It's online, it's news: appropriation of viral narratives by the digital press
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.1/12819 |
Resumo: | At the crossway between information and entertainment, memes and newsgames are some of the news formats which, made viral in social networks, complement the informational experience and compete with the traditional news media in constructing alternative readings of the real. If in the light of Bakhtin (2002), journalism can be understood as a secondary discursive genre that feeds on primary genres (pp. 61-62), how is one to understand the circulation of these discourses produced from journalistic events in social networks? On the other hand, how are these narratives appropriated by the media? What functions do they play in media discourse? In this article we present some examples of products created from events of political impact. Thereafter, we discuss, by the analysis of a set of news stories, how the digital press, in the Iberian context, makes use of them. The purpose of this article is to contribute to the reflection on how the news media relate to these new narratives. |
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It's online, it's news: appropriation of viral narratives by the digital pressJournalismViral narrativesSocial networksInfotainmentPolitical satireAt the crossway between information and entertainment, memes and newsgames are some of the news formats which, made viral in social networks, complement the informational experience and compete with the traditional news media in constructing alternative readings of the real. If in the light of Bakhtin (2002), journalism can be understood as a secondary discursive genre that feeds on primary genres (pp. 61-62), how is one to understand the circulation of these discourses produced from journalistic events in social networks? On the other hand, how are these narratives appropriated by the media? What functions do they play in media discourse? In this article we present some examples of products created from events of political impact. Thereafter, we discuss, by the analysis of a set of news stories, how the digital press, in the Iberian context, makes use of them. The purpose of this article is to contribute to the reflection on how the news media relate to these new narratives.Universidade Católica Portuguesa, Centro de Investigação em Ciência e Tecnologia das ArtesSapientiaMartins, AnaNovoa Fernández, OliviaAguaded, IgnacioTavares, Mirian2019-10-11T14:32:30Z20192019-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.1/12819eng1646-979810.7559/citarj.v11i1.597info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-24T10:24:47Zoai:sapientia.ualg.pt:10400.1/12819Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:04:05.353546Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
It's online, it's news: appropriation of viral narratives by the digital press |
title |
It's online, it's news: appropriation of viral narratives by the digital press |
spellingShingle |
It's online, it's news: appropriation of viral narratives by the digital press Martins, Ana Journalism Viral narratives Social networks Infotainment Political satire |
title_short |
It's online, it's news: appropriation of viral narratives by the digital press |
title_full |
It's online, it's news: appropriation of viral narratives by the digital press |
title_fullStr |
It's online, it's news: appropriation of viral narratives by the digital press |
title_full_unstemmed |
It's online, it's news: appropriation of viral narratives by the digital press |
title_sort |
It's online, it's news: appropriation of viral narratives by the digital press |
author |
Martins, Ana |
author_facet |
Martins, Ana Novoa Fernández, Olivia Aguaded, Ignacio Tavares, Mirian |
author_role |
author |
author2 |
Novoa Fernández, Olivia Aguaded, Ignacio Tavares, Mirian |
author2_role |
author author author |
dc.contributor.none.fl_str_mv |
Sapientia |
dc.contributor.author.fl_str_mv |
Martins, Ana Novoa Fernández, Olivia Aguaded, Ignacio Tavares, Mirian |
dc.subject.por.fl_str_mv |
Journalism Viral narratives Social networks Infotainment Political satire |
topic |
Journalism Viral narratives Social networks Infotainment Political satire |
description |
At the crossway between information and entertainment, memes and newsgames are some of the news formats which, made viral in social networks, complement the informational experience and compete with the traditional news media in constructing alternative readings of the real. If in the light of Bakhtin (2002), journalism can be understood as a secondary discursive genre that feeds on primary genres (pp. 61-62), how is one to understand the circulation of these discourses produced from journalistic events in social networks? On the other hand, how are these narratives appropriated by the media? What functions do they play in media discourse? In this article we present some examples of products created from events of political impact. Thereafter, we discuss, by the analysis of a set of news stories, how the digital press, in the Iberian context, makes use of them. The purpose of this article is to contribute to the reflection on how the news media relate to these new narratives. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-10-11T14:32:30Z 2019 2019-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.1/12819 |
url |
http://hdl.handle.net/10400.1/12819 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
1646-9798 10.7559/citarj.v11i1.597 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa, Centro de Investigação em Ciência e Tecnologia das Artes |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa, Centro de Investigação em Ciência e Tecnologia das Artes |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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