Seduce me. Desire me. Or perhaps not - The dramatic voice of desire

Detalhes bibliográficos
Autor(a) principal: Faísco, Cátia
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.51427/cet.sdc.2020.0009
Resumo: Since ancient times, sexual desire has been the object of multiple philosophical reflections and has served as a magnetic compelling force for the creation of the most diverse artistic oeuvres. In the theatrical context, its potential has been explored and (re)presented not only through a dramaturgical tradition, but also through its performative materialization. Therefore, this article proposes a brief approach to the subject of sexual desire, its significance and meanings within contemporary British drama, having has an example the voice of the post‑in‑yer‑ face generation of playwrights such as Nick Payne, Anya Reiss Penelope Skinner, among others. The chosen authors disclose a portrait of the 2000’s society (2000‑ 2015), and their plays were transformed into shows that premiered at the Royal Court Theater in London. This article also aims to understand how sexual desire is communicated within a dialogue and how its characters convey (or not) a naturalistic approach of the playwrights’ perspective on their contemporary society.
id RCAP_b65934cbf1c547fba1e1821225808643
oai_identifier_str oai:ojs.revistas.rcaap.pt:article/21935
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Seduce me. Desire me. Or perhaps not - The dramatic voice of desireSeduz-me. Deseja-me. Ou talvez não - A voz dramática do desejoSexual desireRoyal Court TheatreUKContemporary theatreDesejo sexualRoyal Court TheatreReino UnidoTeatro ContemporâneoSince ancient times, sexual desire has been the object of multiple philosophical reflections and has served as a magnetic compelling force for the creation of the most diverse artistic oeuvres. In the theatrical context, its potential has been explored and (re)presented not only through a dramaturgical tradition, but also through its performative materialization. Therefore, this article proposes a brief approach to the subject of sexual desire, its significance and meanings within contemporary British drama, having has an example the voice of the post‑in‑yer‑ face generation of playwrights such as Nick Payne, Anya Reiss Penelope Skinner, among others. The chosen authors disclose a portrait of the 2000’s society (2000‑ 2015), and their plays were transformed into shows that premiered at the Royal Court Theater in London. This article also aims to understand how sexual desire is communicated within a dialogue and how its characters convey (or not) a naturalistic approach of the playwrights’ perspective on their contemporary society.Desde os tempos antigos, o desejo sexual tem sido objecto de múltiplas reflexões filosóficas e tem servido como uma força magnética de força coerciva para a criação das mais diversas obras artísticas. No contexto teatral, o seu potencial tem sido explorado e (re)apresentado não só através de uma tradição dramatúrgica, mas também através da sua materialização performativa. Assim, este artigo propõe uma breve abordagem ao tema do desejo sexual, o seu significado e significados dentro do drama britânico contemporâneo, tendo como exemplo a voz da geração pós-intérprete de dramaturgos como Nick Payne, Anya Reiss Penelope Skinner, entre outros. Os autores escolhidos revelam um retrato da sociedade do ano 2000 (2000- 2015), e as suas peças foram transformadas em espectáculos que estrearam no Royal Court Theater em Londres. Este artigo visa também compreender como o desejo sexual é comunicado no âmbito de um diálogo e como as suas personagens transmitem (ou não) uma abordagem naturalista da perspectiva dos dramaturgos sobre a sua sociedade contemporânea.Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa2020-01-06info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.51427/cet.sdc.2020.0009https://doi.org/10.51427/cet.sdc.2020.0009Sinais de Cena; 2nd series, nr. 4 (2020); 103-111Sinais de Cena; 2e série, n°4 (2020); 103-111Sinais de Cena; 2.ª série, n.º 4 (2020); 103-1112184-95521646-071510.51427/sdc.vi4reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.rcaap.pt/sdc/article/view/21935https://revistas.rcaap.pt/sdc/article/view/21935/18021Direitos de Autor (c) 2020 Cátia Faíscoinfo:eu-repo/semantics/openAccessFaísco, Cátia2024-01-13T05:16:13Zoai:ojs.revistas.rcaap.pt:article/21935Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:38:00.047835Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Seduce me. Desire me. Or perhaps not - The dramatic voice of desire
Seduz-me. Deseja-me. Ou talvez não - A voz dramática do desejo
title Seduce me. Desire me. Or perhaps not - The dramatic voice of desire
spellingShingle Seduce me. Desire me. Or perhaps not - The dramatic voice of desire
Faísco, Cátia
Sexual desire
Royal Court Theatre
UK
Contemporary theatre
Desejo sexual
Royal Court Theatre
Reino Unido
Teatro Contemporâneo
title_short Seduce me. Desire me. Or perhaps not - The dramatic voice of desire
title_full Seduce me. Desire me. Or perhaps not - The dramatic voice of desire
title_fullStr Seduce me. Desire me. Or perhaps not - The dramatic voice of desire
title_full_unstemmed Seduce me. Desire me. Or perhaps not - The dramatic voice of desire
title_sort Seduce me. Desire me. Or perhaps not - The dramatic voice of desire
author Faísco, Cátia
author_facet Faísco, Cátia
author_role author
dc.contributor.author.fl_str_mv Faísco, Cátia
dc.subject.por.fl_str_mv Sexual desire
Royal Court Theatre
UK
Contemporary theatre
Desejo sexual
Royal Court Theatre
Reino Unido
Teatro Contemporâneo
topic Sexual desire
Royal Court Theatre
UK
Contemporary theatre
Desejo sexual
Royal Court Theatre
Reino Unido
Teatro Contemporâneo
description Since ancient times, sexual desire has been the object of multiple philosophical reflections and has served as a magnetic compelling force for the creation of the most diverse artistic oeuvres. In the theatrical context, its potential has been explored and (re)presented not only through a dramaturgical tradition, but also through its performative materialization. Therefore, this article proposes a brief approach to the subject of sexual desire, its significance and meanings within contemporary British drama, having has an example the voice of the post‑in‑yer‑ face generation of playwrights such as Nick Payne, Anya Reiss Penelope Skinner, among others. The chosen authors disclose a portrait of the 2000’s society (2000‑ 2015), and their plays were transformed into shows that premiered at the Royal Court Theater in London. This article also aims to understand how sexual desire is communicated within a dialogue and how its characters convey (or not) a naturalistic approach of the playwrights’ perspective on their contemporary society.
publishDate 2020
dc.date.none.fl_str_mv 2020-01-06
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.51427/cet.sdc.2020.0009
https://doi.org/10.51427/cet.sdc.2020.0009
url https://doi.org/10.51427/cet.sdc.2020.0009
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.rcaap.pt/sdc/article/view/21935
https://revistas.rcaap.pt/sdc/article/view/21935/18021
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2020 Cátia Faísco
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2020 Cátia Faísco
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
dc.source.none.fl_str_mv Sinais de Cena; 2nd series, nr. 4 (2020); 103-111
Sinais de Cena; 2e série, n°4 (2020); 103-111
Sinais de Cena; 2.ª série, n.º 4 (2020); 103-111
2184-9552
1646-0715
10.51427/sdc.vi4
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799130243335716864

Registros relacionados