The otherness’ representation in art

Detalhes bibliográficos
Autor(a) principal: Larín, Letícia
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.48619/cap.v1i2.176
Resumo: In the widespread text “The Artist as an Ethnographer,” Hal Foster quotes in this contemporary art’s praxis, problematic issues that are difficult to be solved. How to artistically quote the “other,” without infringing ethical notions? By fostering the visibility of “minorities,” articulations around otherness are conducive to the constitution of a democratic context. Meanwhile, such approaches on alterity often serve to strengthen hegemonic power. To reflect on this dilemma, the present article considers aspects of Indianism and Indigenism, under postcolonial perspectives. Besides that, is developed an appreciation on Brazilian contemporary art by the perspective of the metacultural approach, in mode to essay a conclusion.
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spelling The otherness’ representation in artA representação da alteridade na arteIn the widespread text “The Artist as an Ethnographer,” Hal Foster quotes in this contemporary art’s praxis, problematic issues that are difficult to be solved. How to artistically quote the “other,” without infringing ethical notions? By fostering the visibility of “minorities,” articulations around otherness are conducive to the constitution of a democratic context. Meanwhile, such approaches on alterity often serve to strengthen hegemonic power. To reflect on this dilemma, the present article considers aspects of Indianism and Indigenism, under postcolonial perspectives. Besides that, is developed an appreciation on Brazilian contemporary art by the perspective of the metacultural approach, in mode to essay a conclusion.Em seu difundido texto “O Artista como Etnógrafo,” Hal Foster evidencia nesta tendência da arte contemporânea, problemáticas recorrentes e de difícil resolução. Como versar artisticamente sobre o “outro,” sem infringir noções éticas? Ao fomentar a visibilidade das “minorias,” articulações em torno da alteridade são favoráveis à constituição de um contexto democrático. Entretanto, abordagens deste tipo servem, muitas vezes, à instrumentalização do “outro” pelo poder hegemónico. Para reflexionar sobre este dilema, o presente artigo observa aspetos do Indianismo e do Indigenismo sob perspetivas pós-coloniais. Além disso, a modo de conclusão, ensaia-se uma apreciação da arte contemporânea brasileira sob a perspetiva da abordagem metacultural.Urbancreativity.org2020-02-11T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/cap.v1i2.176oai:journals.ap2.pt:article/176CAP - Public Art Journal; Vol 1 No 2 (2019): Narrative in Public Art; 38 - 67Cadernos de Arte Pública; v. 1 n. 2 (2019): Narrative in Public Art; 38 - 67CAP - Cadernos de Arte Pública / Public Art Journal; v. 1 n. 2 (2019): Narrativa e Arte Pública; 38 - 672184-6197reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/CAP/article/view/176https://doi.org/10.48619/cap.v1i2.176https://journals.ap2.pt/index.php/CAP/article/view/176/123Copyright (c) 2020 CAP - Cadernos de Arte Pública / Public Art Journalinfo:eu-repo/semantics/openAccessLarín, Letícia2022-09-20T11:04:25Zoai:journals.ap2.pt:article/176Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:48:58.502538Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The otherness’ representation in art
A representação da alteridade na arte
title The otherness’ representation in art
spellingShingle The otherness’ representation in art
Larín, Letícia
title_short The otherness’ representation in art
title_full The otherness’ representation in art
title_fullStr The otherness’ representation in art
title_full_unstemmed The otherness’ representation in art
title_sort The otherness’ representation in art
author Larín, Letícia
author_facet Larín, Letícia
author_role author
dc.contributor.author.fl_str_mv Larín, Letícia
description In the widespread text “The Artist as an Ethnographer,” Hal Foster quotes in this contemporary art’s praxis, problematic issues that are difficult to be solved. How to artistically quote the “other,” without infringing ethical notions? By fostering the visibility of “minorities,” articulations around otherness are conducive to the constitution of a democratic context. Meanwhile, such approaches on alterity often serve to strengthen hegemonic power. To reflect on this dilemma, the present article considers aspects of Indianism and Indigenism, under postcolonial perspectives. Besides that, is developed an appreciation on Brazilian contemporary art by the perspective of the metacultural approach, in mode to essay a conclusion.
publishDate 2020
dc.date.none.fl_str_mv 2020-02-11T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.48619/cap.v1i2.176
oai:journals.ap2.pt:article/176
url https://doi.org/10.48619/cap.v1i2.176
identifier_str_mv oai:journals.ap2.pt:article/176
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://journals.ap2.pt/index.php/CAP/article/view/176
https://doi.org/10.48619/cap.v1i2.176
https://journals.ap2.pt/index.php/CAP/article/view/176/123
dc.rights.driver.fl_str_mv Copyright (c) 2020 CAP - Cadernos de Arte Pública / Public Art Journal
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 CAP - Cadernos de Arte Pública / Public Art Journal
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Urbancreativity.org
publisher.none.fl_str_mv Urbancreativity.org
dc.source.none.fl_str_mv CAP - Public Art Journal; Vol 1 No 2 (2019): Narrative in Public Art; 38 - 67
Cadernos de Arte Pública; v. 1 n. 2 (2019): Narrative in Public Art; 38 - 67
CAP - Cadernos de Arte Pública / Public Art Journal; v. 1 n. 2 (2019): Narrativa e Arte Pública; 38 - 67
2184-6197
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instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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