POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-Carneiro

Bibliographic Details
Main Author: Lopes, Fabiana
Publication Date: 2022
Other Authors: Villas-Boas, Inês, Rodrigues , João Bartolomeu
Format: Article
Language: por
eng
Source: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Download full: https://doi.org/10.37334/eras.v13i4.286
Summary: The present article deals with the theme of poetry and the visual arts, which interconnect and connect more deeply than they may appear to. Since ancient times, poetry, and visual art (especially concerning images and painting) have been companions, often indivisible. Now, over the centuries, there have been a profusion of authors who aim to touch both arts. Mário de Sá-Carneiro is one of them. Therefore, the subsequent paper will embark on the wide poetic, imagistic and pictorial ocean that is contemplated in the poetics of this figure who marked both poetry and its graphic and pictorial character, breaking the border that separates both arts. This paper will start by questioning: "How do Mário de Sá-Carneiro's verses illustrate the connection between poetry, painting and image?". Thus, it will be possible to ascertain, in the following words, this connection. It will be possible to understand how poetry and painting, or image can connect, arts that since the beginning accompany the human being. For this purpose, authors such as Fernando Cabral Martins, a specialist in modern literature studies and great admire and scholar of Sá-Carneiro, will be addressed.
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spelling POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-CarneiroPOESIA E ARTES VISUAIS: O vínculo poético-imagético e pictórico em Mário de Sá-CarneiroMário de Sá-CarneiroModernismPoetryVisual ArtsArtes VisuaisMário de Sá-CarneiroModernismoPoesiaThe present article deals with the theme of poetry and the visual arts, which interconnect and connect more deeply than they may appear to. Since ancient times, poetry, and visual art (especially concerning images and painting) have been companions, often indivisible. Now, over the centuries, there have been a profusion of authors who aim to touch both arts. Mário de Sá-Carneiro is one of them. Therefore, the subsequent paper will embark on the wide poetic, imagistic and pictorial ocean that is contemplated in the poetics of this figure who marked both poetry and its graphic and pictorial character, breaking the border that separates both arts. This paper will start by questioning: "How do Mário de Sá-Carneiro's verses illustrate the connection between poetry, painting and image?". Thus, it will be possible to ascertain, in the following words, this connection. It will be possible to understand how poetry and painting, or image can connect, arts that since the beginning accompany the human being. For this purpose, authors such as Fernando Cabral Martins, a specialist in modern literature studies and great admire and scholar of Sá-Carneiro, will be addressed.O presente artigo prende-se com o tema da poesia e das artes visuais, cujas se interligam e conectam mais profundamente daquilo que possam aparentar. Desde tempos antigos, a poesia e a arte visual (especialmente no que concerne à imagem e à pintura) são companheiras, muitas vezes indivisíveis. Ora, ao longo dos séculos, surgem profusos autores que visam tocar ambas as artes. Mário de Sá-Carneiro é um deles. Assim sendo, o subsequente documento embarcará no largo oceano poético, imagético e pictórico que se contempla na poética desta figura que marcou tanto a poesia como o seu caráter gráfico e pictórico, quebrando a fronteira que aparentemente separa ambas as artes. Este documento será incitado por uma questão de partida, nomeadamente “De que modo os versos de Mário de Sá-Carneiro ilustram a conexão entre poesia, pintura e imagem?”. Destarte, será possível averiguar, nas subsequentes palavras, esta ligação. Poder-se-á compreender o quão a poesia e a pintura ou a imagem têm a capacidade de se conectar, artes que desde os primórdios acompanham o ser humano. Para tal efeito, serão abordados autores como Fernando Cabral Martins, especialista em estudos de literatura moderna e grande apreciador e estudioso de Sá-Carneiro.MUNDIS2022-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/pdfhttps://doi.org/10.37334/eras.v13i4.286https://doi.org/10.37334/eras.v13i4.286ERAS | European Review of Artistic Studies; Vol. 13 N.