With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.21814/diacritica.507 |
Resumo: | This essay, with a hermeneutic root and monographic contours, focuses on the literary personality Maria Cecília Correia (1919–1993). She is one of the writers –alongside with Lília da Fonseca, Maria Lamas or Maria Lúcia Namorado, for example –who, despite her experiential / literary discretion, should be understood as one of the ‘nodal/figurative points’of the History of Portuguese children’s literature, particularly during the period of the Estado Novo (1926–1974), and whose writing, until the date, has not yet received the deserved critical reception (namely, in the academic field). In an attempt to single out the literary production of this writer and not forgetting to point out some relevant aspects of her biobibliographical path, namely to clarify the personal context of her writing composition and the repercussions that it had in her literary creation, we proceeded to a textual analysis of her eight books for children, focusing on their main ideothematic (childhood, humanism, diversity, nature, among others) and most relevant rhetorical-stylistic mechanisms (adjectives, metaphor, among others). Generally speaking, these texts reflect the deep connection to everyday life, in particular children’s daily life, looked at and genuinely recreated in a lively, natural and spontaneous discourse, through which it approaches the potential reader important themes such as difference, for example. These and other aspects, which we tried to deepen in this study, allow us to clarify and recognize the irrefutable presence and meaning of Maria Cecília Correia in the History of Portuguese Children’s Literature. |
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With small notes short stories for children are made: Maria Cecília Correia and her forgotten writingCom pequenos apontamentos se fazem contos para a infância: Maria Cecília Correia e a sua escrita esquecidaPortuguese Children’sLiteratureWomen's writingMaria Cecília CorreiaLiteratura Portuguesa para a InfânciaEscrita feministaMaria Cecília CorreiaThis essay, with a hermeneutic root and monographic contours, focuses on the literary personality Maria Cecília Correia (1919–1993). She is one of the writers –alongside with Lília da Fonseca, Maria Lamas or Maria Lúcia Namorado, for example –who, despite her experiential / literary discretion, should be understood as one of the ‘nodal/figurative points’of the History of Portuguese children’s literature, particularly during the period of the Estado Novo (1926–1974), and whose writing, until the date, has not yet received the deserved critical reception (namely, in the academic field). In an attempt to single out the literary production of this writer and not forgetting to point out some relevant aspects of her biobibliographical path, namely to clarify the personal context of her writing composition and the repercussions that it had in her literary creation, we proceeded to a textual analysis of her eight books for children, focusing on their main ideothematic (childhood, humanism, diversity, nature, among others) and most relevant rhetorical-stylistic mechanisms (adjectives, metaphor, among others). Generally speaking, these texts reflect the deep connection to everyday life, in particular children’s daily life, looked at and genuinely recreated in a lively, natural and spontaneous discourse, through which it approaches the potential reader important themes such as difference, for example. These and other aspects, which we tried to deepen in this study, allow us to clarify and recognize the irrefutable presence and meaning of Maria Cecília Correia in the History of Portuguese Children’s Literature.Este ensaio, de raiz hermenêutica e de contornos monográficos, incide sobre a figura literária de Maria Cecília Correia (1919–1993). Trata-se, com efeito, de uma das autoras –a par, por exemplo, de Lília da Fonseca, Maria Lamas ou Maria Lúcia Namorado –que, apesar da sua discrição vivencial/literária, deve ser entendida como um dos ‘pontos nodais’ figurativos da História da literatura portuguesa para a infância, em particular no período do Estado Novo (1926–1974), e cuja escrita, até à data, não teve, ainda, a merecida receção crítica (designadamente, no âmbito académico). Na tentativa de singularizar a produção literária da autora em questão e não deixando de registar alguns aspetos do seu percurso biobibliográfico, dados relevantes para o esclarecimento do contexto pessoal de composição da sua escrita e das repercussões que nesta aquele teve, procedemos a uma análise textual das suas oito obras que têm a criança como preferencial destinatário, centrando-nos nas suas principais linhas ideotemáticas (por exemplo, infância, humanismo, diversidade e natureza) e nos seus mais relevantes mecanismos retórico-estilísticos (como a adjetivação, a metáfora, entre outros). Genericamente, os textos em questão substantivam a profunda ligação ao quotidiano, em particular infantil, olhado genuinamente e recriado num discurso vivo, natural e espontâneo, através do qual aproxima do potencial leitor temáticas como o elogio da diferença, por exemplo. Estes e outros aspetos, que procuramos descodificar e aprofundar neste estudo, permitem dilucidar e reconhecer a irrecusável presença e o significado de Maria Cecília Correia na História da Literatura Portuguesa para a Infância.CEHUM2020-07-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.21814/diacritica.507https://doi.org/10.21814/diacritica.507Diacrítica; Vol. 34 N.