A Topography of Sound Art

Detalhes bibliográficos
Autor(a) principal: Chavarria-Aldrete, Bertrand
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2021.9806
Resumo: Austrian artist and director of ZKM Center for Art and Media in Karlsruhe, Germany, Peter Weibel (Odessa, 1944), curates a book/catalogue of the mythical exhibition Sound Art, Sound as Medium of Art, that took place between March 2012 and February 2013 in Karlsruhe, with nearly one thousand images of sound art pieces. Along with a very detailed historical trace of sound as a form of art, the book contains different texts and essays about sound and its history written by renowned and iconic figures in art all articulated in five main sections. A very important work for any artist or amateur interested in sound and music.
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spelling A Topography of Sound ArtAustrian artist and director of ZKM Center for Art and Media in Karlsruhe, Germany, Peter Weibel (Odessa, 1944), curates a book/catalogue of the mythical exhibition Sound Art, Sound as Medium of Art, that took place between March 2012 and February 2013 in Karlsruhe, with nearly one thousand images of sound art pieces. Along with a very detailed historical trace of sound as a form of art, the book contains different texts and essays about sound and its history written by renowned and iconic figures in art all articulated in five main sections. A very important work for any artist or amateur interested in sound and music.Universidade Católica Portuguesa2021-04-01T00:00:00Zinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34632/jsta.2021.9806oai:ojs.revistas.ucp.pt:article/9806Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 106-109Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 106-1092183-00881646-979810.34632/jsta.2021.13.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9806https://doi.org/10.34632/jsta.2021.9806https://revistas.ucp.pt/index.php/jsta/article/view/9806/9724Copyright (c) 2021 Bertrand Chavarria-Aldretehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessChavarria-Aldrete, Bertrand2022-09-22T16:19:28Zoai:ojs.revistas.ucp.pt:article/9806Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.100340Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv A Topography of Sound Art
title A Topography of Sound Art
spellingShingle A Topography of Sound Art
Chavarria-Aldrete, Bertrand
title_short A Topography of Sound Art
title_full A Topography of Sound Art
title_fullStr A Topography of Sound Art
title_full_unstemmed A Topography of Sound Art
title_sort A Topography of Sound Art
author Chavarria-Aldrete, Bertrand
author_facet Chavarria-Aldrete, Bertrand
author_role author
dc.contributor.author.fl_str_mv Chavarria-Aldrete, Bertrand
description Austrian artist and director of ZKM Center for Art and Media in Karlsruhe, Germany, Peter Weibel (Odessa, 1944), curates a book/catalogue of the mythical exhibition Sound Art, Sound as Medium of Art, that took place between March 2012 and February 2013 in Karlsruhe, with nearly one thousand images of sound art pieces. Along with a very detailed historical trace of sound as a form of art, the book contains different texts and essays about sound and its history written by renowned and iconic figures in art all articulated in five main sections. A very important work for any artist or amateur interested in sound and music.
publishDate 2021
dc.date.none.fl_str_mv 2021-04-01T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.9806
oai:ojs.revistas.ucp.pt:article/9806
url https://doi.org/10.34632/jsta.2021.9806
identifier_str_mv oai:ojs.revistas.ucp.pt:article/9806
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9806
https://doi.org/10.34632/jsta.2021.9806
https://revistas.ucp.pt/index.php/jsta/article/view/9806/9724
dc.rights.driver.fl_str_mv Copyright (c) 2021 Bertrand Chavarria-Aldrete
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Bertrand Chavarria-Aldrete
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 106-109
Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 106-109
2183-0088
1646-9798
10.34632/jsta.2021.13.1
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