Fascinating Museological Audiences, or the Cinematic Appeal

Detalhes bibliográficos
Autor(a) principal: Chinita, Fátima
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2022.11757
Resumo: This review of Mandelli’s book The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions (2019) explains how, according to Mandelli, several viewing dispositifs, understood as a rather flexible assemblage of elements, are increasingly being used in museums to combine education with entertainment. Thus, museums are becoming “cinematic spaces” with an ideological perspective. Mandelli’s approach to the projection technologies of moving images in museological venues is not only chronological but also phenomenological. A three-way interest is recognizable in the alignment of chapters, encompassing the educational value of the dispositifs, their artistic nature, and the experiential factor. As the book provides an interesting overview of two fields that usually are not taken together and contains an assortment of case studies described in detail, it should make a good addition to the fields of Museum and Film
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spelling Fascinating Museological Audiences, or the Cinematic AppealThis review of Mandelli’s book The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions (2019) explains how, according to Mandelli, several viewing dispositifs, understood as a rather flexible assemblage of elements, are increasingly being used in museums to combine education with entertainment. Thus, museums are becoming “cinematic spaces” with an ideological perspective. Mandelli’s approach to the projection technologies of moving images in museological venues is not only chronological but also phenomenological. A three-way interest is recognizable in the alignment of chapters, encompassing the educational value of the dispositifs, their artistic nature, and the experiential factor. As the book provides an interesting overview of two fields that usually are not taken together and contains an assortment of case studies described in detail, it should make a good addition to the fields of Museum and FilmUniversidade Católica Portuguesa2022-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2022.11757https://doi.org/10.34632/jsta.2022.11757Journal of Science and Technology of the Arts; Vol 14 No 3 (2022): On Animation: In-Between Frames; 83-89Journal of Science and Technology of the Arts; v. 14 n. 3 (2022): On Animation: In-Between Frames; 83-892183-00881646-979810.34632/jsta.2022.14.3reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/11757https://revistas.ucp.pt/index.php/jsta/article/view/11757/11343Copyright (c) 2022 Fátima Chinitahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessChinita, Fátima2023-02-17T07:15:18Zoai:ojs.revistas.ucp.pt:article/11757Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:46:43.817553Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Fascinating Museological Audiences, or the Cinematic Appeal
title Fascinating Museological Audiences, or the Cinematic Appeal
spellingShingle Fascinating Museological Audiences, or the Cinematic Appeal
Chinita, Fátima
title_short Fascinating Museological Audiences, or the Cinematic Appeal
title_full Fascinating Museological Audiences, or the Cinematic Appeal
title_fullStr Fascinating Museological Audiences, or the Cinematic Appeal
title_full_unstemmed Fascinating Museological Audiences, or the Cinematic Appeal
title_sort Fascinating Museological Audiences, or the Cinematic Appeal
author Chinita, Fátima
author_facet Chinita, Fátima
author_role author
dc.contributor.author.fl_str_mv Chinita, Fátima
description This review of Mandelli’s book The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions (2019) explains how, according to Mandelli, several viewing dispositifs, understood as a rather flexible assemblage of elements, are increasingly being used in museums to combine education with entertainment. Thus, museums are becoming “cinematic spaces” with an ideological perspective. Mandelli’s approach to the projection technologies of moving images in museological venues is not only chronological but also phenomenological. A three-way interest is recognizable in the alignment of chapters, encompassing the educational value of the dispositifs, their artistic nature, and the experiential factor. As the book provides an interesting overview of two fields that usually are not taken together and contains an assortment of case studies described in detail, it should make a good addition to the fields of Museum and Film
publishDate 2022
dc.date.none.fl_str_mv 2022-12-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2022.11757
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url https://doi.org/10.34632/jsta.2022.11757
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/11757
https://revistas.ucp.pt/index.php/jsta/article/view/11757/11343
dc.rights.driver.fl_str_mv Copyright (c) 2022 Fátima Chinita
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Fátima Chinita
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 14 No 3 (2022): On Animation: In-Between Frames; 83-89
Journal of Science and Technology of the Arts; v. 14 n. 3 (2022): On Animation: In-Between Frames; 83-89
2183-0088
1646-9798
10.34632/jsta.2022.14.3
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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