Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Show

Detalhes bibliográficos
Autor(a) principal: Van Bauwel, Sofie
Data de Publicação: 2021
Outros Autores: Krijnen, Tonny
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.17645/mac.v9i3.4152
Resumo: The study of popular culture has always been closely related to the study of class, gender, race, and sexuality. An increasing number of authors have called for an intersectional approach. However, the contradictory, fluid meanings articulated in popular culture render such an approach difficult, and many ignore the call for intersectional analysis. We will not. We will try to engage with an intersectional analysis of popular culture, using Shakira and Jennifer Lopez’s performance at the 2020 Super Bowl Halftime Show as a case to study the intersections of identity markers. We aim to bridge the different meanings attributed to their performance and to understand them as different elements in the intersectional configuration. A discourse analysis of the performance, and of reviews thereof, was performed to unravel five elements highlighted in the discourse: the quality of the show, Shakira and Lopez’s empowered performances, the incorporation of Latinidad elements, the performers’ sexiness, and perceived political messages. Our aim to understand how the contradictory discourses about these elements arose urges the reader to use listening to grapple with the complexity of intersectional analysis. Truly listening includes putting effort into opening up academic cultures, finding other voices. It is important to recognize global gender inequity, but we need to start investing far more to understand the politics of media representations as a transnational affair that causes multiple conceptions of gender (and other related) concepts to clash, mesh, and integrate.
id RCAP_a62bf97b713ca5fd9ea1f7d1d3a64da2
oai_identifier_str oai:ojs.cogitatiopress.com:article/4152
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Showdiscourse analysis; intersectionality; Latinidad; listening; popular culture; Super Bowl Halftime ShowThe study of popular culture has always been closely related to the study of class, gender, race, and sexuality. An increasing number of authors have called for an intersectional approach. However, the contradictory, fluid meanings articulated in popular culture render such an approach difficult, and many ignore the call for intersectional analysis. We will not. We will try to engage with an intersectional analysis of popular culture, using Shakira and Jennifer Lopez’s performance at the 2020 Super Bowl Halftime Show as a case to study the intersections of identity markers. We aim to bridge the different meanings attributed to their performance and to understand them as different elements in the intersectional configuration. A discourse analysis of the performance, and of reviews thereof, was performed to unravel five elements highlighted in the discourse: the quality of the show, Shakira and Lopez’s empowered performances, the incorporation of Latinidad elements, the performers’ sexiness, and perceived political messages. Our aim to understand how the contradictory discourses about these elements arose urges the reader to use listening to grapple with the complexity of intersectional analysis. Truly listening includes putting effort into opening up academic cultures, finding other voices. It is important to recognize global gender inequity, but we need to start investing far more to understand the politics of media representations as a transnational affair that causes multiple conceptions of gender (and other related) concepts to clash, mesh, and integrate.Cogitatio2021-09-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.17645/mac.v9i3.4152oai:ojs.cogitatiopress.com:article/4152Media and Communication; Vol 9, No 3 (2021): From Sony’s Walkman to RuPaul's Drag Race: A Landscape of Contemporary Popular Culture; 209-2172183-2439reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.cogitatiopress.com/mediaandcommunication/article/view/4152https://doi.org/10.17645/mac.v9i3.4152https://www.cogitatiopress.com/mediaandcommunication/article/view/4152/4152Copyright (c) 2021 Sofie Van Bauwel, Tonny Krijnenhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessVan Bauwel, SofieKrijnen, Tonny2022-12-20T10:57:46Zoai:ojs.cogitatiopress.com:article/4152Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:20:29.528013Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Show
title Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Show
spellingShingle Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Show
Van Bauwel, Sofie
discourse analysis; intersectionality; Latinidad; listening; popular culture; Super Bowl Halftime Show
title_short Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Show
title_full Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Show
title_fullStr Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Show
title_full_unstemmed Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Show
title_sort Let’s Get Loud: Intersectionally Studying the Super Bowl’s Halftime Show
author Van Bauwel, Sofie
author_facet Van Bauwel, Sofie
Krijnen, Tonny
author_role author
author2 Krijnen, Tonny
author2_role author
dc.contributor.author.fl_str_mv Van Bauwel, Sofie
Krijnen, Tonny
dc.subject.por.fl_str_mv discourse analysis; intersectionality; Latinidad; listening; popular culture; Super Bowl Halftime Show
topic discourse analysis; intersectionality; Latinidad; listening; popular culture; Super Bowl Halftime Show
description The study of popular culture has always been closely related to the study of class, gender, race, and sexuality. An increasing number of authors have called for an intersectional approach. However, the contradictory, fluid meanings articulated in popular culture render such an approach difficult, and many ignore the call for intersectional analysis. We will not. We will try to engage with an intersectional analysis of popular culture, using Shakira and Jennifer Lopez’s performance at the 2020 Super Bowl Halftime Show as a case to study the intersections of identity markers. We aim to bridge the different meanings attributed to their performance and to understand them as different elements in the intersectional configuration. A discourse analysis of the performance, and of reviews thereof, was performed to unravel five elements highlighted in the discourse: the quality of the show, Shakira and Lopez’s empowered performances, the incorporation of Latinidad elements, the performers’ sexiness, and perceived political messages. Our aim to understand how the contradictory discourses about these elements arose urges the reader to use listening to grapple with the complexity of intersectional analysis. Truly listening includes putting effort into opening up academic cultures, finding other voices. It is important to recognize global gender inequity, but we need to start investing far more to understand the politics of media representations as a transnational affair that causes multiple conceptions of gender (and other related) concepts to clash, mesh, and integrate.
publishDate 2021
dc.date.none.fl_str_mv 2021-09-13
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.17645/mac.v9i3.4152
oai:ojs.cogitatiopress.com:article/4152
url https://doi.org/10.17645/mac.v9i3.4152
identifier_str_mv oai:ojs.cogitatiopress.com:article/4152
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://www.cogitatiopress.com/mediaandcommunication/article/view/4152
https://doi.org/10.17645/mac.v9i3.4152
https://www.cogitatiopress.com/mediaandcommunication/article/view/4152/4152
dc.rights.driver.fl_str_mv Copyright (c) 2021 Sofie Van Bauwel, Tonny Krijnen
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Sofie Van Bauwel, Tonny Krijnen
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Cogitatio
publisher.none.fl_str_mv Cogitatio
dc.source.none.fl_str_mv Media and Communication; Vol 9, No 3 (2021): From Sony’s Walkman to RuPaul's Drag Race: A Landscape of Contemporary Popular Culture; 209-217
2183-2439
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799130653391847424