Street Art is dead. Again and again

Detalhes bibliográficos
Autor(a) principal: Filippi, Mauro
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v5i2.206
Resumo: What do we mean today, in 2019, by the label ‘Street Art’? Is there really anything that still associate Mexican murals, New York tags and Brazilian pichação with festivals, exhibitions, fairs and millionaire auctions? What links the political and media performances of Banksy to the silent and detailed decorations of Nespoon, the enormous and spectacular installations of Kaws to the tiny and ephemeral characters of Slinkachu, or even the powerful vandalistic actions of Brad Downey to the shining live paintings of Natalia Rak?
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spelling Street Art is dead. Again and againWhat do we mean today, in 2019, by the label ‘Street Art’? Is there really anything that still associate Mexican murals, New York tags and Brazilian pichação with festivals, exhibitions, fairs and millionaire auctions? What links the political and media performances of Banksy to the silent and detailed decorations of Nespoon, the enormous and spectacular installations of Kaws to the tiny and ephemeral characters of Slinkachu, or even the powerful vandalistic actions of Brad Downey to the shining live paintings of Natalia Rak?AP22020-02-11info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v5i2.206https://doi.org/10.25765/sauc.v5i2.206SAUC - Street Art and Urban Creativity; Vol 5 No 2 (2019): Desire Lines: Metaphorical; 84 - 902183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/206https://journals.ap2.pt/index.php/sauc/article/view/206/145Copyright (c) 2020 SAUC - Street Art & Urban Creativity Scientific Journalinfo:eu-repo/semantics/openAccessFilippi, Mauro2024-01-26T14:15:37Zoai:journals.ap2.pt:article/206Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:50.806145Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Street Art is dead. Again and again
title Street Art is dead. Again and again
spellingShingle Street Art is dead. Again and again
Filippi, Mauro
title_short Street Art is dead. Again and again
title_full Street Art is dead. Again and again
title_fullStr Street Art is dead. Again and again
title_full_unstemmed Street Art is dead. Again and again
title_sort Street Art is dead. Again and again
author Filippi, Mauro
author_facet Filippi, Mauro
author_role author
dc.contributor.author.fl_str_mv Filippi, Mauro
description What do we mean today, in 2019, by the label ‘Street Art’? Is there really anything that still associate Mexican murals, New York tags and Brazilian pichação with festivals, exhibitions, fairs and millionaire auctions? What links the political and media performances of Banksy to the silent and detailed decorations of Nespoon, the enormous and spectacular installations of Kaws to the tiny and ephemeral characters of Slinkachu, or even the powerful vandalistic actions of Brad Downey to the shining live paintings of Natalia Rak?
publishDate 2020
dc.date.none.fl_str_mv 2020-02-11
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