Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui Guzman

Detalhes bibliográficos
Autor(a) principal: Misevich , Valeria
Data de Publicação: 2023
Outros Autores: Rivera , Rocío
Tipo de documento: Artigo
Idioma: spa
eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.37334/eras.v14i1.287
Resumo: El centésimo mono by Osqui Guzmán puts theatre, actor and character at stake by enabling the audience's critical eye. The play creates an alternate (and interesting) space within the argentine theatre system in the 21st Century which questions the production and expectation conditions of the theatrical event itself. The Character, a splintered, blurred and hard to grasp entity, is the centrepiece of the play and turns into a guide and direct speaker to the audience. The resources and procedures analysed from a theoretical perspective that appeals not only to its own concepts but also to other fields of cultural thinking, make it possible for a more complex analysis of the actor-character duality and his performance on stage. El centésimo mono is a play where the actorsubject leaves his own marks through the cracks which open up the plot by magic.
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spelling Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui GuzmanANÁLISIS DEL ESTATUTO DEL ACTOR, LA NOCIÓN DE PERSONAJE Y LA SITUACIÓN DE ACTUACIÓN EN EL CENTÉSIMO MONO DE OSQUI GUZMÁNANÁLISIS DEL ESTATUTO DEL ACTOR, LA NOCIÓN DE PERSONAJE Y LA SITUACIÓN DE ACTUACIÓN EN EL CENTÉSIMO MONO DE OSQUI GUZMÁNMetatheatricalityCharacterTheatrical DeviceOsqui GuzmánBuenos AiresMetateatralidadPersonajeDispositivo TeatralOsqui GuzmánBuenos AiresEl centésimo mono by Osqui Guzmán puts theatre, actor and character at stake by enabling the audience's critical eye. The play creates an alternate (and interesting) space within the argentine theatre system in the 21st Century which questions the production and expectation conditions of the theatrical event itself. The Character, a splintered, blurred and hard to grasp entity, is the centrepiece of the play and turns into a guide and direct speaker to the audience. The resources and procedures analysed from a theoretical perspective that appeals not only to its own concepts but also to other fields of cultural thinking, make it possible for a more complex analysis of the actor-character duality and his performance on stage. El centésimo mono is a play where the actorsubject leaves his own marks through the cracks which open up the plot by magic.En El centésimo mono de Osqui Guzmán se ponen en juego, habilitando la mirada crítica de los espectadores, los conceptos naturalizados de actuación, teatro, actor, personaje. La obra abre un espacio alternativo e interesante dentro del sistema teatral argentino del siglo XXI que pone en cuestionamiento las condiciones de producción y expectación del hecho teatral en sí mismo. El Personaje, entidad que se presenta escindida, difícil de aprehender y que parece desdibujarse, es el eje central sobre el que reflexiona la obra y se convierte en guía e interlocutor directo del espectador. Los recursos y procedimientos analizados desde una perspectiva teórica qu e apela no solo a conceptos propios de la teoría teatral sino también a otros campos del pensamiento cultural, nos permiten complejizar la problemática dupla actor-personaje y su performance sobre el escenario. En El centésimo mono al actor-sujeto deja sus propias marcas desde pequeñas hendijas que se abren en la trama “como por arte de magia”.En El centésimo mono de Osqui Guzmán se ponen en juego, habilitando la mirada crítica de los espectadores, los conceptos naturalizados de actuación, teatro, actor, personaje. La obra abre un espacio alternativo e interesante dentro del sistema teatral argentino del siglo XXI que pone en cuestionamiento las condiciones de producción y expectación del hecho teatral en sí mismo. El Personaje, entidad que se presenta escindida, difícil de aprehender y que parece desdibujarse, es el eje central sobre el que reflexiona la obra y se convierte en guía e interlocutor directo del espectador. Los recursos y procedimientos analizados desde una perspectiva teórica qu e apela no solo a conceptos propios de la teoría teatral sino también a otros campos del pensamiento cultural, nos permiten complejizar la problemática dupla actor-personaje y su performance sobre el escenario. En El centésimo mono al actor-sujeto deja sus propias marcas desde pequeñas hendijas que se abren en la trama “como por arte de magia”.MUNDIS2023-03-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/pdfhttps://doi.org/10.37334/eras.v14i1.287https://doi.org/10.37334/eras.v14i1.287ERAS | European Review of Artistic Studies; Vol. 14 N.