Specifics of Periodization in Russian Street Art

Detalhes bibliográficos
Autor(a) principal: Polsky, Anton
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v4i2.151
Resumo: Although Street Art as a consistent global movement existed from approximately 1998 to 2008, this periodization needs to be updated for the peripheral scenes. As street art is site specific and peripheral by its nature, it needs to be perceived as follows. Not everywhere, especially in comparison to the cities or regions with less developed art institutions and art market, the processes of instrumentalization and co-opting of Street Art by the Creative Сity discourse happens with the same dynamic.
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spelling Specifics of Periodization in Russian Street ArtAlthough Street Art as a consistent global movement existed from approximately 1998 to 2008, this periodization needs to be updated for the peripheral scenes. As street art is site specific and peripheral by its nature, it needs to be perceived as follows. Not everywhere, especially in comparison to the cities or regions with less developed art institutions and art market, the processes of instrumentalization and co-opting of Street Art by the Creative Сity discourse happens with the same dynamic.AP22018-12-10info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.25765/sauc.v4i2.151https://doi.org/10.25765/sauc.v4i2.151SAUC - Street Art and Urban Creativity; Vol 4 No 2 (2018): Changing times: Resilience2183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/151https://journals.ap2.pt/index.php/sauc/article/view/151/103Polsky, Antoninfo:eu-repo/semantics/openAccess2024-01-26T14:15:35Zoai:journals.ap2.pt:article/151Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:49.799272Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Specifics of Periodization in Russian Street Art
title Specifics of Periodization in Russian Street Art
spellingShingle Specifics of Periodization in Russian Street Art
Polsky, Anton
title_short Specifics of Periodization in Russian Street Art
title_full Specifics of Periodization in Russian Street Art
title_fullStr Specifics of Periodization in Russian Street Art
title_full_unstemmed Specifics of Periodization in Russian Street Art
title_sort Specifics of Periodization in Russian Street Art
author Polsky, Anton
author_facet Polsky, Anton
author_role author
dc.contributor.author.fl_str_mv Polsky, Anton
description Although Street Art as a consistent global movement existed from approximately 1998 to 2008, this periodization needs to be updated for the peripheral scenes. As street art is site specific and peripheral by its nature, it needs to be perceived as follows. Not everywhere, especially in comparison to the cities or regions with less developed art institutions and art market, the processes of instrumentalization and co-opting of Street Art by the Creative Сity discourse happens with the same dynamic.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-10
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dc.language.iso.fl_str_mv eng
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https://journals.ap2.pt/index.php/sauc/article/view/151/103
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dc.source.none.fl_str_mv SAUC - Street Art and Urban Creativity; Vol 4 No 2 (2018): Changing times: Resilience
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