Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil

Detalhes bibliográficos
Autor(a) principal: Sales, Michelle
Data de Publicação: 2020
Outros Autores: Muniz, Bruno
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2020.8532
Resumo: In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from the 2000s, a period considered the "Resumption of Brazilian Cinema". Cinema produced by black directors emerges as counter-narratives, deepening the way in which Brazilian cinema represents the racial issue in Brazil in a stereotyped way. To think about this structural racism in the field of cinema we will deepen the concept of racial anthropophagy (Amparo, 2018; Paixão, 2015) a kind of aesthetic of the flesh, in which the image of the "other" (the black or black) is appropriate and devoured in the name of art. We will also seek to dialogue with black feminism in Brazil, emphasizing the specificity of this field and discussing image production around black women in Brazil.
id RCAP_ae841d3361717f6c353e3e482201a158
oai_identifier_str oai:ojs.revistas.ucp.pt:article/8532
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in BrazilIn this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from the 2000s, a period considered the "Resumption of Brazilian Cinema". Cinema produced by black directors emerges as counter-narratives, deepening the way in which Brazilian cinema represents the racial issue in Brazil in a stereotyped way. To think about this structural racism in the field of cinema we will deepen the concept of racial anthropophagy (Amparo, 2018; Paixão, 2015) a kind of aesthetic of the flesh, in which the image of the "other" (the black or black) is appropriate and devoured in the name of art. We will also seek to dialogue with black feminism in Brazil, emphasizing the specificity of this field and discussing image production around black women in Brazil.Universidade Católica Portuguesa2020-07-24T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2020.8532oai:ojs.revistas.ucp.pt:article/8532Journal of Science and Technology of the Arts; Vol 12 No 2 (2020): On Cinema; 52-72Journal of Science and Technology of the Arts; v. 12 n. 2 (2020): On Cinema; 52-722183-00881646-979810.34632/jsta.2020.12.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/8532https://doi.org/10.34632/jsta.2020.8532https://revistas.ucp.pt/index.php/jsta/article/view/8532/9304Copyright (c) 2020 Michelle Sales, Bruno Munizhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSales, MichelleMuniz, Bruno2022-09-22T16:19:26Zoai:ojs.revistas.ucp.pt:article/8532Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:05.906730Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
spellingShingle Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
Sales, Michelle
title_short Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title_full Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title_fullStr Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title_full_unstemmed Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title_sort Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
author Sales, Michelle
author_facet Sales, Michelle
Muniz, Bruno
author_role author
author2 Muniz, Bruno
author2_role author
dc.contributor.author.fl_str_mv Sales, Michelle
Muniz, Bruno
description In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from the 2000s, a period considered the "Resumption of Brazilian Cinema". Cinema produced by black directors emerges as counter-narratives, deepening the way in which Brazilian cinema represents the racial issue in Brazil in a stereotyped way. To think about this structural racism in the field of cinema we will deepen the concept of racial anthropophagy (Amparo, 2018; Paixão, 2015) a kind of aesthetic of the flesh, in which the image of the "other" (the black or black) is appropriate and devoured in the name of art. We will also seek to dialogue with black feminism in Brazil, emphasizing the specificity of this field and discussing image production around black women in Brazil.
publishDate 2020
dc.date.none.fl_str_mv 2020-07-24T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2020.8532
oai:ojs.revistas.ucp.pt:article/8532
url https://doi.org/10.34632/jsta.2020.8532
identifier_str_mv oai:ojs.revistas.ucp.pt:article/8532
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/8532
https://doi.org/10.34632/jsta.2020.8532
https://revistas.ucp.pt/index.php/jsta/article/view/8532/9304
dc.rights.driver.fl_str_mv Copyright (c) 2020 Michelle Sales, Bruno Muniz
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Michelle Sales, Bruno Muniz
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 12 No 2 (2020): On Cinema; 52-72
Journal of Science and Technology of the Arts; v. 12 n. 2 (2020): On Cinema; 52-72
2183-0088
1646-9798
10.34632/jsta.2020.12.2
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799130457541967872

Registros relacionados