With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing

Detalhes bibliográficos
Autor(a) principal: da Silva, Sara Reis
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.21814/diacritica.507
Resumo: This essay, with a hermeneutic root and monographic contours, focuses on the literary personality Maria Cecília Correia (1919–1993). She is one of the writers –alongside with Lília da Fonseca, Maria Lamas or Maria Lúcia Namorado, for example –who, despite her experiential / literary discretion, should be understood as one of the ‘nodal/figurative points’of the History of Portuguese children’s literature, particularly during the period of the Estado Novo (1926–1974), and whose writing, until the date, has not yet received the deserved critical reception (namely, in the academic field). In an attempt to single out the literary production of this writer and not forgetting to point out some relevant aspects of her biobibliographical path, namely to clarify the personal context of her writing composition and the repercussions that it had in her literary creation, we proceeded to a textual analysis of her eight books for children, focusing on their main ideothematic (childhood, humanism, diversity, nature, among others) and most relevant rhetorical-stylistic mechanisms (adjectives, metaphor, among others). Generally speaking, these texts reflect the deep connection to everyday life, in particular children’s daily life, looked at and genuinely recreated in a lively, natural and spontaneous discourse, through which it approaches the potential reader important themes such as difference, for example. These and other aspects, which we tried to deepen in this study, allow us to clarify and recognize the irrefutable presence and meaning of Maria Cecília Correia in the History of Portuguese Children’s Literature.
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spelling With small notes short stories for children are made: Maria Cecília Correia and her forgotten writingCom pequenos apontamentos se fazem contos para a infância: Maria Cecília Correia e a sua escrita esquecidaPortuguese Children’sLiteratureWomen's writingMaria Cecília CorreiaLiteratura Portuguesa para a InfânciaEscrita feministaMaria Cecília CorreiaThis essay, with a hermeneutic root and monographic contours, focuses on the literary personality Maria Cecília Correia (1919–1993). She is one of the writers –alongside with Lília da Fonseca, Maria Lamas or Maria Lúcia Namorado, for example –who, despite her experiential / literary discretion, should be understood as one of the ‘nodal/figurative points’of the History of Portuguese children’s literature, particularly during the period of the Estado Novo (1926–1974), and whose writing, until the date, has not yet received the deserved critical reception (namely, in the academic field). In an attempt to single out the literary production of this writer and not forgetting to point out some relevant aspects of her biobibliographical path, namely to clarify the personal context of her writing composition and the repercussions that it had in her literary creation, we proceeded to a textual analysis of her eight books for children, focusing on their main ideothematic (childhood, humanism, diversity, nature, among others) and most relevant rhetorical-stylistic mechanisms (adjectives, metaphor, among others). Generally speaking, these texts reflect the deep connection to everyday life, in particular children’s daily life, looked at and genuinely recreated in a lively, natural and spontaneous discourse, through which it approaches the potential reader important themes such as difference, for example. These and other aspects, which we tried to deepen in this study, allow us to clarify and recognize the irrefutable presence and meaning of Maria Cecília Correia in the History of Portuguese Children’s Literature.Este ensaio, de raiz hermenêutica e de contornos monográficos, incide sobre a figura literária de Maria Cecília Correia (1919–1993). Trata-se, com efeito, de uma das autoras –a par, por exemplo, de Lília da Fonseca, Maria Lamas ou Maria Lúcia Namorado –que, apesar da sua discrição vivencial/literária, deve ser entendida como um dos ‘pontos nodais’ figurativos da História da literatura portuguesa para a infância, em particular no período do Estado Novo (1926–1974), e cuja escrita, até à data, não teve, ainda, a merecida receção crítica (designadamente, no âmbito académico). Na tentativa de singularizar a produção literária da autora em questão e não deixando de registar alguns aspetos do seu percurso biobibliográfico, dados relevantes para o esclarecimento do contexto pessoal de composição da sua escrita e das repercussões que nesta aquele teve, procedemos a uma análise textual das suas oito obras que têm a criança como preferencial destinatário, centrando-nos nas suas principais linhas ideotemáticas (por exemplo, infância, humanismo, diversidade e natureza) e nos seus mais relevantes mecanismos retórico-estilísticos (como a adjetivação, a metáfora, entre outros). Genericamente, os textos em questão substantivam a profunda ligação ao quotidiano, em particular infantil, olhado genuinamente e recriado num discurso vivo, natural e espontâneo, através do qual aproxima do potencial leitor temáticas como o elogio da diferença, por exemplo. Estes e outros aspetos, que procuramos descodificar e aprofundar neste estudo, permitem dilucidar e reconhecer a irrecusável presença e o significado de Maria Cecília Correia na História da Literatura Portuguesa para a Infância.CEHUM2020-07-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.21814/diacritica.507https://doi.org/10.21814/diacritica.507Diacrítica; Vol. 34 N.