Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | ita |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/35820 |
Resumo: | King Giovanni V of Portugal undoubtedly admired Italian marble sculptures; in fact he had had the contents of the basilica of Mafra enriched with them. In spite of this fact, for his Patriarchal Basilica in Lisbon he had chosen metal decorations. Besides the numerous silver works made in Rome, we know of the existence in the Patriarchal of two high quality sculptures, which had been greatly admired at that period; they were a relief portraying the Virgin with Child in gilded bronze (armolu) for the façade of the basilica and inside the latter a gilded silver statue of the Immaculate Mary. This statue was particularly admired in Rome as well as in Lisbon. Both statues disappeared during the terrible period of destruction which the Portuguese capital underwent on the first of November 1755. These two sculptures represent only a very small part of Giovanni V's dream of taking some pieces of Roman art to Lisbon, the art he admired so much from afar and dreamt of visiting personally. Being unable to realize this wish the king tried to experience it by means of the numerous works of art which he acquired during his life and his long reign. |
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Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di LisbonaKing Giovanni V of Portugal undoubtedly admired Italian marble sculptures; in fact he had had the contents of the basilica of Mafra enriched with them. In spite of this fact, for his Patriarchal Basilica in Lisbon he had chosen metal decorations. Besides the numerous silver works made in Rome, we know of the existence in the Patriarchal of two high quality sculptures, which had been greatly admired at that period; they were a relief portraying the Virgin with Child in gilded bronze (armolu) for the façade of the basilica and inside the latter a gilded silver statue of the Immaculate Mary. This statue was particularly admired in Rome as well as in Lisbon. Both statues disappeared during the terrible period of destruction which the Portuguese capital underwent on the first of November 1755. These two sculptures represent only a very small part of Giovanni V's dream of taking some pieces of Roman art to Lisbon, the art he admired so much from afar and dreamt of visiting personally. Being unable to realize this wish the king tried to experience it by means of the numerous works of art which he acquired during his life and his long reign.Scuola Beato AngelicoRepositório da Universidade de LisboaVale, Teresa Leonor M. do2018-12-12T11:23:14Z2012-012012-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/35820itaVALE, Teresa Leonor M. (2012) - Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona. Arte Cristiana: Rivista Internazionale di Storia dell'Arte e di Arti Liturgiche. Vol. C, Fasc. 868 (Luglio-Agosto 2012), ISSN 0004-3400, pp. 57-66.0004-3400info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:31:54Zoai:repositorio.ul.pt:10451/35820Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:50:07.967915Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona |
title |
Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona |
spellingShingle |
Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona Vale, Teresa Leonor M. do |
title_short |
Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona |
title_full |
Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona |
title_fullStr |
Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona |
title_full_unstemmed |
Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona |
title_sort |
Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona |
author |
Vale, Teresa Leonor M. do |
author_facet |
Vale, Teresa Leonor M. do |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Vale, Teresa Leonor M. do |
description |
King Giovanni V of Portugal undoubtedly admired Italian marble sculptures; in fact he had had the contents of the basilica of Mafra enriched with them. In spite of this fact, for his Patriarchal Basilica in Lisbon he had chosen metal decorations. Besides the numerous silver works made in Rome, we know of the existence in the Patriarchal of two high quality sculptures, which had been greatly admired at that period; they were a relief portraying the Virgin with Child in gilded bronze (armolu) for the façade of the basilica and inside the latter a gilded silver statue of the Immaculate Mary. This statue was particularly admired in Rome as well as in Lisbon. Both statues disappeared during the terrible period of destruction which the Portuguese capital underwent on the first of November 1755. These two sculptures represent only a very small part of Giovanni V's dream of taking some pieces of Roman art to Lisbon, the art he admired so much from afar and dreamt of visiting personally. Being unable to realize this wish the king tried to experience it by means of the numerous works of art which he acquired during his life and his long reign. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-01 2012-01-01T00:00:00Z 2018-12-12T11:23:14Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/35820 |
url |
http://hdl.handle.net/10451/35820 |
dc.language.iso.fl_str_mv |
ita |
language |
ita |
dc.relation.none.fl_str_mv |
VALE, Teresa Leonor M. (2012) - Di bronzo e d’argento: sculture del Settecento italiano nella magnifica Patriarcale di Lisbona. Arte Cristiana: Rivista Internazionale di Storia dell'Arte e di Arti Liturgiche. Vol. C, Fasc. 868 (Luglio-Agosto 2012), ISSN 0004-3400, pp. 57-66. 0004-3400 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Scuola Beato Angelico |
publisher.none.fl_str_mv |
Scuola Beato Angelico |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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