Still Drifting? Expanded Situationism and Filmic Dérive

Detalhes bibliográficos
Autor(a) principal: Rascaroli, Laura
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.14591/aniki.v2n1.139
Resumo: Ideas connected to the sphere of expanded cinema are here mobilised to identify the aesthetics and ideology of the use of a technology that is no longer filmic, but that derives from it, while having never been a cinematic genre or form in itself. Expanded cinema’s emphasis on participation, on performance and on an adapted experience of space and time are equally useful to an understanding of the contemporary phenomenon of post-situationist dérive and of its revival as a critical artistic practice in the contemporary world. My point is that dérive can be seen, in some of its manifestations at least, as a filmic concept — but one that does not associate itself with the cinema as a historicised technology of projection and a place.
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spelling Still Drifting? Expanded Situationism and Filmic DériveAinda à deriva? Situacionismo ampliado e 'dérive' fílmicaDériveSituationismPerformativityExpanded CinemaGPSDériveSituacionismoPerformatividadeCinema expandidoGPSIdeas connected to the sphere of expanded cinema are here mobilised to identify the aesthetics and ideology of the use of a technology that is no longer filmic, but that derives from it, while having never been a cinematic genre or form in itself. Expanded cinema’s emphasis on participation, on performance and on an adapted experience of space and time are equally useful to an understanding of the contemporary phenomenon of post-situationist dérive and of its revival as a critical artistic practice in the contemporary world. My point is that dérive can be seen, in some of its manifestations at least, as a filmic concept — but one that does not associate itself with the cinema as a historicised technology of projection and a place.Mobilizamos ideias relacionadas com a esfera do cinema expandido para identificar a estética e ideologia do uso de uma tecnologia que já não é fílmica, mas que deriva dela, mas que nunca foi um género ou forma cinematográfica por si. A ênfase do cinema expandido na participação, performance e numa experiência adaptada de espaço e tempo é igualmente útil para uma compreensão do fenómeno contemporâneo de dérive pós-situacionista e do seu ressurgimento enquanto prática artística crítica no mundo contemporâneo. Defendo que dérive pode ser entendido, pelo menos em algumas das suas manifestações, como um conceito fílmico, mas um conceito que não se associa ao cinema como uma tecnologia de projeção e um lugar devidamente históricos.AIM - Associação de Investigadores da Imagem em Movimento2014-12-10info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdftext/htmlhttps://doi.org/10.14591/aniki.v2n1.139https://doi.org/10.14591/aniki.v2n1.139Aniki: Portuguese Journal of the Moving Image; Vol 2 No 1 (2015): Expanded cinema; 21-34Aniki: Revista Portuguesa da Imagem em Movimento; v. 2 n. 1 (2015): Cinema expandido; 21-342183-1750reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://aim.org.pt/ojs/index.php/revista/article/view/139http://aim.org.pt/ojs/index.php/revista/article/view/139/pdfhttp://aim.org.pt/ojs/index.php/revista/article/view/139/htmlRascaroli, Laurainfo:eu-repo/semantics/openAccess2024-01-26T02:01:36Zoai:aim.org.pt/ojs/:article/139Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:10.899045Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Still Drifting? Expanded Situationism and Filmic Dérive
Ainda à deriva? Situacionismo ampliado e 'dérive' fílmica
title Still Drifting? Expanded Situationism and Filmic Dérive
spellingShingle Still Drifting? Expanded Situationism and Filmic Dérive
Rascaroli, Laura
Dérive
Situationism
Performativity
Expanded Cinema
GPS
Dérive
Situacionismo
Performatividade
Cinema expandido
GPS
title_short Still Drifting? Expanded Situationism and Filmic Dérive
title_full Still Drifting? Expanded Situationism and Filmic Dérive
title_fullStr Still Drifting? Expanded Situationism and Filmic Dérive
title_full_unstemmed Still Drifting? Expanded Situationism and Filmic Dérive
title_sort Still Drifting? Expanded Situationism and Filmic Dérive
author Rascaroli, Laura
author_facet Rascaroli, Laura
author_role author
dc.contributor.author.fl_str_mv Rascaroli, Laura
dc.subject.por.fl_str_mv Dérive
Situationism
Performativity
Expanded Cinema
GPS
Dérive
Situacionismo
Performatividade
Cinema expandido
GPS
topic Dérive
Situationism
Performativity
Expanded Cinema
GPS
Dérive
Situacionismo
Performatividade
Cinema expandido
GPS
description Ideas connected to the sphere of expanded cinema are here mobilised to identify the aesthetics and ideology of the use of a technology that is no longer filmic, but that derives from it, while having never been a cinematic genre or form in itself. Expanded cinema’s emphasis on participation, on performance and on an adapted experience of space and time are equally useful to an understanding of the contemporary phenomenon of post-situationist dérive and of its revival as a critical artistic practice in the contemporary world. My point is that dérive can be seen, in some of its manifestations at least, as a filmic concept — but one that does not associate itself with the cinema as a historicised technology of projection and a place.
publishDate 2014
dc.date.none.fl_str_mv 2014-12-10
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.14591/aniki.v2n1.139
https://doi.org/10.14591/aniki.v2n1.139
url https://doi.org/10.14591/aniki.v2n1.139
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv http://aim.org.pt/ojs/index.php/revista/article/view/139
http://aim.org.pt/ojs/index.php/revista/article/view/139/pdf
http://aim.org.pt/ojs/index.php/revista/article/view/139/html
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv AIM - Associação de Investigadores da Imagem em Movimento
publisher.none.fl_str_mv AIM - Associação de Investigadores da Imagem em Movimento
dc.source.none.fl_str_mv Aniki: Portuguese Journal of the Moving Image; Vol 2 No 1 (2015): Expanded cinema; 21-34
Aniki: Revista Portuguesa da Imagem em Movimento; v. 2 n. 1 (2015): Cinema expandido; 21-34
2183-1750
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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