Passagem do sonho à imagem : ilustração de sonhos
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/23591 |
Resumo: | The objective of this dissertation focuses on conducting a research and a practical project, both directed by the dream based design. Dreaming is an unmanageable cognitive activity which can create all kinds of fantasy or illusion scenarios. Throughout history the dream has been a source of research at both personal and social levels, whose function is to formulate answers for the meaning of life, as well as past or future events. The dream was also often used for healing or other useful purposes. Over time dreams began to be seen as subconscious messengers and its sharing began to emerge as a necessity. Dream share began to be made through cultural events such as storytelling, singing, dancing, writing, or picturing. Due to its visual and sensory manifestation, dreams are often associated with art as a source of inspiration. Its abstraction towards reality and their scenarios, often fantastic, can attract anyone, making inevitable the need for its exploitation. Some artistic movements such as Surrealism, Romanticism and Symbolism, used dreams as the basis of his art. Some artists who reproduced their dreams were: Salvador Dali, Frida Kahlo and Robin Whitmore. Other artists only found inspiration in the dream world, such as: Francisco Goya, Henry Fuseli, William Blake, and Max Ernst. In a third case, individuals outside the art world made small illustrations of their own dreams, such as Marcel Proust and Victor Hugo. The issue raised in this work falls on the seriousness of the dream, that is, in what sense can be availed in artistic creation |
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Passagem do sonho à imagem : ilustração de sonhosDesenhoSonhosInspiraçãoIlustraçãoIlusãoRomantismoSurrealismoSimbolismoCriação artísticaDesenhoThe objective of this dissertation focuses on conducting a research and a practical project, both directed by the dream based design. Dreaming is an unmanageable cognitive activity which can create all kinds of fantasy or illusion scenarios. Throughout history the dream has been a source of research at both personal and social levels, whose function is to formulate answers for the meaning of life, as well as past or future events. The dream was also often used for healing or other useful purposes. Over time dreams began to be seen as subconscious messengers and its sharing began to emerge as a necessity. Dream share began to be made through cultural events such as storytelling, singing, dancing, writing, or picturing. Due to its visual and sensory manifestation, dreams are often associated with art as a source of inspiration. Its abstraction towards reality and their scenarios, often fantastic, can attract anyone, making inevitable the need for its exploitation. Some artistic movements such as Surrealism, Romanticism and Symbolism, used dreams as the basis of his art. Some artists who reproduced their dreams were: Salvador Dali, Frida Kahlo and Robin Whitmore. Other artists only found inspiration in the dream world, such as: Francisco Goya, Henry Fuseli, William Blake, and Max Ernst. In a third case, individuals outside the art world made small illustrations of their own dreams, such as Marcel Proust and Victor Hugo. The issue raised in this work falls on the seriousness of the dream, that is, in what sense can be availed in artistic creationCosta, HenriqueRepositório da Universidade de LisboaCardoso, Ana Rita Fernandes, 1991-2016-05-03T10:03:49Z2016-01-272016-05-032016-01-27T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/23591TID:201485672porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:11:42Zoai:repositorio.ul.pt:10451/23591Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:40:54.723217Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Passagem do sonho à imagem : ilustração de sonhos |
title |
Passagem do sonho à imagem : ilustração de sonhos |
spellingShingle |
Passagem do sonho à imagem : ilustração de sonhos Cardoso, Ana Rita Fernandes, 1991- Desenho Sonhos Inspiração Ilustração Ilusão Romantismo Surrealismo Simbolismo Criação artística Desenho |
title_short |
Passagem do sonho à imagem : ilustração de sonhos |
title_full |
Passagem do sonho à imagem : ilustração de sonhos |
title_fullStr |
Passagem do sonho à imagem : ilustração de sonhos |
title_full_unstemmed |
Passagem do sonho à imagem : ilustração de sonhos |
title_sort |
Passagem do sonho à imagem : ilustração de sonhos |
author |
Cardoso, Ana Rita Fernandes, 1991- |
author_facet |
Cardoso, Ana Rita Fernandes, 1991- |
author_role |
author |
dc.contributor.none.fl_str_mv |
Costa, Henrique Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Cardoso, Ana Rita Fernandes, 1991- |
dc.subject.por.fl_str_mv |
Desenho Sonhos Inspiração Ilustração Ilusão Romantismo Surrealismo Simbolismo Criação artística Desenho |
topic |
Desenho Sonhos Inspiração Ilustração Ilusão Romantismo Surrealismo Simbolismo Criação artística Desenho |
description |
The objective of this dissertation focuses on conducting a research and a practical project, both directed by the dream based design. Dreaming is an unmanageable cognitive activity which can create all kinds of fantasy or illusion scenarios. Throughout history the dream has been a source of research at both personal and social levels, whose function is to formulate answers for the meaning of life, as well as past or future events. The dream was also often used for healing or other useful purposes. Over time dreams began to be seen as subconscious messengers and its sharing began to emerge as a necessity. Dream share began to be made through cultural events such as storytelling, singing, dancing, writing, or picturing. Due to its visual and sensory manifestation, dreams are often associated with art as a source of inspiration. Its abstraction towards reality and their scenarios, often fantastic, can attract anyone, making inevitable the need for its exploitation. Some artistic movements such as Surrealism, Romanticism and Symbolism, used dreams as the basis of his art. Some artists who reproduced their dreams were: Salvador Dali, Frida Kahlo and Robin Whitmore. Other artists only found inspiration in the dream world, such as: Francisco Goya, Henry Fuseli, William Blake, and Max Ernst. In a third case, individuals outside the art world made small illustrations of their own dreams, such as Marcel Proust and Victor Hugo. The issue raised in this work falls on the seriousness of the dream, that is, in what sense can be availed in artistic creation |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-05-03T10:03:49Z 2016-01-27 2016-05-03 2016-01-27T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
format |
masterThesis |
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http://hdl.handle.net/10451/23591 TID:201485672 |
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http://hdl.handle.net/10451/23591 |
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TID:201485672 |
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openAccess |
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image/jpeg application/pdf |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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