Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil

Detalhes bibliográficos
Autor(a) principal: Sales, Michelle
Data de Publicação: 2020
Outros Autores: Muniz, Bruno
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/92319
https://doi.org/10.34632/jsta.2020.8532
Resumo: In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from the 2000s, a period considered the "Resumption of Brazilian Cinema". Cinema produced by black directors emerges as counter-narratives, deepening the way in which Brazilian cinema represents the racial issue in Brazil in a stereotyped way. To think about this structural racism in the field of cinema we will deepen the concept of racial anthropophagy (Amparo, 2018; Paixão, 2015) a kind of aesthetic of the flesh, in which the image of the "other" (the black or black) is appropriate and devoured in the name of art. We will also seek to dialogue with black feminism in Brazil, emphasizing the specificity of this field and discussing image production around black women in Brazil.
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spelling Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in BrazilBrazilian contemporary cinemaRacial anthropophagyDecolonialityAnti-racist cultural productionIn this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from the 2000s, a period considered the "Resumption of Brazilian Cinema". Cinema produced by black directors emerges as counter-narratives, deepening the way in which Brazilian cinema represents the racial issue in Brazil in a stereotyped way. To think about this structural racism in the field of cinema we will deepen the concept of racial anthropophagy (Amparo, 2018; Paixão, 2015) a kind of aesthetic of the flesh, in which the image of the "other" (the black or black) is appropriate and devoured in the name of art. We will also seek to dialogue with black feminism in Brazil, emphasizing the specificity of this field and discussing image production around black women in Brazil.Universidade Católica Portuguesa2020-07-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/92319http://hdl.handle.net/10316/92319https://doi.org/10.34632/jsta.2020.8532eng2183-00881646-9798https://doi.org/10.34632/jsta.2020.8532Sales, MichelleMuniz, Brunoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-05-25T05:35:44Zoai:estudogeral.uc.pt:10316/92319Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:11:26.725132Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
spellingShingle Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
Sales, Michelle
Brazilian contemporary cinema
Racial anthropophagy
Decoloniality
Anti-racist cultural production
title_short Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title_full Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title_fullStr Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title_full_unstemmed Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
title_sort Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil
author Sales, Michelle
author_facet Sales, Michelle
Muniz, Bruno
author_role author
author2 Muniz, Bruno
author2_role author
dc.contributor.author.fl_str_mv Sales, Michelle
Muniz, Bruno
dc.subject.por.fl_str_mv Brazilian contemporary cinema
Racial anthropophagy
Decoloniality
Anti-racist cultural production
topic Brazilian contemporary cinema
Racial anthropophagy
Decoloniality
Anti-racist cultural production
description In this article, we intend to talk about the representation of black people in Brazilian cinema, pointing out how hegemonic images of Brazilian cinema corroborate the structural racism of our society, analyzing films (and other visual narratives) from the 2000s, a period considered the "Resumption of Brazilian Cinema". Cinema produced by black directors emerges as counter-narratives, deepening the way in which Brazilian cinema represents the racial issue in Brazil in a stereotyped way. To think about this structural racism in the field of cinema we will deepen the concept of racial anthropophagy (Amparo, 2018; Paixão, 2015) a kind of aesthetic of the flesh, in which the image of the "other" (the black or black) is appropriate and devoured in the name of art. We will also seek to dialogue with black feminism in Brazil, emphasizing the specificity of this field and discussing image production around black women in Brazil.
publishDate 2020
dc.date.none.fl_str_mv 2020-07-24
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10316/92319
http://hdl.handle.net/10316/92319
https://doi.org/10.34632/jsta.2020.8532
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https://doi.org/10.34632/jsta.2020.8532
dc.language.iso.fl_str_mv eng
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1646-9798
https://doi.org/10.34632/jsta.2020.8532
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dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
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