THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATURE
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34630/polissema.vi8.3291 |
Resumo: | In this article, we are interested in the representations of social life in the narratives of the Angolan writer Uanhenga Xitu, mainly in his concern with the feminine character and the feminine role in the traditional Angolan societies. In these narratives, which take place in Angola, the social representations of the woman reveal a “modus vivendi” that is different from those women who migrate to the capital, Luanda, a place where the notion of a life in community, so meaningful in the traditional societies, has lost its meaning. There, the work is done to favor the colonist and not the whole community. On the other hand, in the spaces of the countryside, which are far from the colonizer’s stern hand, the representations of the Angolan social life are more expressive and this difference reveals that the migration from the country-side to the capital, in the case of a country driven by colonization, represents, as in a metaphor, the abandonment of a kind of social living in the terms of the another. Because Portugal’s colonization process was assimilationist, this migration will mean an adherence to the “modus vivendi” of the other, in many ways an effort to do not suffer so much the impacts of the domination. It is no wonder that Xitu’s feminine characters were chosen in this discussion; in his texts, these women are given voice to express the Angolan “proprium”, as if the writer wanted to recognize and acknowledge their contribution in the construction and preservation of the memory, which is able to create identity links, among as many generations, both from the past and the future, as it will be shown here (The reflections presented in this paper are the result of my doctorate studies, called “Entre dois contares: o espaço da tradição na escrita de Uanhenga Xitu”, presented at FFLCH-USP in 1996 and under the supervision of Dra. Maria Aparecida Santilli, who died in March 2008). |
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THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATUREO FEMININO NA OBRA DE UANHENGA XITU: MEMÓRIA E IDENTIDADE NA LITERATURA ANGOLANApersonagem femininaliteratura angolanamemóriaidentidadeUanhenga Xitufeminine characterAngolan literaturememoryidentityUanhenga XituIn this article, we are interested in the representations of social life in the narratives of the Angolan writer Uanhenga Xitu, mainly in his concern with the feminine character and the feminine role in the traditional Angolan societies. In these narratives, which take place in Angola, the social representations of the woman reveal a “modus vivendi” that is different from those women who migrate to the capital, Luanda, a place where the notion of a life in community, so meaningful in the traditional societies, has lost its meaning. There, the work is done to favor the colonist and not the whole community. On the other hand, in the spaces of the countryside, which are far from the colonizer’s stern hand, the representations of the Angolan social life are more expressive and this difference reveals that the migration from the country-side to the capital, in the case of a country driven by colonization, represents, as in a metaphor, the abandonment of a kind of social living in the terms of the another. Because Portugal’s colonization process was assimilationist, this migration will mean an adherence to the “modus vivendi” of the other, in many ways an effort to do not suffer so much the impacts of the domination. It is no wonder that Xitu’s feminine characters were chosen in this discussion; in his texts, these women are given voice to express the Angolan “proprium”, as if the writer wanted to recognize and acknowledge their contribution in the construction and preservation of the memory, which is able to create identity links, among as many generations, both from the past and the future, as it will be shown here (The reflections presented in this paper are the result of my doctorate studies, called “Entre dois contares: o espaço da tradição na escrita de Uanhenga Xitu”, presented at FFLCH-USP in 1996 and under the supervision of Dra. Maria Aparecida Santilli, who died in March 2008).Interessa-nos para este artigo perscrutar as representações da vida social em narrativas do escritor angolano Uanhenga Xitu, mormente no que diz respeito à personagem feminina e ao papel da mulher nas sociedades tradicionais angolanas. Nas narrativas cujas ações se passam no interior de Angola, as representações sociais da mulher revelam um modus vivendi diferenciado daquele experimentado por mulheres que migram para a capital, Luanda, espaço em que a noção de vida comunitária, tão significativa nas sociedades tradicionais, perde seu significado. Os trabalhos lá executados, por exemplo, serão em favor do colono, como os dos empregados domésticos, e não para a coletividade. Já nos espaços interiores, mais distantes da mão pesada do colonizador, as representações da vida social dos angolanos são mais expressivas e essa diferenciação revela que a migração do campo para a cidade, no caso de um país dominado pela colonização, metaforiza o abandono de um tipo de (con)vivência social em favor de outro. Como a política colonial portuguesa foi assimilacionista, essa migração será sinônimo de busca de adesão ao modus vivendi do outro, muitas vezes para sofrer menos os efeitos da dominação. Para essa discussão, não é por livre escolha que se tratará das personagens femininas na obra de Xitu, posto que as mulheres em seus textos ganham vez e voz para a expressão do proprium angolano, como se o autor as quisesse homenagear em sinal do reconhecimento de sua importância na construção e preservação da memória, que é capaz de criar laços identitários entre as milenares gerações passadas e as futuras, como esboçaremos (Esta reflexão teve origem no estudo desenvolvido no doutoramento, intitulado Entre dois contares: o espaço da tradição na escrita de Uanhenga Xitu, defendida em 1996 na FFLCH-USP, e orientada pela Dra. Maria Aparecida Santilli, falecida em março de 2008).Instituto Superior de Contabilidade e Administração do Porto2019-08-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34630/polissema.vi8.3291https://doi.org/10.34630/polissema.vi8.3291POLISSEMA – ISCAP Journal of Letters; No. 8 (2008); 220-237POLISSEMA – Revista de Letras do ISCAP; Núm. 8 (2008); 220-237POLISSEMA; No 8 (2008); 220-237POLISSEMA – Revista de Letras do ISCAP; N.