is modeling in a masculine viewing. It’s a “celebrating of difference” like they use in his Instagram profile and demystify it’s a way to emphasize other bodies and empowering this community. Art installation, Bishop (2009), could be a powerful form to spread the queer mediation because is scarce these kind of expression in Lisbon. This analyzes will be very important in this text and the focus is how these works can disturb the population and how they could make the reification about over the LGBT universe. Thus, through this case analyzes using they registers it could be possible to understand how the street art has spots to be expressed on the architecture and everything stays between the old and contemporary, and same expressions has be erased by de people.Instituto de História da Arte (IHA)RUNCaiafa, Frederico Alves2022-03-18T23:21:07Z2020-01-192020-01-19T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article8application/pdfhttp://hdl.handle.net/10362/134821por2184-6197PURE: 27604867https://doi.org/10.48619/cap.v2i2.246info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T05:13:18Zoai:run.unl.pt:10362/134821Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:48:14.662243Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv PIXA BIXA
C, F Pixa BixaThoughts about ativism and queer street art in Lisboa
uma reflexão sobre a arte urbana queer e o artivismo em Lisboa
title PIXA BIXA
spellingShingle PIXA BIXA
Caiafa, Frederico Alves
Activism
Queer Street Art
Pixa Bixa
Transgression
title_short PIXA BIXA
title_full PIXA BIXA
title_fullStr PIXA BIXA
title_full_unstemmed PIXA BIXA
title_sort PIXA BIXA
author Caiafa, Frederico Alves
author_facet Caiafa, Frederico Alves
author_role author
dc.contributor.none.fl_str_mv Instituto de História da Arte (IHA)
RUN
dc.contributor.author.fl_str_mv Caiafa, Frederico Alves
dc.subject.por.fl_str_mv Activism
Queer Street Art
Pixa Bixa
Transgression
topic Activism
Queer Street Art
Pixa Bixa
Transgression
description UIDB/00417/2020 UIDP/00417/2020
publishDate 2020
dc.date.none.fl_str_mv 2020-01-19
2020-01-19T00:00:00Z
2022-03-18T23:21:07Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/134821
url http://hdl.handle.net/10362/134821
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv 2184-6197
PURE: 27604867
https://doi.org/10.48619/cap.v2i2.246
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eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 8
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