Cultivating Property

Detalhes bibliográficos
Autor(a) principal: Moreno, Joaquim
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2022.11659
Resumo: This article talks about the anonymous contributions to a fuller practice of the right to the city: the right to a qualified—and let’s add, nutritive—urban environment. In this essay, Moreno argues that these gardens are alien to forms of finding sustenance without cultivation and to dominant social forms of agricultural production. There is an uncanny otherness to the strategies, methods, and effects utilized and, equally, an otherness in the conditions of those who perform the labor: retired, unemployed, marginal, or simply outside the normative time of labor. These gardens are, nonetheless, like other horti conclusi, images of paradise, and thus well-deserving of a properly-planted chair for contemplation.
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spelling Cultivating PropertyThis article talks about the anonymous contributions to a fuller practice of the right to the city: the right to a qualified—and let’s add, nutritive—urban environment. In this essay, Moreno argues that these gardens are alien to forms of finding sustenance without cultivation and to dominant social forms of agricultural production. There is an uncanny otherness to the strategies, methods, and effects utilized and, equally, an otherness in the conditions of those who perform the labor: retired, unemployed, marginal, or simply outside the normative time of labor. These gardens are, nonetheless, like other horti conclusi, images of paradise, and thus well-deserving of a properly-planted chair for contemplation.Universidade Católica Portuguesa2022-07-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2022.11659https://doi.org/10.34632/jsta.2022.11659Journal of Science and Technology of the Arts; Vol 14 No 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 88-92Journal of Science and Technology of the Arts; v. 14 n. 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 88-922183-00881646-979810.34632/jsta.2022.14.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/11659https://revistas.ucp.pt/index.php/jsta/article/view/11659/11250Copyright (c) 2022 Joaquim Morenohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMoreno, Joaquim2023-02-17T07:15:18Zoai:ojs.revistas.ucp.pt:article/11659Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:13:22.434678Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Cultivating Property
title Cultivating Property
spellingShingle Cultivating Property
Moreno, Joaquim
title_short Cultivating Property
title_full Cultivating Property
title_fullStr Cultivating Property
title_full_unstemmed Cultivating Property
title_sort Cultivating Property
author Moreno, Joaquim
author_facet Moreno, Joaquim
author_role author
dc.contributor.author.fl_str_mv Moreno, Joaquim
description This article talks about the anonymous contributions to a fuller practice of the right to the city: the right to a qualified—and let’s add, nutritive—urban environment. In this essay, Moreno argues that these gardens are alien to forms of finding sustenance without cultivation and to dominant social forms of agricultural production. There is an uncanny otherness to the strategies, methods, and effects utilized and, equally, an otherness in the conditions of those who perform the labor: retired, unemployed, marginal, or simply outside the normative time of labor. These gardens are, nonetheless, like other horti conclusi, images of paradise, and thus well-deserving of a properly-planted chair for contemplation.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-28
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2022.11659
https://doi.org/10.34632/jsta.2022.11659
url https://doi.org/10.34632/jsta.2022.11659
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/11659
https://revistas.ucp.pt/index.php/jsta/article/view/11659/11250
dc.rights.driver.fl_str_mv Copyright (c) 2022 Joaquim Moreno
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Joaquim Moreno
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 14 No 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 88-92
Journal of Science and Technology of the Arts; v. 14 n. 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 88-92
2183-0088
1646-9798
10.34632/jsta.2022.14.2
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