The Art of Getting Over
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.48619/uxuc.v1i2.200 |
Resumo: | Throughout graffiti’s history, women have been ignored, sexualised and undermined. But despite the subculture’s history of gender imbalance, female graffiti writers are on the increase. This paper examines the reasons why more women are practising graffiti and evaluates the extent to which equality has been achieved. A focus on the North East of England reveals a persisting lack of female graffiti writers. While graffiti in larger cities such as London have somewhat diversified, in smaller and more isolated scenes gender perhaps remains imbalanced and should prompt further research. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
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The Art of Getting OverThroughout graffiti’s history, women have been ignored, sexualised and undermined. But despite the subculture’s history of gender imbalance, female graffiti writers are on the increase. This paper examines the reasons why more women are practising graffiti and evaluates the extent to which equality has been achieved. A focus on the North East of England reveals a persisting lack of female graffiti writers. While graffiti in larger cities such as London have somewhat diversified, in smaller and more isolated scenes gender perhaps remains imbalanced and should prompt further research.Urbancreativity.org2020-02-11T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/uxuc.v1i2.200oai:journals.ap2.pt:article/200UXUC - User Experience and Urban Creativity; Vol 1 No 2 (2019): How can cities become better human habitat?; 34 - 49reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/UXUC/article/view/200https://doi.org/10.48619/uxuc.v1i2.200https://journals.ap2.pt/index.php/UXUC/article/view/200/159Copyright (c) 2020 UXUC - User Experience & Urban Creativityinfo:eu-repo/semantics/openAccessDavies, Susie2022-09-20T16:05:38Zoai:journals.ap2.pt:article/200Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:53:27.548958Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The Art of Getting Over |
title |
The Art of Getting Over |
spellingShingle |
The Art of Getting Over Davies, Susie |
title_short |
The Art of Getting Over |
title_full |
The Art of Getting Over |
title_fullStr |
The Art of Getting Over |
title_full_unstemmed |
The Art of Getting Over |
title_sort |
The Art of Getting Over |
author |
Davies, Susie |
author_facet |
Davies, Susie |
author_role |
author |
dc.contributor.author.fl_str_mv |
Davies, Susie |
description |
Throughout graffiti’s history, women have been ignored, sexualised and undermined. But despite the subculture’s history of gender imbalance, female graffiti writers are on the increase. This paper examines the reasons why more women are practising graffiti and evaluates the extent to which equality has been achieved. A focus on the North East of England reveals a persisting lack of female graffiti writers. While graffiti in larger cities such as London have somewhat diversified, in smaller and more isolated scenes gender perhaps remains imbalanced and should prompt further research. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-02-11T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.48619/uxuc.v1i2.200 oai:journals.ap2.pt:article/200 |
url |
https://doi.org/10.48619/uxuc.v1i2.200 |
identifier_str_mv |
oai:journals.ap2.pt:article/200 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/UXUC/article/view/200 https://doi.org/10.48619/uxuc.v1i2.200 https://journals.ap2.pt/index.php/UXUC/article/view/200/159 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 UXUC - User Experience & Urban Creativity info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 UXUC - User Experience & Urban Creativity |
eu_rights_str_mv |
openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Urbancreativity.org |
publisher.none.fl_str_mv |
Urbancreativity.org |
dc.source.none.fl_str_mv |
UXUC - User Experience and Urban Creativity; Vol 1 No 2 (2019): How can cities become better human habitat?; 34 - 49 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799130401453637632 |