Street art and graffiti in former communist Albania from 2010 to 2022

Detalhes bibliográficos
Autor(a) principal: Muharremi, Ilir Hivzi
Data de Publicação: 2022
Outros Autores: Krasniqi, Albana
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v8i2.577
Resumo: This paper deals with graffiti in the streets of Albania, a former communist state which in the time of communism had every modern motif banned, except the art of propaganda that was under the service of the party. Graffiti on the walls of buildings in different cities of Albania since 2010 has social, political, economic, psychological, social, and personal motives. It shows the development of murals, the freedom of expression of artists, and positive propaganda through this art. In Albania, artists are now free to express all their artistic ideas, and graffiti is used as public art which reflects any current events occurring. Color is the main element that distinguishes mural artists, as well as motive and figuration.
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spelling Street art and graffiti in former communist Albania from 2010 to 2022This paper deals with graffiti in the streets of Albania, a former communist state which in the time of communism had every modern motif banned, except the art of propaganda that was under the service of the party. Graffiti on the walls of buildings in different cities of Albania since 2010 has social, political, economic, psychological, social, and personal motives. It shows the development of murals, the freedom of expression of artists, and positive propaganda through this art. In Albania, artists are now free to express all their artistic ideas, and graffiti is used as public art which reflects any current events occurring. Color is the main element that distinguishes mural artists, as well as motive and figuration.AP22022-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v8i2.577https://doi.org/10.25765/sauc.v8i2.577SAUC - Street Art and Urban Creativity; Vol 8 No 2 (2022): Liminal, state of in-betweenness; 95 - 1022183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/577https://journals.ap2.pt/index.php/sauc/article/view/577/381Muharremi, Ilir HivziKrasniqi, Albanainfo:eu-repo/semantics/openAccess2024-01-26T14:15:40Zoai:journals.ap2.pt:article/577Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:52.558447Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Street art and graffiti in former communist Albania from 2010 to 2022
title Street art and graffiti in former communist Albania from 2010 to 2022
spellingShingle Street art and graffiti in former communist Albania from 2010 to 2022
Muharremi, Ilir Hivzi
title_short Street art and graffiti in former communist Albania from 2010 to 2022
title_full Street art and graffiti in former communist Albania from 2010 to 2022
title_fullStr Street art and graffiti in former communist Albania from 2010 to 2022
title_full_unstemmed Street art and graffiti in former communist Albania from 2010 to 2022
title_sort Street art and graffiti in former communist Albania from 2010 to 2022
author Muharremi, Ilir Hivzi
author_facet Muharremi, Ilir Hivzi
Krasniqi, Albana
author_role author
author2 Krasniqi, Albana
author2_role author
dc.contributor.author.fl_str_mv Muharremi, Ilir Hivzi
Krasniqi, Albana
description This paper deals with graffiti in the streets of Albania, a former communist state which in the time of communism had every modern motif banned, except the art of propaganda that was under the service of the party. Graffiti on the walls of buildings in different cities of Albania since 2010 has social, political, economic, psychological, social, and personal motives. It shows the development of murals, the freedom of expression of artists, and positive propaganda through this art. In Albania, artists are now free to express all their artistic ideas, and graffiti is used as public art which reflects any current events occurring. Color is the main element that distinguishes mural artists, as well as motive and figuration.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://doi.org/10.25765/sauc.v8i2.577
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url https://doi.org/10.25765/sauc.v8i2.577
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://journals.ap2.pt/index.php/sauc/article/view/577
https://journals.ap2.pt/index.php/sauc/article/view/577/381
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dc.source.none.fl_str_mv SAUC - Street Art and Urban Creativity; Vol 8 No 2 (2022): Liminal, state of in-betweenness; 95 - 102
2183-9956
2183-3869
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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