Curating street art
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.25765/sauc.v3i2.87 |
Resumo: | After being largely ignored for decades, street art has in the last ten years been increasingly assimilated by society and the art system. Numerous artists who started their careers producing street work on their own initiative and without seeking permission are now being commissioned to create official public art – mostly murals – and pieces for galleries, museums and collections. This paper looks at the differences between producing art in public space without permission and producing art for the gallery, and at the possible approaches to the commission of gallery artworks related to the street practice of an artist. It ends with an analysis of the problems and possibilities of commissioning pieces to be produced in the street without permission. |
id |
RCAP_afa37533036ce2bd7bd1b24a5c5039b1 |
---|---|
oai_identifier_str |
oai:journals.ap2.pt:article/87 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
Curating street artAfter being largely ignored for decades, street art has in the last ten years been increasingly assimilated by society and the art system. Numerous artists who started their careers producing street work on their own initiative and without seeking permission are now being commissioned to create official public art – mostly murals – and pieces for galleries, museums and collections. This paper looks at the differences between producing art in public space without permission and producing art for the gallery, and at the possible approaches to the commission of gallery artworks related to the street practice of an artist. It ends with an analysis of the problems and possibilities of commissioning pieces to be produced in the street without permission.AP22017-11-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v3i2.87https://doi.org/10.25765/sauc.v3i2.87SAUC - Street Art and Urban Creativity; Vol 3 No 2 (2017): Knowledge Transfer; 112 - 1182183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/87https://journals.ap2.pt/index.php/sauc/article/view/87/74Abarca, Javierinfo:eu-repo/semantics/openAccess2024-01-26T14:15:33Zoai:journals.ap2.pt:article/87Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:48.575171Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Curating street art |
title |
Curating street art |
spellingShingle |
Curating street art Abarca, Javier |
title_short |
Curating street art |
title_full |
Curating street art |
title_fullStr |
Curating street art |
title_full_unstemmed |
Curating street art |
title_sort |
Curating street art |
author |
Abarca, Javier |
author_facet |
Abarca, Javier |
author_role |
author |
dc.contributor.author.fl_str_mv |
Abarca, Javier |
description |
After being largely ignored for decades, street art has in the last ten years been increasingly assimilated by society and the art system. Numerous artists who started their careers producing street work on their own initiative and without seeking permission are now being commissioned to create official public art – mostly murals – and pieces for galleries, museums and collections. This paper looks at the differences between producing art in public space without permission and producing art for the gallery, and at the possible approaches to the commission of gallery artworks related to the street practice of an artist. It ends with an analysis of the problems and possibilities of commissioning pieces to be produced in the street without permission. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-11-20 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.25765/sauc.v3i2.87 https://doi.org/10.25765/sauc.v3i2.87 |
url |
https://doi.org/10.25765/sauc.v3i2.87 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/sauc/article/view/87 https://journals.ap2.pt/index.php/sauc/article/view/87/74 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
AP2 |
publisher.none.fl_str_mv |
AP2 |
dc.source.none.fl_str_mv |
SAUC - Street Art and Urban Creativity; Vol 3 No 2 (2017): Knowledge Transfer; 112 - 118 2183-9956 2183-3869 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799137063588593664 |