Stereoscopy's impact on the making of digital visual effects in films

Detalhes bibliográficos
Autor(a) principal: Jacopin, Esther
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10437/11643
Resumo: Since Avatar (Cameron, 2009) released, almost every stereoscopic 3D (S3D) film contain digital visual effects (VFX). Assuming that stereoscopy and VFX nowadays go hand in hand, this article aims to study the impact of stereoscopy on the making of digital VFX. It will cross information with crew members' witnesses from the production of French films Amazonia (Ragobert, 2013), Astérix & Obélix (Tirard, 2012), and The Young and Prodigious T.S. Spivet (Jeunet, 2013). This case study-oriented approach will go through the three film production's stages: pre-production, on-set principle photography, and post-production; in order to provide an overview of changes in cinematographic techniques that occur when designing stereoscopic-VFX, as well as how cinema technicians manage to adapt their skills to make stereoscopic and visual effects cohabit in films' images.
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spelling Stereoscopy's impact on the making of digital visual effects in filmsAUDIOVISUALESTEREOSCOPIACINEMAEFEITOS ESPECIAISCINEMA DIGITALSTEREOSCOPYSPECIAL EFFECTSDIGITAL CINEMASince Avatar (Cameron, 2009) released, almost every stereoscopic 3D (S3D) film contain digital visual effects (VFX). Assuming that stereoscopy and VFX nowadays go hand in hand, this article aims to study the impact of stereoscopy on the making of digital VFX. It will cross information with crew members' witnesses from the production of French films Amazonia (Ragobert, 2013), Astérix & Obélix (Tirard, 2012), and The Young and Prodigious T.S. Spivet (Jeunet, 2013). This case study-oriented approach will go through the three film production's stages: pre-production, on-set principle photography, and post-production; in order to provide an overview of changes in cinematographic techniques that occur when designing stereoscopic-VFX, as well as how cinema technicians manage to adapt their skills to make stereoscopic and visual effects cohabit in films' images.CICANT2021-01-14T16:07:42Z2020-01-01T00:00:00Z2020info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/11643engISSN 2184-1241Jacopin, Estherinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-09T14:07:35Zoai:recil.ensinolusofona.pt:10437/11643Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:14:55.277324Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Stereoscopy's impact on the making of digital visual effects in films
title Stereoscopy's impact on the making of digital visual effects in films
spellingShingle Stereoscopy's impact on the making of digital visual effects in films
Jacopin, Esther
AUDIOVISUAL
ESTEREOSCOPIA
CINEMA
EFEITOS ESPECIAIS
CINEMA DIGITAL
STEREOSCOPY
SPECIAL EFFECTS
DIGITAL CINEMA
title_short Stereoscopy's impact on the making of digital visual effects in films
title_full Stereoscopy's impact on the making of digital visual effects in films
title_fullStr Stereoscopy's impact on the making of digital visual effects in films
title_full_unstemmed Stereoscopy's impact on the making of digital visual effects in films
title_sort Stereoscopy's impact on the making of digital visual effects in films
author Jacopin, Esther
author_facet Jacopin, Esther
author_role author
dc.contributor.author.fl_str_mv Jacopin, Esther
dc.subject.por.fl_str_mv AUDIOVISUAL
ESTEREOSCOPIA
CINEMA
EFEITOS ESPECIAIS
CINEMA DIGITAL
STEREOSCOPY
SPECIAL EFFECTS
DIGITAL CINEMA
topic AUDIOVISUAL
ESTEREOSCOPIA
CINEMA
EFEITOS ESPECIAIS
CINEMA DIGITAL
STEREOSCOPY
SPECIAL EFFECTS
DIGITAL CINEMA
description Since Avatar (Cameron, 2009) released, almost every stereoscopic 3D (S3D) film contain digital visual effects (VFX). Assuming that stereoscopy and VFX nowadays go hand in hand, this article aims to study the impact of stereoscopy on the making of digital VFX. It will cross information with crew members' witnesses from the production of French films Amazonia (Ragobert, 2013), Astérix & Obélix (Tirard, 2012), and The Young and Prodigious T.S. Spivet (Jeunet, 2013). This case study-oriented approach will go through the three film production's stages: pre-production, on-set principle photography, and post-production; in order to provide an overview of changes in cinematographic techniques that occur when designing stereoscopic-VFX, as well as how cinema technicians manage to adapt their skills to make stereoscopic and visual effects cohabit in films' images.
publishDate 2020
dc.date.none.fl_str_mv 2020-01-01T00:00:00Z
2020
2021-01-14T16:07:42Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10437/11643
url http://hdl.handle.net/10437/11643
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv ISSN 2184-1241
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv CICANT
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instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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