Street Art is dead. Again and again
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.25765/sauc.v5i2.206 |
Resumo: | What do we mean today, in 2019, by the label ‘Street Art’? Is there really anything that still associate Mexican murals, New York tags and Brazilian pichação with festivals, exhibitions, fairs and millionaire auctions? What links the political and media performances of Banksy to the silent and detailed decorations of Nespoon, the enormous and spectacular installations of Kaws to the tiny and ephemeral characters of Slinkachu, or even the powerful vandalistic actions of Brad Downey to the shining live paintings of Natalia Rak? |
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Street Art is dead. Again and againWhat do we mean today, in 2019, by the label ‘Street Art’? Is there really anything that still associate Mexican murals, New York tags and Brazilian pichação with festivals, exhibitions, fairs and millionaire auctions? What links the political and media performances of Banksy to the silent and detailed decorations of Nespoon, the enormous and spectacular installations of Kaws to the tiny and ephemeral characters of Slinkachu, or even the powerful vandalistic actions of Brad Downey to the shining live paintings of Natalia Rak?AP22020-02-11info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v5i2.206https://doi.org/10.25765/sauc.v5i2.206SAUC - Street Art and Urban Creativity; Vol 5 No 2 (2019): Desire Lines: Metaphorical; 84 - 902183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/206https://journals.ap2.pt/index.php/sauc/article/view/206/145Copyright (c) 2020 SAUC - Street Art & Urban Creativity Scientific Journalinfo:eu-repo/semantics/openAccessFilippi, Mauro2024-01-26T14:15:37Zoai:journals.ap2.pt:article/206Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:50.806145Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Street Art is dead. Again and again |
title |
Street Art is dead. Again and again |
spellingShingle |
Street Art is dead. Again and again Filippi, Mauro |
title_short |
Street Art is dead. Again and again |
title_full |
Street Art is dead. Again and again |
title_fullStr |
Street Art is dead. Again and again |
title_full_unstemmed |
Street Art is dead. Again and again |
title_sort |
Street Art is dead. Again and again |
author |
Filippi, Mauro |
author_facet |
Filippi, Mauro |
author_role |
author |
dc.contributor.author.fl_str_mv |
Filippi, Mauro |
description |
What do we mean today, in 2019, by the label ‘Street Art’? Is there really anything that still associate Mexican murals, New York tags and Brazilian pichação with festivals, exhibitions, fairs and millionaire auctions? What links the political and media performances of Banksy to the silent and detailed decorations of Nespoon, the enormous and spectacular installations of Kaws to the tiny and ephemeral characters of Slinkachu, or even the powerful vandalistic actions of Brad Downey to the shining live paintings of Natalia Rak? |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-02-11 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.25765/sauc.v5i2.206 https://doi.org/10.25765/sauc.v5i2.206 |
url |
https://doi.org/10.25765/sauc.v5i2.206 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/sauc/article/view/206 https://journals.ap2.pt/index.php/sauc/article/view/206/145 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 SAUC - Street Art & Urban Creativity Scientific Journal info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 SAUC - Street Art & Urban Creativity Scientific Journal |
eu_rights_str_mv |
openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
AP2 |
publisher.none.fl_str_mv |
AP2 |
dc.source.none.fl_str_mv |
SAUC - Street Art and Urban Creativity; Vol 5 No 2 (2019): Desire Lines: Metaphorical; 84 - 90 2183-9956 2183-3869 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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