The Art of Getting Over

Detalhes bibliográficos
Autor(a) principal: Davies, Susie
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.48619/uxuc.v1i2.200
Resumo: Throughout graffiti’s history, women have been ignored, sexualised and undermined. But despite the subculture’s history of gender imbalance, female graffiti writers are on the increase. This paper examines the reasons why more women are practising graffiti and evaluates the extent to which equality has been achieved. A focus on the North East of England reveals a persisting lack of female graffiti writers. While graffiti in larger cities such as London have somewhat diversified, in smaller and more isolated scenes gender perhaps remains imbalanced and should prompt further research.
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spelling The Art of Getting OverThroughout graffiti’s history, women have been ignored, sexualised and undermined. But despite the subculture’s history of gender imbalance, female graffiti writers are on the increase. This paper examines the reasons why more women are practising graffiti and evaluates the extent to which equality has been achieved. A focus on the North East of England reveals a persisting lack of female graffiti writers. While graffiti in larger cities such as London have somewhat diversified, in smaller and more isolated scenes gender perhaps remains imbalanced and should prompt further research.Urbancreativity.org2020-02-11T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/uxuc.v1i2.200oai:journals.ap2.pt:article/200UXUC - User Experience and Urban Creativity; Vol 1 No 2 (2019): How can cities become better human habitat?; 34 - 49reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/UXUC/article/view/200https://doi.org/10.48619/uxuc.v1i2.200https://journals.ap2.pt/index.php/UXUC/article/view/200/159Copyright (c) 2020 UXUC - User Experience & Urban Creativityinfo:eu-repo/semantics/openAccessDavies, Susie2022-09-20T16:05:38Zoai:journals.ap2.pt:article/200Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:53:27.548958Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The Art of Getting Over
title The Art of Getting Over
spellingShingle The Art of Getting Over
Davies, Susie
title_short The Art of Getting Over
title_full The Art of Getting Over
title_fullStr The Art of Getting Over
title_full_unstemmed The Art of Getting Over
title_sort The Art of Getting Over
author Davies, Susie
author_facet Davies, Susie
author_role author
dc.contributor.author.fl_str_mv Davies, Susie
description Throughout graffiti’s history, women have been ignored, sexualised and undermined. But despite the subculture’s history of gender imbalance, female graffiti writers are on the increase. This paper examines the reasons why more women are practising graffiti and evaluates the extent to which equality has been achieved. A focus on the North East of England reveals a persisting lack of female graffiti writers. While graffiti in larger cities such as London have somewhat diversified, in smaller and more isolated scenes gender perhaps remains imbalanced and should prompt further research.
publishDate 2020
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dc.publisher.none.fl_str_mv Urbancreativity.org
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dc.source.none.fl_str_mv UXUC - User Experience and Urban Creativity; Vol 1 No 2 (2019): How can cities become better human habitat?; 34 - 49
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