Street Art & Graffiti in Belgrade: Ecological Potentials?

Detalhes bibliográficos
Autor(a) principal: Tunic, Srdan
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v6i2.231
Resumo: Since the emergence of the global contemporary graffiti and street art, urban spaces have become filled with a variety of techniques and art pieces, whether as a beautification method, commemorative and community art, or even activism. Ecology has also been a small part of this, with growing concern over our environment’s health (as well as our own), disappearing living species and habitats, and trying to imagine a better, less destructive humankind (see: Arrieta, 2014).   But, how can this art - based mostly on aerosol spray cans and thus not very eco-friendly - in urban spaces contribute to ecological awareness? Do nature, animal and plant motifs pave a way towards understanding the environment, or simply serve as aesthetic statements? This paper will examine these questions with the example of Belgrade, Serbia, and several local (but also global) practices. This text is based on ongoing research as part of Street Art Walks Belgrade project (STAW BLGRD) and interviews with a group of artists.
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spelling Street Art & Graffiti in Belgrade: Ecological Potentials?Since the emergence of the global contemporary graffiti and street art, urban spaces have become filled with a variety of techniques and art pieces, whether as a beautification method, commemorative and community art, or even activism. Ecology has also been a small part of this, with growing concern over our environment’s health (as well as our own), disappearing living species and habitats, and trying to imagine a better, less destructive humankind (see: Arrieta, 2014).   But, how can this art - based mostly on aerosol spray cans and thus not very eco-friendly - in urban spaces contribute to ecological awareness? Do nature, animal and plant motifs pave a way towards understanding the environment, or simply serve as aesthetic statements? This paper will examine these questions with the example of Belgrade, Serbia, and several local (but also global) practices. This text is based on ongoing research as part of Street Art Walks Belgrade project (STAW BLGRD) and interviews with a group of artists.AP22020-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v6i2.231https://doi.org/10.25765/sauc.v6i2.231SAUC - Street Art and Urban Creativity; Vol 6 No 2 (2020): Emergence of Studies; 71 - 1022183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/231https://journals.ap2.pt/index.php/sauc/article/view/231/203Tunic, Srdaninfo:eu-repo/semantics/openAccess2024-01-26T14:15:38Zoai:journals.ap2.pt:article/231Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:51.178386Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Street Art & Graffiti in Belgrade: Ecological Potentials?
title Street Art & Graffiti in Belgrade: Ecological Potentials?
spellingShingle Street Art & Graffiti in Belgrade: Ecological Potentials?
Tunic, Srdan
title_short Street Art & Graffiti in Belgrade: Ecological Potentials?
title_full Street Art & Graffiti in Belgrade: Ecological Potentials?
title_fullStr Street Art & Graffiti in Belgrade: Ecological Potentials?
title_full_unstemmed Street Art & Graffiti in Belgrade: Ecological Potentials?
title_sort Street Art & Graffiti in Belgrade: Ecological Potentials?
author Tunic, Srdan
author_facet Tunic, Srdan
author_role author
dc.contributor.author.fl_str_mv Tunic, Srdan
description Since the emergence of the global contemporary graffiti and street art, urban spaces have become filled with a variety of techniques and art pieces, whether as a beautification method, commemorative and community art, or even activism. Ecology has also been a small part of this, with growing concern over our environment’s health (as well as our own), disappearing living species and habitats, and trying to imagine a better, less destructive humankind (see: Arrieta, 2014).   But, how can this art - based mostly on aerosol spray cans and thus not very eco-friendly - in urban spaces contribute to ecological awareness? Do nature, animal and plant motifs pave a way towards understanding the environment, or simply serve as aesthetic statements? This paper will examine these questions with the example of Belgrade, Serbia, and several local (but also global) practices. This text is based on ongoing research as part of Street Art Walks Belgrade project (STAW BLGRD) and interviews with a group of artists.
publishDate 2020
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