Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10316/92319 https://doi.org/10.34632/jsta.2020.8532 |
Resumo: | In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from the 2000s, a period considered the "Resumption of Brazilian Cinema". Cinema produced by black directors emerges as counter-narratives, deepening the way in which Brazilian cinema represents the racial issue in Brazil in a stereotyped way. To think about this structural racism in the field of cinema we will deepen the concept of racial anthropophagy (Amparo, 2018; Paixão, 2015) a kind of aesthetic of the flesh, in which the image of the "other" (the black or black) is appropriate and devoured in the name of art. We will also seek to dialogue with black feminism in Brazil, emphasizing the specificity of this field and discussing image production around black women in Brazil. |
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Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in BrazilBrazilian contemporary cinemaRacial anthropophagyDecolonialityAnti-racist cultural productionIn this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from the 2000s, a period considered the "Resumption of Brazilian Cinema". Cinema produced by black directors emerges as counter-narratives, deepening the way in which Brazilian cinema represents the racial issue in Brazil in a stereotyped way. To think about this structural racism in the field of cinema we will deepen the concept of racial anthropophagy (Amparo, 2018; Paixão, 2015) a kind of aesthetic of the flesh, in which the image of the "other" (the black or black) is appropriate and devoured in the name of art. We will also seek to dialogue with black feminism in Brazil, emphasizing the specificity of this field and discussing image production around black women in Brazil.Universidade Católica Portuguesa2020-07-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/92319http://hdl.handle.net/10316/92319https://doi.org/10.34632/jsta.2020.8532eng2183-00881646-9798https://doi.org/10.34632/jsta.2020.8532Sales, MichelleMuniz, Brunoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-05-25T05:35:44Zoai:estudogeral.uc.pt:10316/92319Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:11:26.725132Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil |
title |
Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil |
spellingShingle |
Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil Sales, Michelle Brazilian contemporary cinema Racial anthropophagy Decoloniality Anti-racist cultural production |
title_short |
Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil |
title_full |
Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil |
title_fullStr |
Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil |
title_full_unstemmed |
Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil |
title_sort |
Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil |
author |
Sales, Michelle |
author_facet |
Sales, Michelle Muniz, Bruno |
author_role |
author |
author2 |
Muniz, Bruno |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Sales, Michelle Muniz, Bruno |
dc.subject.por.fl_str_mv |
Brazilian contemporary cinema Racial anthropophagy Decoloniality Anti-racist cultural production |
topic |
Brazilian contemporary cinema Racial anthropophagy Decoloniality Anti-racist cultural production |
description |
In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from the 2000s, a period considered the "Resumption of Brazilian Cinema". Cinema produced by black directors emerges as counter-narratives, deepening the way in which Brazilian cinema represents the racial issue in Brazil in a stereotyped way. To think about this structural racism in the field of cinema we will deepen the concept of racial anthropophagy (Amparo, 2018; Paixão, 2015) a kind of aesthetic of the flesh, in which the image of the "other" (the black or black) is appropriate and devoured in the name of art. We will also seek to dialogue with black feminism in Brazil, emphasizing the specificity of this field and discussing image production around black women in Brazil. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-07-24 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10316/92319 http://hdl.handle.net/10316/92319 https://doi.org/10.34632/jsta.2020.8532 |
url |
http://hdl.handle.net/10316/92319 https://doi.org/10.34632/jsta.2020.8532 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2183-0088 1646-9798 https://doi.org/10.34632/jsta.2020.8532 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134011146108928 |