º 2 (2020): WOMANART - Mulheres, Artes e Ditadura: Os casos de Portugal, Brasil e Países Africanos de Língua Portuguesa; 167-181Diacrítica; Vol. 34 No. 2 (2020): WOMANART - Women, Arts and Dictatorship: The cases of Portugal, Brazil and Portuguese speaking African countries; 167-1812183-91740870-896710.21814/diacritica.34.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.uminho.pt/index.php/diacritica/article/view/4987https://revistas.uminho.pt/index.php/diacritica/article/view/4987/5609Direitos de Autor (c) 2023 Sara Reis da Silvainfo:eu-repo/semantics/openAccessda Silva, Sara Reis2023-07-28T07:47:41Zoai:journals.uminho.pt:article/4987Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:34:37.801694Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing
Com pequenos apontamentos se fazem contos para a infância: Maria Cecília Correia e a sua escrita esquecida
title With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing
spellingShingle With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing
da Silva, Sara Reis
Portuguese Children’sLiterature
Women's writing
Maria Cecília Correia
Literatura Portuguesa para a Infância
Escrita feminista
Maria Cecília Correia
title_short With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing
title_full With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing
title_fullStr With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing
title_full_unstemmed With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing
title_sort With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing
author da Silva, Sara Reis
author_facet da Silva, Sara Reis
author_role author
dc.contributor.author.fl_str_mv da Silva, Sara Reis
dc.subject.por.fl_str_mv Portuguese Children’sLiterature
Women's writing
Maria Cecília Correia
Literatura Portuguesa para a Infância
Escrita feminista
Maria Cecília Correia
topic Portuguese Children’sLiterature
Women's writing
Maria Cecília Correia
Literatura Portuguesa para a Infância
Escrita feminista
Maria Cecília Correia
description This essay, with a hermeneutic root and monographic contours, focuses on the literary personality Maria Cecília Correia (1919–1993). She is one of the writers –alongside with Lília da Fonseca, Maria Lamas or Maria Lúcia Namorado, for example –who, despite her experiential / literary discretion, should be understood as one of the ‘nodal/figurative points’of the History of Portuguese children’s literature, particularly during the period of the Estado Novo (1926–1974), and whose writing, until the date, has not yet received the deserved critical reception (namely, in the academic field). In an attempt to single out the literary production of this writer and not forgetting to point out some relevant aspects of her biobibliographical path, namely to clarify the personal context of her writing composition and the repercussions that it had in her literary creation, we proceeded to a textual analysis of her eight books for children, focusing on their main ideothematic (childhood, humanism, diversity, nature, among others) and most relevant rhetorical-stylistic mechanisms (adjectives, metaphor, among others). Generally speaking, these texts reflect the deep connection to everyday life, in particular children’s daily life, looked at and genuinely recreated in a lively, natural and spontaneous discourse, through which it approaches the potential reader important themes such as difference, for example. These and other aspects, which we tried to deepen in this study, allow us to clarify and recognize the irrefutable presence and meaning of Maria Cecília Correia in the History of Portuguese Children’s Literature.
publishDate 2020
dc.date.none.fl_str_mv 2020-07-31
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https://doi.org/10.21814/diacritica.507
url https://doi.org/10.21814/diacritica.507
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dc.relation.none.fl_str_mv https://revistas.uminho.pt/index.php/diacritica/article/view/4987
https://revistas.uminho.pt/index.php/diacritica/article/view/4987/5609
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 Sara Reis da Silva
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rights_invalid_str_mv Direitos de Autor (c) 2023 Sara Reis da Silva
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dc.publisher.none.fl_str_mv CEHUM
publisher.none.fl_str_mv CEHUM
dc.source.none.fl_str_mv Diacrítica; Vol. 34 N.º 2 (2020): WOMANART - Mulheres, Artes e Ditadura: Os casos de Portugal, Brasil e Países Africanos de Língua Portuguesa; 167-181
Diacrítica; Vol. 34 No. 2 (2020): WOMANART - Women, Arts and Dictatorship: The cases of Portugal, Brazil and Portuguese speaking African countries; 167-181
2183-9174
0870-8967
10.21814/diacritica.34.2
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