"Non ou a vã glória de mandar": an identity and geopolitical portrait of Portugal

• Autor(a) principal: Veiga Copertino F. da Silva, Mariana
• Data de Publicação: 2017
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: https://doi.org/10.34640/universidademadeira2017silva
• topic: cinema português; identidade nacional; Manoel de Oliveira; Non ou a vã glória de mandar; cinema e território; portuguese cinema; nacional identity; Manoel de Oliveira; Non ou a vã glória de mandar; cinema and territory; cinéma portugais; identité nationale; Manoel de Oliveira; Non ou a vã glória de mandar; le cinéma et le territoire; cine portugués; identidad nacional; Manoel de Oliveira; Non ou a vã glória de mandar; cine y territorio

One of Manoel de Oliveira's best known films, Non ou a vã glória de mandar, shows a group of soldiers facing the war in Africa in 1974. Oliveira recounts, in a kind of The Lusiads inside out, the history of Portugal, but through the bitter defeats suffered inside and outside Lusitanian territory, always resulting from the "vain glory of command". In each episode portrayed, there is failure in social and territorial disputes - ranging from the historical event of Viriato, leader of the Lusitanian tribes in resistance to the Romans, to the infamous battle of Alcácer-Quibir and the resulting designs of sebastianism. Listing a series of episodes that date back to the history of Portugal, Manoel de Oliveira seeks to make a reflection on the human and cultural dimension of the Portuguese people having the Lusitanian space as a motto to understand this relationship. This article seeks to analyse in the film Non ou a vã glória de mandar, the relationships established between cinema and the concept of territory which serve as a common thread for reflection on the formation of a nation, in addition to observing the cinema of Oliveira as a space for the expression of the [...].