In the mirror of The Night: Narcissus

Detalhes bibliográficos
Autor(a) principal: Pinto, Ana Paula
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34624/fb.v0i17.27121
Resumo: Narcissus guarantees in Ancient Mythology and Literature an aura of enigmatic uniqueness: some sparse allusions to local traditions – conveyed among others by the descriptive eagerness of Pausanias, Colon, Philostratus the Elder, and Calístrato the Sophist – and corroborated by the ancient etymology of the anthroponymous, allows us to suppose that, before it occurred in the perfectly defined – and better known – narrative framework of Ovid’s Metamorphoses, the narrative had already rooted in the fertile ground of the ancient mythic imaginary some con- troversial versions. They will not have, however, to what we can conclude from the aesthetic- -literary tradition, a noticeable projection into ancient worldview. Obscurately associated with other myths that share with it significant traits of a broad sym- bolic spectrum (such as that of other young sevicies), it is striking in the interpretation of the myth the obsidious notation, that the intuition of the artists exhaustively captivated in the wide arc drawn between antiquity and our day, of an intransitive man’s loneliness before one- self, that is, of one’s own reflection; Ovid’s poetic articulation between the unfortunate fates of Echo and Narcissus will make it possible to multiply this loneliness into a refractive spe- cularity that simultaneously summons voice and gaze as vectors of emission and reception, that is, of communication. Starting from the poetic pretext offered by the notations of the Ancient Literature, we propose to try the hermeneutics of the symbolic echoes of the myth, and its peculiar acuteness in the framing of the modern tragedies of our daily lives. In this regard we are interested in bringing to the collage, in the tragic frame of the Holocaust, a symbolic reading of Elie Wiesel’s The Night.
id RCAP_9df33d2f4e5ed45524a8a66f6ba8de33
oai_identifier_str oai:proa.ua.pt:article/27121
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling In the mirror of The Night: NarcissusAo espelho de A Noite: NarcisoNarcissus guarantees in Ancient Mythology and Literature an aura of enigmatic uniqueness: some sparse allusions to local traditions – conveyed among others by the descriptive eagerness of Pausanias, Colon, Philostratus the Elder, and Calístrato the Sophist – and corroborated by the ancient etymology of the anthroponymous, allows us to suppose that, before it occurred in the perfectly defined – and better known – narrative framework of Ovid’s Metamorphoses, the narrative had already rooted in the fertile ground of the ancient mythic imaginary some con- troversial versions. They will not have, however, to what we can conclude from the aesthetic- -literary tradition, a noticeable projection into ancient worldview. Obscurately associated with other myths that share with it significant traits of a broad sym- bolic spectrum (such as that of other young sevicies), it is striking in the interpretation of the myth the obsidious notation, that the intuition of the artists exhaustively captivated in the wide arc drawn between antiquity and our day, of an intransitive man’s loneliness before one- self, that is, of one’s own reflection; Ovid’s poetic articulation between the unfortunate fates of Echo and Narcissus will make it possible to multiply this loneliness into a refractive spe- cularity that simultaneously summons voice and gaze as vectors of emission and reception, that is, of communication. Starting from the poetic pretext offered by the notations of the Ancient Literature, we propose to try the hermeneutics of the symbolic echoes of the myth, and its peculiar acuteness in the framing of the modern tragedies of our daily lives. In this regard we are interested in bringing to the collage, in the tragic frame of the Holocaust, a symbolic reading of Elie Wiesel’s The Night.Narciso garante na Mitologia e Literatura antigas uma aura de enigmática singularidade: algumas alusões esparsas a tradições locais – veiculadas entre outros pelo afã descritivo de Pausânias, Cónon, Filóstrato o Velho e Calístrato o Sofista – e corroboradas aliás pela etimologia antiga do antropónimo, permitem supor como provável que, antes de ocorrer no enquadramento nar- rativo perfeitamente definido – e mais conhecido – das Metamorfoses de Ovídio, a narrativa já tivesse enraizadas no terreno fértil do imaginário mítico antigo algumas versões controversas. Elas não terão tido, no entanto, ao que podemos concluir pela tradição estético-literária, uma notória projecção na mundividência antiga. Obscuramente associado a outros mitos que com ele comungam traços significativos de amplo espectro simbólico (como o de outros jovens seviciados), chama a atenção, na interpretação do mito, a notação obsidiante, que a intuição