The Early Stage of Perception of Contemporary Art Music

Detalhes bibliográficos
Autor(a) principal: Santarcangelo, Vincenzo
Data de Publicação: 2020
Outros Autores: Wanke, Riccardo
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/107791
Resumo: UIDB/00693/2020 UIDP/00693/2020
id RCAP_93a5b45e7025a65287b50e4a3de7d264
oai_identifier_str oai:run.unl.pt:10362/107791
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling The Early Stage of Perception of Contemporary Art MusicA matter of timeAbsolute PitchAmusiaTune DeafnessMusicComputer Science ApplicationsUIDB/00693/2020 UIDP/00693/2020By way of a multidisciplinary approach, this article advances the idea that our listening to certain practices of contemporary art music (electroacoustic, classical contemporary, and electronic music) relies on precise connections to the early stage of perception. These styles of music are characterised by essential sound configurations that evolve in time, thus eliciting a sensorial impact which transcends features regarding sound sources and affective responses. Listeners grasp what Scruton calls 'pure events' in a 'world of sound', being able to distinguish, separate and sort acoustic stimuli. The article establishes a key parallel among seminal works of Bregman, McAdams, Kubovy, Bayle and other authors, highlighting a fundamental agreement of perceptual studies in psychology, neurophysiology and musicology for the understanding of the early stage of sound perception. Music practices typical of this perspective develop certain sound configurations, such as figure/ground arrangements, recurrent elements and morphological distinction, that closely mirror our innate mechanisms of prediction in perception. A parallel is made between studies in the philosophy of perception and the neurophysiology which allows us to postulate the idea that these styles of music are essentially based on pure temporal proto-objects.Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)RUNSantarcangelo, VincenzoWanke, Riccardo2020-11-25T23:58:34Z2020-01-012020-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article12application/pdfhttp://hdl.handle.net/10362/107791eng1355-7718PURE: 19697705https://doi.org/10.1017/S1355771820000047info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-05-22T17:48:59Zoai:run.unl.pt:10362/107791Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-05-22T17:48:59Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The Early Stage of Perception of Contemporary Art Music
A matter of time
title The Early Stage of Perception of Contemporary Art Music
spellingShingle The Early Stage of Perception of Contemporary Art Music
Santarcangelo, Vincenzo
Absolute Pitch
Amusia
Tune Deafness
Music
Computer Science Applications
title_short The Early Stage of Perception of Contemporary Art Music
title_full The Early Stage of Perception of Contemporary Art Music
title_fullStr The Early Stage of Perception of Contemporary Art Music
title_full_unstemmed The Early Stage of Perception of Contemporary Art Music
title_sort The Early Stage of Perception of Contemporary Art Music
author Santarcangelo, Vincenzo
author_facet Santarcangelo, Vincenzo
Wanke, Riccardo
author_role author
author2 Wanke, Riccardo
author2_role author
dc.contributor.none.fl_str_mv Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)
RUN
dc.contributor.author.fl_str_mv Santarcangelo, Vincenzo
Wanke, Riccardo
dc.subject.por.fl_str_mv Absolute Pitch
Amusia
Tune Deafness
Music
Computer Science Applications
topic Absolute Pitch
Amusia
Tune Deafness
Music
Computer Science Applications
description UIDB/00693/2020 UIDP/00693/2020
publishDate 2020
dc.date.none.fl_str_mv 2020-11-25T23:58:34Z
2020-01-01
2020-01-01T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/107791
url http://hdl.handle.net/10362/107791
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 1355-7718
PURE: 19697705
https://doi.org/10.1017/S1355771820000047
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 12
application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv mluisa.alvim@gmail.com
_version_ 1817545769184395264

Registros relacionados