º 8 (2008); 220-2372184-710X1645-1937reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://parc.ipp.pt/index.php/Polissema/article/view/3291https://parc.ipp.pt/index.php/Polissema/article/view/3291/1275Direitos de Autor (c) 2008 POLISSEMA – Revista de Letras do ISCAPinfo:eu-repo/semantics/openAccessMendes Ramos, Marilúcia2024-02-01T20:17:55Zoai:oai.parc.ipp.pt:article/3291Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:00:57.207371Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATURE O FEMININO NA OBRA DE UANHENGA XITU: MEMÓRIA E IDENTIDADE NA LITERATURA ANGOLANA |
title |
THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATURE |
spellingShingle |
THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATURE Mendes Ramos, Marilúcia personagem feminina literatura angolana memória identidade Uanhenga Xitu feminine character Angolan literature memory identity Uanhenga Xitu |
title_short |
THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATURE |
title_full |
THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATURE |
title_fullStr |
THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATURE |
title_full_unstemmed |
THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATURE |
title_sort |
THE FEMININE IN THE WORK OF UANHENGA XITU: MEMORY AND IDENTITY IN ANGOLAN LITERATURE |
author |
Mendes Ramos, Marilúcia |
author_facet |
Mendes Ramos, Marilúcia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mendes Ramos, Marilúcia |
dc.subject.por.fl_str_mv |
personagem feminina literatura angolana memória identidade Uanhenga Xitu feminine character Angolan literature memory identity Uanhenga Xitu |
topic |
personagem feminina literatura angolana memória identidade Uanhenga Xitu feminine character Angolan literature memory identity Uanhenga Xitu |
description |
In this article, we are interested in the representations of social life in the narratives of the Angolan writer Uanhenga Xitu, mainly in his concern with the feminine character and the feminine role in the traditional Angolan societies. In these narratives, which take place in Angola, the social representations of the woman reveal a “modus vivendi” that is different from those women who migrate to the capital, Luanda, a place where the notion of a life in community, so meaningful in the traditional societies, has lost its meaning. There, the work is done to favor the colonist and not the whole community. On the other hand, in the spaces of the countryside, which are far from the colonizer’s stern hand, the representations of the Angolan social life are more expressive and this difference reveals that the migration from the country-side to the capital, in the case of a country driven by colonization, represents, as in a metaphor, the abandonment of a kind of social living in the terms of the another. Because Portugal’s colonization process was assimilationist, this migration will mean an adherence to the “modus vivendi” of the other, in many ways an effort to do not suffer so much the impacts of the domination. It is no wonder that Xitu’s feminine characters were chosen in this discussion; in his texts, these women are given voice to express the Angolan “proprium”, as if the writer wanted to recognize and acknowledge their contribution in the construction and preservation of the memory, which is able to create identity links, among as many generations, both from the past and the future, as it will be shown here (The reflections presented in this paper are the result of my doctorate studies, called “Entre dois contares: o espaço da tradição na escrita de Uanhenga Xitu”, presented at FFLCH-USP in 1996 and under the supervision of Dra. Maria Aparecida Santilli, who died in March 2008). |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-20 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34630/polissema.vi8.3291 https://doi.org/10.34630/polissema.vi8.3291 |
url |
https://doi.org/10.34630/polissema.vi8.3291 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://parc.ipp.pt/index.php/Polissema/article/view/3291 https://parc.ipp.pt/index.php/Polissema/article/view/3291/1275 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2008 POLISSEMA – Revista de Letras do ISCAP info:eu-repo/semantics/openAccess |
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Direitos de Autor (c) 2008 POLISSEMA – Revista de Letras do ISCAP |
eu_rights_str_mv |
openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Instituto Superior de Contabilidade e Administração do Porto |
publisher.none.fl_str_mv |
Instituto Superior de Contabilidade e Administração do Porto |
dc.source.none.fl_str_mv |
POLISSEMA – ISCAP Journal of Letters; No. 8 (2008); 220-237 POLISSEMA – Revista de Letras do ISCAP; Núm. 8 (2008); 220-237 POLISSEMA; No 8 (2008); 220-237 POLISSEMA – Revista de Letras do ISCAP; N.º 8 (2008); 220-237 2184-710X 1645-1937 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799130474662068224 |