º 4 (2022): 51.ª Edição | ERAS; 59-99ERAS | European Review of Artistic Studies; Vol. 13 No. 4 (2022): 51.ª Edição | ERAS; 59-991647-35582184-2116reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporenghttps://eras.mundis.pt/index.php/eras/article/view/286https://eras.mundis.pt/index.php/eras/article/view/286/251https://eras.mundis.pt/index.php/eras/article/view/286/252Direitos de Autor (c) 2022 ERAS | European Review of Artistic Studiesinfo:eu-repo/semantics/openAccessLopes, FabianaVillas-Boas, InêsRodrigues , João Bartolomeu2023-09-01T12:45:21Zoai:ojs2.eras.mundis.pt:article/286Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:27:57.085673Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-Carneiro
POESIA E ARTES VISUAIS: O vínculo poético-imagético e pictórico em Mário de Sá-Carneiro
title POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-Carneiro
spellingShingle POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-Carneiro
Lopes, Fabiana
Mário de Sá-Carneiro
Modernism
Poetry
Visual Arts
Artes Visuais
Mário de Sá-Carneiro
Modernismo
Poesia
title_short POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-Carneiro
title_full POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-Carneiro
title_fullStr POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-Carneiro
title_full_unstemmed POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-Carneiro
title_sort POETRY AND VISUAL ARTS: The poetic-imagetic and pictorial bond in Mário de Sá-Carneiro
author Lopes, Fabiana
author_facet Lopes, Fabiana
Villas-Boas, Inês
Rodrigues , João Bartolomeu
author_role author
author2 Villas-Boas, Inês
Rodrigues , João Bartolomeu
author2_role author
author
dc.contributor.author.fl_str_mv Lopes, Fabiana
Villas-Boas, Inês
Rodrigues , João Bartolomeu
dc.subject.por.fl_str_mv Mário de Sá-Carneiro
Modernism
Poetry
Visual Arts
Artes Visuais
Mário de Sá-Carneiro
Modernismo
Poesia
topic Mário de Sá-Carneiro
Modernism
Poetry
Visual Arts
Artes Visuais
Mário de Sá-Carneiro
Modernismo
Poesia
description The present article deals with the theme of poetry and the visual arts, which interconnect and connect more deeply than they may appear to. Since ancient times, poetry, and visual art (especially concerning images and painting) have been companions, often indivisible. Now, over the centuries, there have been a profusion of authors who aim to touch both arts. Mário de Sá-Carneiro is one of them. Therefore, the subsequent paper will embark on the wide poetic, imagistic and pictorial ocean that is contemplated in the poetics of this figure who marked both poetry and its graphic and pictorial character, breaking the border that separates both arts. This paper will start by questioning: "How do Mário de Sá-Carneiro's verses illustrate the connection between poetry, painting and image?". Thus, it will be possible to ascertain, in the following words, this connection. It will be possible to understand how poetry and painting, or image can connect, arts that since the beginning accompany the human being. For this purpose, authors such as Fernando Cabral Martins, a specialist in modern literature studies and great admire and scholar of Sá-Carneiro, will be addressed.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://doi.org/10.37334/eras.v13i4.286
https://doi.org/10.37334/eras.v13i4.286
url https://doi.org/10.37334/eras.v13i4.286
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://eras.mundis.pt/index.php/eras/article/view/286
https://eras.mundis.pt/index.php/eras/article/view/286/251
https://eras.mundis.pt/index.php/eras/article/view/286/252
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2022 ERAS | European Review of Artistic Studies
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2022 ERAS | European Review of Artistic Studies
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv MUNDIS
publisher.none.fl_str_mv MUNDIS
dc.source.none.fl_str_mv ERAS | European Review of Artistic Studies; Vol. 13 N.º 4 (2022): 51.ª Edição | ERAS; 59-99
ERAS | European Review of Artistic Studies; Vol. 13 No. 4 (2022): 51.ª Edição | ERAS; 59-99
1647-3558
2184-2116
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