dos artistas soube exaustivamente cativar no amplo arco temporal desenhado entre a Antiguidade e os nossos dias, de uma solidão intransitiva do ser diante de si mesmo, isto é, do seu próprio reflexo; a articulação poética proposta por Oví- dio entre os infortunados destinos de Eco e Narciso permitirá multiplicar essa solidão numa especularidade refractiva, que convoca simultaneamente a voz e o olhar, enquanto vectores de emissão e recepção, isto é, de comunicação. Partindo do pretexto poético oferecido pelas notações da Literatura Antiga, propomo-nos tentar a hermenêutica dos ecos simbólicos do mito, e da sua peculiar acutilância no enqua- dramento das modernas tragédias do nosso quotidiano. A esse propósito interessa-nos trazer à colação, na moldura trágica do Holocausto, uma leitura simbólica de A Noite, de Elie Wiesel.UA Editora - Universidade de Aveiro2021-12-21info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/fb.v0i17.27121https://doi.org/10.34624/fb.v0i17.27121Forma Breve; No 17 (2021): Olhares de Narciso: egotismo e alienação; 199-212Forma Breve; n.º 17 (2021): Olhares de Narciso: egotismo e alienação; 199-2122183-47091645-927Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/formabreve/article/view/27121https://proa.ua.pt/index.php/formabreve/article/view/27121/19696Direitos de Autor (c) 2021 Ana Paula Pintohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPinto, Ana Paula2023-11-23T18:47:17Zoai:proa.ua.pt:article/27121Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:03:21.248907Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv In the mirror of The Night: Narcissus
Ao espelho de A Noite: Narciso
title In the mirror of The Night: Narcissus
spellingShingle In the mirror of The Night: Narcissus
Pinto, Ana Paula
title_short In the mirror of The Night: Narcissus
title_full In the mirror of The Night: Narcissus
title_fullStr In the mirror of The Night: Narcissus
title_full_unstemmed In the mirror of The Night: Narcissus
title_sort In the mirror of The Night: Narcissus
author Pinto, Ana Paula
author_facet Pinto, Ana Paula
author_role author
dc.contributor.author.fl_str_mv Pinto, Ana Paula
description Narcissus guarantees in Ancient Mythology and Literature an aura of enigmatic uniqueness: some sparse allusions to local traditions – conveyed among others by the descriptive eagerness of Pausanias, Colon, Philostratus the Elder, and Calístrato the Sophist – and corroborated by the ancient etymology of the anthroponymous, allows us to suppose that, before it occurred in the perfectly defined – and better known – narrative framework of Ovid’s Metamorphoses, the narrative had already rooted in the fertile ground of the ancient mythic imaginary some con- troversial versions. They will not have, however, to what we can conclude from the aesthetic- -literary tradition, a noticeable projection into ancient worldview. Obscurately associated with other myths that share with it significant traits of a broad sym- bolic spectrum (such as that of other young sevicies), it is striking in the interpretation of the myth the obsidious notation, that the intuition of the artists exhaustively captivated in the wide arc drawn between antiquity and our day, of an intransitive man’s loneliness before one- self, that is, of one’s own reflection; Ovid’s poetic articulation between the unfortunate fates of Echo and Narcissus will make it possible to multiply this loneliness into a refractive spe- cularity that simultaneously summons voice and gaze as vectors of emission and reception, that is, of communication. Starting from the poetic pretext offered by the notations of the Ancient Literature, we propose to try the hermeneutics of the symbolic echoes of the myth, and its peculiar acuteness in the framing of the modern tragedies of our daily lives. In this regard we are interested in bringing to the collage, in the tragic frame of the Holocaust, a symbolic reading of Elie Wiesel’s The Night.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-21
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34624/fb.v0i17.27121
https://doi.org/10.34624/fb.v0i17.27121
url https://doi.org/10.34624/fb.v0i17.27121
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://proa.ua.pt/index.php/formabreve/article/view/27121
https://proa.ua.pt/index.php/formabreve/article/view/27121/19696
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2021 Ana Paula Pinto
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2021 Ana Paula Pinto
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UA Editora - Universidade de Aveiro
publisher.none.fl_str_mv UA Editora - Universidade de Aveiro
dc.source.none.fl_str_mv Forma Breve; No 17 (2021): Olhares de Narciso: egotismo e alienação; 199-212
Forma Breve; n.º 17 (2021): Olhares de Narciso: egotismo e alienação; 199-212
2183-4709
1645-927X
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799130497684602880