º 1 (2023): 52.ª Edição | ERAS; 1-21ERAS | European Review of Artistic Studies; Vol. 14 No. 1 (2023): 52.ª Edição | ERAS; 1-211647-35582184-2116reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPspaenghttps://eras.mundis.pt/index.php/eras/article/view/287https://eras.mundis.pt/index.php/eras/article/view/287/258https://eras.mundis.pt/index.php/eras/article/view/287/259Direitos de Autor (c) 2023 ERAS | European Review of Artistic Studiesinfo:eu-repo/semantics/openAccessMisevich , ValeriaRivera , Rocío2023-09-01T12:45:21Zoai:ojs2.eras.mundis.pt:article/287Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:27:57.140669Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui Guzman
ANÁLISIS DEL ESTATUTO DEL ACTOR, LA NOCIÓN DE PERSONAJE Y LA SITUACIÓN DE ACTUACIÓN EN EL CENTÉSIMO MONO DE OSQUI GUZMÁN
ANÁLISIS DEL ESTATUTO DEL ACTOR, LA NOCIÓN DE PERSONAJE Y LA SITUACIÓN DE ACTUACIÓN EN EL CENTÉSIMO MONO DE OSQUI GUZMÁN
title Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui Guzman
spellingShingle Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui Guzman
Misevich , Valeria
Metatheatricality
Character
Theatrical Device
Osqui Guzmán
Buenos Aires
Metateatralidad
Personaje
Dispositivo Teatral
Osqui Guzmán
Buenos Aires
title_short Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui Guzman
title_full Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui Guzman
title_fullStr Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui Guzman
title_full_unstemmed Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui Guzman
title_sort Actor's statute analysis, notion of Character and Acting Situation in "El centésimo mono" by Osqui Guzman
author Misevich , Valeria
author_facet Misevich , Valeria
Rivera , Rocío
author_role author
author2 Rivera , Rocío
author2_role author
dc.contributor.author.fl_str_mv Misevich , Valeria
Rivera , Rocío
dc.subject.por.fl_str_mv Metatheatricality
Character
Theatrical Device
Osqui Guzmán
Buenos Aires
Metateatralidad
Personaje
Dispositivo Teatral
Osqui Guzmán
Buenos Aires
topic Metatheatricality
Character
Theatrical Device
Osqui Guzmán
Buenos Aires
Metateatralidad
Personaje
Dispositivo Teatral
Osqui Guzmán
Buenos Aires
description El centésimo mono by Osqui Guzmán puts theatre, actor and character at stake by enabling the audience's critical eye. The play creates an alternate (and interesting) space within the argentine theatre system in the 21st Century which questions the production and expectation conditions of the theatrical event itself. The Character, a splintered, blurred and hard to grasp entity, is the centrepiece of the play and turns into a guide and direct speaker to the audience. The resources and procedures analysed from a theoretical perspective that appeals not only to its own concepts but also to other fields of cultural thinking, make it possible for a more complex analysis of the actor-character duality and his performance on stage. El centésimo mono is a play where the actorsubject leaves his own marks through the cracks which open up the plot by magic.
publishDate 2023
dc.date.none.fl_str_mv 2023-03-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.37334/eras.v14i1.287
https://doi.org/10.37334/eras.v14i1.287
url https://doi.org/10.37334/eras.v14i1.287
dc.language.iso.fl_str_mv spa
eng
language spa
eng
dc.relation.none.fl_str_mv https://eras.mundis.pt/index.php/eras/article/view/287
https://eras.mundis.pt/index.php/eras/article/view/287/258
https://eras.mundis.pt/index.php/eras/article/view/287/259
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 ERAS | European Review of Artistic Studies
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2023 ERAS | European Review of Artistic Studies
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv MUNDIS
publisher.none.fl_str_mv MUNDIS
dc.source.none.fl_str_mv ERAS | European Review of Artistic Studies; Vol. 14 N.º 1 (2023): 52.ª Edição | ERAS; 1-21
ERAS | European Review of Artistic Studies; Vol. 14 No. 1 (2023): 52.ª Edição | ERAS; 1-21
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instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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