º 2 (2020): WOMANART - Mulheres, Artes e Ditadura: Os casos de Portugal, Brasil e Países Africanos de Língua Portuguesa; 167-181Diacrítica; Vol. 34 No. 2 (2020): WOMANART - Women, Arts and Dictatorship: The cases of Portugal, Brazil and Portuguese speaking African countries; 167-1812183-91740870-896710.21814/diacritica.34.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.uminho.pt/index.php/diacritica/article/view/4987https://revistas.uminho.pt/index.php/diacritica/article/view/4987/5609Direitos de Autor (c) 2023 Sara Reis da Silvainfo:eu-repo/semantics/openAccessda Silva, Sara Reis2023-07-28T07:47:41Zoai:journals.uminho.pt:article/4987Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:34:37.801694Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing Com pequenos apontamentos se fazem contos para a infância: Maria Cecília Correia e a sua escrita esquecida |
title |
With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing |
spellingShingle |
With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing da Silva, Sara Reis Portuguese Children’sLiterature Women's writing Maria Cecília Correia Literatura Portuguesa para a Infância Escrita feminista Maria Cecília Correia |
title_short |
With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing |
title_full |
With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing |
title_fullStr |
With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing |
title_full_unstemmed |
With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing |
title_sort |
With small notes short stories for children are made: Maria Cecília Correia and her forgotten writing |
author |
da Silva, Sara Reis |
author_facet |
da Silva, Sara Reis |
author_role |
author |
dc.contributor.author.fl_str_mv |
da Silva, Sara Reis |
dc.subject.por.fl_str_mv |
Portuguese Children’sLiterature Women's writing Maria Cecília Correia Literatura Portuguesa para a Infância Escrita feminista Maria Cecília Correia |
topic |
Portuguese Children’sLiterature Women's writing Maria Cecília Correia Literatura Portuguesa para a Infância Escrita feminista Maria Cecília Correia |
description |
This essay, with a hermeneutic root and monographic contours, focuses on the literary personality Maria Cecília Correia (1919–1993). She is one of the writers –alongside with Lília da Fonseca, Maria Lamas or Maria Lúcia Namorado, for example –who, despite her experiential / literary discretion, should be understood as one of the ‘nodal/figurative points’of the History of Portuguese children’s literature, particularly during the period of the Estado Novo (1926–1974), and whose writing, until the date, has not yet received the deserved critical reception (namely, in the academic field). In an attempt to single out the literary production of this writer and not forgetting to point out some relevant aspects of her biobibliographical path, namely to clarify the personal context of her writing composition and the repercussions that it had in her literary creation, we proceeded to a textual analysis of her eight books for children, focusing on their main ideothematic (childhood, humanism, diversity, nature, among others) and most relevant rhetorical-stylistic mechanisms (adjectives, metaphor, among others). Generally speaking, these texts reflect the deep connection to everyday life, in particular children’s daily life, looked at and genuinely recreated in a lively, natural and spontaneous discourse, through which it approaches the potential reader important themes such as difference, for example. These and other aspects, which we tried to deepen in this study, allow us to clarify and recognize the irrefutable presence and meaning of Maria Cecília Correia in the History of Portuguese Children’s Literature. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-07-31 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
format |
article |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.21814/diacritica.507 https://doi.org/10.21814/diacritica.507 |
url |
https://doi.org/10.21814/diacritica.507 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.uminho.pt/index.php/diacritica/article/view/4987 https://revistas.uminho.pt/index.php/diacritica/article/view/4987/5609 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2023 Sara Reis da Silva info:eu-repo/semantics/openAccess |
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Direitos de Autor (c) 2023 Sara Reis da Silva |
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openAccess |
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application/pdf |
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CEHUM |
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CEHUM |
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Diacrítica; Vol. 34 N.º 2 (2020): WOMANART - Mulheres, Artes e Ditadura: Os casos de Portugal, Brasil e Países Africanos de Língua Portuguesa; 167-181 Diacrítica; Vol. 34 No. 2 (2020): WOMANART - Women, Arts and Dictatorship: The cases of Portugal, Brazil and Portuguese speaking African countries; 167-181 2183-9174 0870-8967 10.21814/diacritica.34.2 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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