(Un)censorship and sound art

Detalhes bibliográficos
Autor(a) principal: Maltez, Duarte Couto
Data de Publicação: 2022
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.14/40848
Resumo: There seems to be a shortage of instances—if there is any—where sound art has been censored. This becomes puzzling and poses some questions, aside from what exactly is sound art and what exactly is censorship, one might wonder if sound art can be censored. There is, certainly, a myriad of artistic modalities and works that have been censored in many ways, nonetheless, to find specific cases of sound art targeted with censorship is not an easy task. On this account, there is a lack of literature studying the relation between the concepts of sound art and censorship. Art and censorship have had a long-standing relationship and yet, this is insufficient to form a clear understanding of the mechanics of either, particularly their ways of operating. To look at this relationship between censorship and sound art—a very recent artistic practice historically speaking—is necessary in order to discuss whether sound art is susceptible to censorship. This research proposes to form a conceptual framework to allow a better framing of the problematic and the question of investigation itself, consequently raising a set of more relevant questions that allow us to explore this issue in a more reliable way. In order to further understand how this could be achieved, this research relied primarily on the literature review and later, on the meanings and interventions of multiple participants with artistic involvement and experience to assemble and form that very same conceptual framework. This group of participants was confronted with the question of investigation, discussed the problematic and ultimately gathered a set of questions and possible future approaches on how this investigation should proceed.
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spelling (Un)censorship and sound artCensuraArte sonoraEpistemologia artística sonoraMoralidadeCensorshipSound artSonic artistic epistemologyMoralityDomínio/Área Científica::Humanidades::ArtesThere seems to be a shortage of instances—if there is any—where sound art has been censored. This becomes puzzling and poses some questions, aside from what exactly is sound art and what exactly is censorship, one might wonder if sound art can be censored. There is, certainly, a myriad of artistic modalities and works that have been censored in many ways, nonetheless, to find specific cases of sound art targeted with censorship is not an easy task. On this account, there is a lack of literature studying the relation between the concepts of sound art and censorship. Art and censorship have had a long-standing relationship and yet, this is insufficient to form a clear understanding of the mechanics of either, particularly their ways of operating. To look at this relationship between censorship and sound art—a very recent artistic practice historically speaking—is necessary in order to discuss whether sound art is susceptible to censorship. This research proposes to form a conceptual framework to allow a better framing of the problematic and the question of investigation itself, consequently raising a set of more relevant questions that allow us to explore this issue in a more reliable way. In order to further understand how this could be achieved, this research relied primarily on the literature review and later, on the meanings and interventions of multiple participants with artistic involvement and experience to assemble and form that very same conceptual framework. This group of participants was confronted with the question of investigation, discussed the problematic and ultimately gathered a set of questions and possible future approaches on how this investigation should proceed.Parece haver falta de instâncias—se é que há alguma—onde a arte sonora tenha sido censurada. Isto torna-se intrigante e coloca algumas questões, para além do que é exactamente arte sonora e do que é exactamente censura, pode-se perguntar se a arte sonora pode ser censurada. Há, certamente, inúmeras modalidades e obras artísticas que têm sido censuradas de muitas maneiras, no entanto, encontrar casos específicos de arte sonora alvo de censura não é uma tarefa fácil. Por este motivo, existe uma falta de literatura que estude a relação entre os conceitos de arte sonora e a censura. A arte e a censura têm uma relação de longa data e, no entanto, esta é insuficiente para formar uma compreensão clara da mecânica de ambos, particularmente das suas formas de funcionamento. Olhar para esta relação entre censura e arte sonora—uma prática artística muito recente historicamente falando—é necessário para discutir se a arte sonora é susceptível à censura. Esta investigação propõe-se a formar um quadro conceptual que permita um melhor enquadramento da problemática e da questão da própria investigação, levantando consequentemente um conjunto de questões mais relevantes que nos permitam explorar esta questão de uma forma mais fiável. A fim de compreender melhor como isto poderia ser conseguido, esta investigação baseou-se principalmente na revisão da literatura e, mais tarde, nos significados e intervenções de múltiplos participantes com envolvimento artístico e experiência para montar e formar esse mesmo quadro conceptual. Este grupo de participantes foi confrontado com a questão da investigação, discutiu a problemática e acabou por reunir um conjunto de questões e possíveis abordagens futuras sobre a forma como esta investigação deveria prosseguir.Gomes, José Alberto SousaVeritati - Repositório Institucional da Universidade Católica PortuguesaMaltez, Duarte Couto2023-04-17T09:48:57Z2022-09-122022-072022-09-12T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.14/40848TID:203068360enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:46:25Zoai:repositorio.ucp.pt:10400.14/40848Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:33:32.456279Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv (Un)censorship and sound art
title (Un)censorship and sound art
spellingShingle (Un)censorship and sound art
Maltez, Duarte Couto
Censura
Arte sonora
Epistemologia artística sonora
Moralidade
Censorship
Sound art
Sonic artistic epistemology
Morality
Domínio/Área Científica::Humanidades::Artes
title_short (Un)censorship and sound art
title_full (Un)censorship and sound art
title_fullStr (Un)censorship and sound art
title_full_unstemmed (Un)censorship and sound art
title_sort (Un)censorship and sound art
author Maltez, Duarte Couto
author_facet Maltez, Duarte Couto
author_role author
dc.contributor.none.fl_str_mv Gomes, José Alberto Sousa
Veritati - Repositório Institucional da Universidade Católica Portuguesa
dc.contributor.author.fl_str_mv Maltez, Duarte Couto
dc.subject.por.fl_str_mv Censura
Arte sonora
Epistemologia artística sonora
Moralidade
Censorship
Sound art
Sonic artistic epistemology
Morality
Domínio/Área Científica::Humanidades::Artes
topic Censura
Arte sonora
Epistemologia artística sonora
Moralidade
Censorship
Sound art
Sonic artistic epistemology
Morality
Domínio/Área Científica::Humanidades::Artes
description There seems to be a shortage of instances—if there is any—where sound art has been censored. This becomes puzzling and poses some questions, aside from what exactly is sound art and what exactly is censorship, one might wonder if sound art can be censored. There is, certainly, a myriad of artistic modalities and works that have been censored in many ways, nonetheless, to find specific cases of sound art targeted with censorship is not an easy task. On this account, there is a lack of literature studying the relation between the concepts of sound art and censorship. Art and censorship have had a long-standing relationship and yet, this is insufficient to form a clear understanding of the mechanics of either, particularly their ways of operating. To look at this relationship between censorship and sound art—a very recent artistic practice historically speaking—is necessary in order to discuss whether sound art is susceptible to censorship. This research proposes to form a conceptual framework to allow a better framing of the problematic and the question of investigation itself, consequently raising a set of more relevant questions that allow us to explore this issue in a more reliable way. In order to further understand how this could be achieved, this research relied primarily on the literature review and later, on the meanings and interventions of multiple participants with artistic involvement and experience to assemble and form that very same conceptual framework. This group of participants was confronted with the question of investigation, discussed the problematic and ultimately gathered a set of questions and possible future approaches on how this investigation should proceed.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-12
2022-07
2022-09-12T00:00:00Z
2023-04-17T09:48:57Z
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