Literary knowledge as aesthetic language of being

Detalhes bibliográficos
Autor(a) principal: Fernando Gonçalves, Lucas
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34624/fb.v0i14.544
Resumo: This article presents the Epistemology of Romance, proposed by Wilton Barroso Filho, reflecting on its constitution as methodological foundation, sensibility thinking and its scientific spirit. The theoretical reference of the research is: epistemological, aesthetic and hermeneutic. We understand, in agreement with Georg Lukács and Milan Kundera, that the novel is a work derived from Modernity and that its art composes rational elements. With this, our objective of research is to find the aesthetic choices of the author José Saramago, analyzing the fundamental themes of his work and the invariance that there is in his literary architecture. We consider the Saramaguian romanesque work to be an essayistic aesthetic style that approaches, philosophically, the materialism-dialectic of Critical Theory. We conclude that literature is an important reference for understanding the being-there in which Heidegger’s conception had been forgotten by philosophers throughout European history.
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spelling Literary knowledge as aesthetic language of beingO conhecimento literário como linguagem estética do serThis article presents the Epistemology of Romance, proposed by Wilton Barroso Filho, reflecting on its constitution as methodological foundation, sensibility thinking and its scientific spirit. The theoretical reference of the research is: epistemological, aesthetic and hermeneutic. We understand, in agreement with Georg Lukács and Milan Kundera, that the novel is a work derived from Modernity and that its art composes rational elements. With this, our objective of research is to find the aesthetic choices of the author José Saramago, analyzing the fundamental themes of his work and the invariance that there is in his literary architecture. We consider the Saramaguian romanesque work to be an essayistic aesthetic style that approaches, philosophically, the materialism-dialectic of Critical Theory. We conclude that literature is an important reference for understanding the being-there in which Heidegger’s conception had been forgotten by philosophers throughout European history.O presente artigo apresenta a Epistemologia do Romance, proposta de Wilton Barroso Filho, refletindo sobre sua constituição como fundamento metodológico, pensamento da sensibilidade e o seu espírito científico. O referencial teórico de pesquisa é: epistemológico, estético e hermenêutico. Compreendemos, concordando com Georg Lukács e Milan Kundera, que o romance é obra oriunda da Modernidade e que sua arte compõe elementos racionais. Com isso, nosso objetivo de pesquisa é encontrar as escolhas estéticas do autor José Saramago, analisando os temas fundamentais de sua obra e a invariância que há na sua arquitetura literária.Consideramos, a obra romanesca saramaguiana constituinte de um estilo estético ensaístico e que se aproxima, filosoficamente, com o materialismo-dialético da Teoria Crítica. Concluímos que a literatura é um importante referencial para compreendermos o ser-aí em que, na concepção de Heidegger, havia sido esquecido pelos filósofos ao longo da História europeia.UA Editora - Universidade de Aveiro2019-03-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/fb.v0i14.544https://doi.org/10.34624/fb.v0i14.544Forma Breve; No 14 (2017): O conto: o cânone e as margens; 631-642Forma Breve; n.º 14 (2017): O conto: o cânone e as margens; 631-6422183-47091645-927Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/formabreve/article/view/544https://proa.ua.pt/index.php/formabreve/article/view/544/451Fernando Gonçalves, Lucasinfo:eu-repo/semantics/openAccess2023-11-23T18:46:23Zoai:proa.ua.pt:article/544Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:02:38.994713Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Literary knowledge as aesthetic language of being
O conhecimento literário como linguagem estética do ser
title Literary knowledge as aesthetic language of being
spellingShingle Literary knowledge as aesthetic language of being
Fernando Gonçalves, Lucas
title_short Literary knowledge as aesthetic language of being
title_full Literary knowledge as aesthetic language of being
title_fullStr Literary knowledge as aesthetic language of being
title_full_unstemmed Literary knowledge as aesthetic language of being
title_sort Literary knowledge as aesthetic language of being
author Fernando Gonçalves, Lucas
author_facet Fernando Gonçalves, Lucas
author_role author
dc.contributor.author.fl_str_mv Fernando Gonçalves, Lucas
description This article presents the Epistemology of Romance, proposed by Wilton Barroso Filho, reflecting on its constitution as methodological foundation, sensibility thinking and its scientific spirit. The theoretical reference of the research is: epistemological, aesthetic and hermeneutic. We understand, in agreement with Georg Lukács and Milan Kundera, that the novel is a work derived from Modernity and that its art composes rational elements. With this, our objective of research is to find the aesthetic choices of the author José Saramago, analyzing the fundamental themes of his work and the invariance that there is in his literary architecture. We consider the Saramaguian romanesque work to be an essayistic aesthetic style that approaches, philosophically, the materialism-dialectic of Critical Theory. We conclude that literature is an important reference for understanding the being-there in which Heidegger’s conception had been forgotten by philosophers throughout European history.
publishDate 2019
dc.date.none.fl_str_mv 2019-03-01
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34624/fb.v0i14.544
https://doi.org/10.34624/fb.v0i14.544
url https://doi.org/10.34624/fb.v0i14.544
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://proa.ua.pt/index.php/formabreve/article/view/544
https://proa.ua.pt/index.php/formabreve/article/view/544/451
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UA Editora - Universidade de Aveiro
publisher.none.fl_str_mv UA Editora - Universidade de Aveiro
dc.source.none.fl_str_mv Forma Breve; No 14 (2017): O conto: o cânone e as margens; 631-642
Forma Breve; n.º 14 (2017): O conto: o cânone e as margens; 631-642
2183-4709
1645-927X
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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